يهتم البحث بدراسة اسلوب البناء التصميمي في تشكيل الفن المفاهيمي للاعمال الفنية التي أساسها الفنان فهو مصدر المدخلات والمخرجات الحسية والمعطيات الأساس في تشكيل التجربة البصرية الفنية داخل البنى التصميمة للعمل الفني بالتحويلات التي تغير نمط الاتجاه الذي يشتغل علية الفنان فيظهر لنا فنا وجدانيا يسمو بمظاهر الواقـع بتطويعها لغايات الفنان الذاتية والجمالـية لطرح رؤية جديدة كفضاء حي يصطبغ بصبغة  الع

This study aimed at identifying how children express the emerging coronavirus in general and according to their age groups (4-13 years) by analyzing 91 of their drawings published online, using the descriptive content analytical approach. The results showed that children's artistic expression of the virus came according to the concepts and ideas they carried about the virus for the age groups of (4-7 years) and (7-9 years), while it came according to visual perception for age groups (9-11 years), and from (11-13) years. Also, most children were aware about the presence of the virus and its widespread around the world, but (99%) of them do not realize the seriousness of the virus. It was confirmed that between (25-34%) of children were su

The research tagged: the new aesthetic in contemporary world painting. The research contained five chapters. The first chapter dealt with the research problem and its importance. It dealt with the concept of the new aesthetic as a concept concerned with the topics of the mind, i.e. the most comprehensive and diverse topics. The New Aesthetic is an aesthetic and stylistic structure whose taste, aesthetic, artistic and emotional contribute to its structure with awareness of the context. The aim of the research is to identify the new aesthetic in contemporary world painting. As for the objective limits of the research, the researcher was interested in studying the new aesthetic, especially in abstract expressionism, pop art, opera, and conc

تناول البحث الحالي (الوعي الثقافي في الرسم المعاصر وتمظهراته في نتاجات طلبة التربية الفنية) تقصي اتجاهات فنون ما بعد الحداثة , والتي شهدت تحولات في الانجازات الفنية منذ , ثمانينيات القلان العشرين وظهور الاتجاهات الفنية التي تتناسب مع التقدم العلمي والتكنلوجي وانفتاح الوعي الثقافي عل مختلف التقنيات المختلفة التي شهدها الغرب في النصف الثاني من نفس القرن, وخصوصاً في مجال الفنون بواسطة التجارب التشكيلة في (الر

The woman's choice of clothing is no longer supported on the basis of the available forms of design in general. It is the interaction of design relationships with the receiver structure that reflects the character of integrated women with an emphasis on attractions pulling attention, all of these interventions reach us to the need to emphasize through this search Picking the perfect symbols of heritage in every sense of the popular beliefs of the employed in the designs of apparel fabrics women's home included a search of four chapters deal with the first problem of the research which you can employ the traditional symbols and popular beliefs in the designs of household apparel fabrics in order to raise the aesthetic value and utility of

 لقد شهدت فترة ما بعد الحداثة نشوء أساليب فنية متطورة وذلك بفعل العديد من المتغيرات الجمالية والفنية والتي شكلت الأساس في تمظهر مفاهيم جديدة ومبتكرة في مجال التصميم التي تأثرت بهذه المتغيرات سيّما ظهور مدرسة الواقعية المفرطة التي تميل الى إبهار المتلقي بالقدرة على صياغة عمل فني ينقل أدق التفاصيل المماثلة للواقع عبر محاكاة إبداعية لها سماتها التي تتميز بالفرادة التي أخذت تنتشر ملامحها الشكلية واتجاهاته

It is very necessary for the political theater to be within the space of every theatrical performance, so that the theater carries the diverse and enlightened values and cultures of this world. political theatre. In the first chapter, the researcher dealt with (the methodological framework), which includes the research problem identified by the researcher with the following question (the functional diversity of the directorial vision in the political theater)
Importance, purpose, limits and seal by defining terminology.
In the second chapter, the researcher dealt with the theoretical framework on two topics, the first (transformations of directorial vision in theatrical performance) and the second topic (aesthetic experiences i

