Аннотация. Статья посвящена анализу устойчивых выражений (фразеологизмов, пословиц, поговорок, идиом) в русском языке и их роли в формировании языковой и культурной идентичности. Рассмат-риваются лингвистические характеристики, историко-культурный кон-текст, коммуникативные и прагматические функции, а также отражение русского менталитета и традиций. Особое внимание уделяется актуаль-ной проблеме транс

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Л. Петрушевская – одна из знаковых фигур современной российской прозы, однако ее творчество недостаточно изучено, работ по проблематике и поэтике ее произведений мало в российском и мировом литературоведении. Представляется, что такое невнимание к творчеству писательницы не обоснованно. Изучение произведений Л. Петрушевской позволит понять, как преломляются традиции классической русской литературы в

Статья посвящена исследованию поэтики Серебряного века русской литературы на материале творчества А.А. Блока с учѐтом современного рецептивного контекста, в том числе в арабском мире. Рассматриваются специфика символизма как ключевого направления эпохи и художественные приѐмы Блока, отражающие мистицизм, двойственность бытия, музыкальность и мифопоэтические мотивы. В качестве материала привлекаются

يتناول هذا المقال دور ومكانة مفهوم الزمان في رباعيات عمر الخيام، الشاعر والفيلسوف الفارسي البارز. ويبحث الخيام بعمق التصنيفات الزمنية، مؤكداً على زوال الحياة وحتمية الموت وقيمة الاستمتاع باللحظة الحاضرة. كما يحلل المقال أيضاً الدور التصويري الذي يؤديه هذا المفهوم في رباعياته، وما يحمله من معاني دلالية.

بالإضافة إلى ذلك، يُحلل المقال إبداع الشعراء الروس الذين استُلهِمَت أعمالهم من رباعيات عمر الخيام،

This research sheds light on the morphological structure of nouns and verbs in the novel "ASTONISHMENT" by the novelist Aharon Applefield by analysing selected models from the novel in a morphological analysis in order to identify the most important morphological features of this structure according to a statistical analytical approach.

 The morphological structure is the main pillar of the linguistic structure of the literary text. Morphology is the science that studies the word, by which its structure and original letters are known, and the change that has occurred to it.  The aesthetics of the fictional text is reflected in this structure, through which the writer conveys his ideas and narrations to the reader.  The research

كان سام شيبارد (1943-2017) كاتباً مسرحياً أمريكياً مرموقاً اشتهر بتناوله  للمواضيع العائلية. غالباً ما تتناول أعماله تعقيدات واضطرابات الحياة العائلية، مما جعله شخصية مهمة في المسرح الحديث. تعد مسرحية (الطفل المدفون) (1978) واحدة من أبرز أعماله، وقد فازت بجائزة بوليتزر للدراما في عام 1979. تميزت المسرحية بتصويرها القاتم والسريالي لقصص العائلة، مما ميزها عن الدراما الأسرية الواقعية التقليدية. يُعتبر تفكك الأسرة الم

       Metaphor is a linguistic phenomenon related to people's cultures. It is an integral part of cultural heritage. This paper tackles the use of animal-based metaphors in the field of football club titles so as to draw comparisons between those in Russian with their counterparts in Arabic. Names of animals are used to refer to some clubs and teams, where these names or titles reflect animal features such as strength, preying on victims; or animal figures are employed in the club symbols, or due to the similarity of the club shirt to the animal outer shapes in colours. For instance, "an-Nawaris", which means gulls in English, is used to refer to az-Zawraa club du

Bodas de sangre es una tragedia en verso del escritor Federico García Lorca escrita en 1932, y estrenada el 8 de marzo de 1933 en el teatro Beatriz de Madrid con gran éxito tanto en España como en Hispanoamérica. Fue llevada al cine por Carlos Saura en 1981. Es una producción poética y teatral que se centra en el análisis de un sentimiento trágico. Desde la vida y la muerte, a lo antiguo y lo moderno, en la manera de ver la tragedia. Todo ello enmarcado en un paisaje andaluz trágico y universal.

   El tema principal que se trata en este drama es la vida y la muerte. Pero de un modo arcano y ancestral, en la que figuran mitos, leyendas y paisajes que introducen al lector en un mundo de

Карам Рахим Али. Структура и семантика зоокомпозитов в русском языке: словообразовательный аспект: дис. кандидат филологических наук: 10.02.01 - Русский язык. Елец. 2010. 206 с.

The article gives the analysis of an Arabic root-form from the standpoint of progressive phono-semantics and phono-grammar. Within the framework of this linguistic paradigm the theory of sound association with its meaning is confirmed owning to the Arabic word structure. According to the combination of definite root forms consonants the principles of progressive phono-grammar of the Arabic language are exercised. The sound quantitative changes of root consonants are also the result of progressive semantic phono-grammar.

Abstract.. Quantitative characteristics of the surrounding world’s entities are expressed by the specific words – logical quantifiers. In a language, quantifiers are represented by the so-called quantifier words. Representing different degrees of the concentration of quantity, quantifier words in natural languages are positioned in a strict sequence – the quantifying scale. In terms of logic, it starts with nothingness (quantifier of meaningful nothingness), terminating at universality while in terms of language quantifier words, it is represented by the complex scale of quantifying words’ intensity. Logically speaking, this scale should start with the quantifier word ‘nothing’ to move all the way through increasing intensity ov

Steganography can be defined as the art and science of hiding information in the data that could be read by computer. This science cannot recognize stego-cover and the original one whether by eye or by computer when seeing the statistical samples. This paper presents a new method to hide text in text characters. The systematic method uses the structure of invisible character to hide and extract secret texts. The creation of secret message comprises four main stages such using the letter from the original message, selecting the suitable cover text, dividing the cover text into blocks, hiding the secret text using the invisible character and comparing the cover-text and stego-object. This study uses an invisible character (white space

Throughout the development of the history of literature, both Russian and world, the image of a woman has always occupied a significant position in the works of authors. This article presents an analysis of the images of women in the poetry of Valery Bryusov and Badr Shakir Al-Sayyab. The image of a woman has always been glorified, from ancient times to modern works of art. The article examines which images of women are presented in the lyrical works of the authors. To address this issue, we focused on the images of symbolism presented in the descriptions of women from different cultures — Russian and Iraqi. Also presented are images of the “traditional” woman in the cultural and historical era in which the authors in question publish