Place is considered one of the important artistic elements in the movie through which the events occur in different arts and literatures and with its absence there isn’t any that can initiate events. Place is important for the things that we recognize, and the first fact in cinema is the place which can't be dispensed with on the level of the film or scene or cinematic shot that can't be emptied from its spatial content. The characters are always there in a place occupying some space of it, despite that it is not merely a container for the event cinematically. The researcher views the importance of discovering and observing them in this research which is divided into four chapters as follows: (theoretical framework) which includes the

 Most of the propositions, after the Arabic letter reached a position of integrity and proficiency, the calligrapher turned to the production of calligraphic formations in various aesthetic and expressive forms, investing the spiritual energies in what these calligraphic compositions show in artistic paintings. It carries a lot of meanings that are embodied in linear formations, and in order to reach these expressions and know the effective positions of space, this research is concerned with studying these technical treatments. The first chapter included the research problem, which included a question about the effectiveness of space in the linear painting, the importance of research and the temporal and spatial boundaries. As for the s

تهدف الدراسة للكشف عن المقاربات الشكلية في الآثار النحتية بالجزيرة العربية مع مقترباتها الشكلية في فنون عصر الحداثة من حيث التشابه والاختلاف بين الطرازين، والتباين في المرجعيات الفكرية، وفي بنائية نظام الصورة، بالإضافة إلى اكتشاف العلاقات الكامنة بين الأشكال، والجمع بين العناصر ومدلولاتها الرمزية. ويتكون البحث عدة فصول تضمن الفصل الأول الإطار النظري، وجاء في محورين هما المقاربة الشكلية بين الآثار النح

يرمي البحث الحالي الى :

(التعرف على اثر التدريس باستخدام نموذج كولب في تنمية مهارات طلبة قسم التربية الفنية في مادة الاخراج المسرحي ).

ولتحقيق اهداف البحث صاغ الباحث فرضية صفرية لمناقشة النتائج ، وقد اعتمد الباحث المنهج التجريبي، وتحديدا التصميم ذو العينتين (التجريبية والضابطة) وكانت عينة البحث (26) من طلاب قسم التربية الفنية في الكلية الفنون الجميلة/ ديالى ، اجرى الباحث تكافؤ بين مجموعتي البح

This research is marked by " lighting and processors formalism for spaces of shops selling mobile phones ," aims to " reveal about the relationship between lighting treatments formal designs spaces own internal selling mobile phone in addition to the recognition criteria Altsamama to lighting techniques and processes formality spaces shops competent to sell mobile phone " and lies the importance of this research in the " active role of the lighting in the building processors formalities and processes to prepare designs and show the final form integrated functionally and aesthetically so as to be ready for implementation , taking into consideration the role expressionist in the recipient and to make these spaces more than meet the require

      تعنى الطوبولوجيا بدراسة البنى التصميمية من خلال ابعاد مختلفة مما يتيح للمصمم التحكم بسلوكيات تلك البنى ، لذلك  يعتبر مفهوم الأبعاد أحد اساسيات تكوين المنتج الصناعي  ومحاولته للسيطرة على المادة في التصميم وبالتالي  فإن توجيه هذه ألابعاد  إحدى أدوات الطوبولوجيا الهندسية ؛ والذي يعبر عن مفهوم أساسي في دراسة السطوح من خلال التمييز بين ما هو خارجي وداخلي .

مشكلة البحث: ماهية الاساليب التقني

The two objectives of the current research are :-

1. Uncover the views and opinions of the students of Artistic Education Department about the relation between educational novelty and its relation with visual . 
2. Identifying the capabilities of the students of artistic education department .

            The society of the research is the  fourth class students of artistic education department -  College of Fine Arts  ( 83 students from both sexes ) .  It was chosen ( 60 ) students sample of  from both sexes by the researcher in order to conduct test upon them .The researcher has adopted descr

تناولت الدراسة الحالية العلاقة بين استراتيجية التخيل الموجه وتنمية التفكير الإبداعي، وقد تلخصت مشكلة البحث الحالي بالتساؤل الاتي:

-ما استراتيجية التخيل الموجه واثرها في تنمية التفكير الإبداعي لدى طلبة التربية الفنية.

            وتمثل هدف البحث الحالي بـ التعرف على استراتيجية التخيل الموجه واثرها في تنمية التفكير الإبداعي لدى طلبة التربية الفنية، كما تضمن الفصل لأول تعر

      يتميز التصميم ذو الطراز الإسلامي في التصميم بالتركيز على البساطة والتفاصيل الدقيقة والخطوط المنحنية والأشكال الهندسية المتناغمة والألوان الدافئة والأنماط الإسلامية المميزة. كما يتميز الطراز الإسلامي بالاهتمام بالتفاصيل الزخرفية المعقدة والتي تحتوي على رموز وأشكال هندسية مختلفة، ويستخدم فيها الخط العربي في الكتابة والتصميم. يتم تطبيق النمط الإسلامي في التصميم والديكور في تصميم المساج

مع مرور الزمن واختلاف العصور ظهرت الأثاث بأشكال مختلفة ومتنوعة يحمل سمات العصر الذي ينتمي الية، وبرغم من وجود الدراسات والموسوعات المتعددة التي تحصر مميزات أثاث كل عصر الا مازل يوجد بعض الالتباس بين أثاث عصر اليوناني (الاغريق) وبين أثاث عصر الإيطالي (الروماني) فهدفت الدراسة الى تحليل اثاث العصر الاغريقي واثاث العصر الروماني ومعرفة العوامل المؤثرة في ظهور السمات الخاصة بأثاث كل عصر وعمل مقارنات بينهم. فاتبع

The features of the actor's performance in the ritual theater are of great importance and chief in theatrical work since the first emergence of the theater, as the features of the performance were embodied in all Iraqi theatrical performances, but they took personal privacy in some ritual performances because of their differences and similarities between the ritual theatrical performance and the ritual show Al-Khalis, who wanted the researcher to know the similarities and differences in the features of the ritual performance and in the theatrical performance, despite the many transformations that occurred in the theater and affected the features of the performance, but it remained an important and attractive link between the recipient, t

The modern dramatic forms used technical works represented by going back to the primitive origins of drama which participated in establishing it. Those employments were results of philosophical thoughts through which many scholars stimulated philosophical tendencies call for miss for the past and going back to the social life through which intimate relations are interacting. The most important thing that the scholars relied on was ceremony as a social phenomenon which people gather around it through sentimental communication relate their concerns in addition to considering it as an expressive style carries artistic characteristics can be benefitted of in the dramatic show.
These thoughts were represented in the performing activity of

Formed a decoration element Tzeigna important holidays linear, since regulating mechanism of vocabulary and formative elements Btnoatha through activation design with space linear in order to add value expressionistic, and achieve career goals and aesthetic, has promised these diversities and one of the finest artistic achievements that excelled the designer patterned through expertise and skill in the output of the design artwork beautiful image to fit with the importance degree in the field of calligraphy and set the rules, and was questionably basic research problem is the following:
What are the variations in the design of linear motifs Vacations?
In order to solve these problems and to reach the desired outcomes research ai

 The current research aims to: (know the effectiveness of the harvesting strategy in the achievement of the students of the Institute of Fine Arts in environmental art.
- In order to know this effectiveness, the researcher put a main zero hypothesis and derived six sub-hypotheses from it. the usual way; As the research community reached (120) male and female students of the Fine Arts Institutes for the morning study in Baghdad. As for the research sample, it was chosen by the simple random method, and the number was (75) male and female students for the year 2021-2022 AD. The researcher applied a pre-knowledge test for the four groups of research to find out the level of previous experiences of students in the subject of environmen

This research focuses on the difficulties that face Oud's students' in the performance of Sharif Muheyddin Haider musical works. In addition, this research suggests solutions to overcome these difficulties for make it easier to play Haider's musical works. This research also addressed important topics of great relevance the title, problem and the research's aims. Moreover, Procedures of this research adopted the descriptive approach (content analysis) to attain the research's aims. Furthermore, results and discussions where covered, and conclusions of the appropriate academic solutions were achieved to overcome the performance difficulties of Haider's musical works among Oud's students'. At the end, the research presents a set of recomme

تعتبر الدراسة الموضوعية للتدرج النسقي في تصاميم الريازة العمارية من حيث تكويناتها التصميمية واهميتها داخل الفضاء الداخلي لمداخل القصور الاسلاميه وكيفية تنفيذها ، أمر مهم في التصميم الداخلي لجميع القصور الأسلامية ، أذ أنها تمثل سمة مميزة بوصفها فناً جميلاً .. ويمكن للمصمم الداخلي ان يلمس نواحي هذا التطور في أنواع تصاميم الريازة العمارية نتيجة للتطور العمراني للقصور,

The current research is summarized by studying and understanding the imagination and what resulted from it in postmodern arts, specifically Pop Art. The research was focused spatially (America) between the year 1950-1975 AD and it defined the research problem by asking about what factors and variables that established the social imagination in culture Al-Gharbia, which in turn crystallized the Western cultural product to appear in its form, which is historically called "pop art". Two studies were adopted in the second chapter. The first one was the cultural structure of the social imagination. The second topic was concerned with the stylistic diversity of pop art, and the third chapter included research and accreditation procedures. Ther

After completion of the artistic production, the artist plays the echo of this production upon the recipient. Whether this recipient is from the public, art connoisseurs, or private artists, critics and academics. In the past, the boundaries of Time and place had a great effect in limiting this echo or its quality, as the views of the recipients were largely influenced by the prevailing thought or the artistic trends that dominate the artistic scene in the surrounding environment in which the artist created. In order for the artist to show works for the widest segment of the recipient, he bears the burden of the costs of transporting the work, a keeper of damage on the move, and the material amounts that may hinder the publication of the

The elements of theater formation that fall within the spatial experience of the scenography of the show, which the directors work in in the imaginary theater, are important and have an aesthetic, intellectual and cognitive dimension, working to highlight reality in an aesthetic image surrounding space and space. And its relationship to the distinct, multiple and variable spaces above the stage, to produce theatrical signals and endless meanings through the possibility of infinite reconfiguration of the theater's space and its public and private space through the distribution of a group of blocks within the scenic image.
I dealt with in the first chapter (the methodological framework), which includes the research problem identified

أن الفن الإسلامي المبكر تضمن أمثلة عديدة لرسوم جداريه آدمية وحيوانية ونباتية وهندسية بشكل متفرد ومتميز، وجد في القصور القديمة ، و بوجه عام في العصور المبكرة ، على الرغم من موقف الدين الإسلامي من الرسوم .
اذ ان موقفه من تصوير الكائنات الحية ايجابيا على الرغم من محاولات بعض المختصين وعلى رأسهم الأب لاما نس Henri Lammens وماسينون Louis Massignon وكرسويل K.A.C Creswell أن يبرهنوا على أن الدين الإسلامي لم يعترض على التصوير وصناعة

The peculiarity of the theater does not lie in its dramatic content because many literary genres and other artistic styles share with it in this content. The peculiarity of the theater lies in contemplating the drama through what is architectural, and this architectural axis is what distinguishes its character. It is a spatial poetry which is composed by the laws of physics and chemistry, (Weight, height, distance, rhythm, gravity, impulses and chemical excretions). i.e., what cannot be expressed in words. This is a game of space to exchange and organize energy and communicate in space by the living body, which contains the possibilities of the living drawing in space: in the time and place. This research deals with the importance of the

 Drama is one of the means of transmitting human experiences, as it presents within it the life ideas and visions of the spectator, who is subject to their influence on him, robbed of the will in front of its charm and various display arts, which invade him with its dimensions and affect his references, and this art form is based on stories revolving around personalities involved in events that have grown As a result of the struggle of two conflicting opponents, or two opposing forces or emotions generated as a result of a voluntary conflict, as this dramatic conflict represents the most important elements of those events, as it is embodied in an inevitable scene that emerges from other scenes, and this scene is sometimes subject to the

يسلط البحث الضوء على مخرجات تأثر الوعي الذاتي للفنان بالفلسفة العدمية لتأويل التجربة الجمالية، متخذاً النحات البرتو جياكومتي أنموذجا، وتوزع البحث على عدة فصول حيث كان الفصل الأول المنهجي إذ قدمت فيه لمشكلة البحث التي ختمتها بالسؤال: ما أهمية الوعي الذاتي في تأويل التجربة الجمالية تحت تأثير الفلسفة العدمية؟ ولخصت أهمية البحث في تقصي أثر الفلسفة العدمية وأثرها في الوعي الذاتي لتأويل التجربة الجمالية، وكان