The current study is qualitative in nature; it focuses on examining the participants‟ various pictorial representations of the word APPLE to ultimately understand their patterns and sources of thinking. That is, the study is basically focusing on the concept of concept, the invisible part of language. To meet this objective, the researchers adopted Fillmore‟s (1982) theory of Frame Semantics. Data of the study has been collected from two sources, secondary and primary, as represented by the concrete word APPLE, and the eight purposively selected participants for being talented in drawing, respectively. The study has concluded that at the denotative level, the word APPLE has encompassed a range of different details, let alone the connotative aspect of it. The participants have not only disagreed denotatively, but they have also varied stylistically through attaching different adjectives and nouns to the word apple, such as bitten, rotten, complete, colored; apple iphone, teeth, tree, lady, etc. Further, not all the participants have associated APPLE to the fruit; P1, for instance, thinks metonymically, as she recalls an iphone device, whereas P5 thinks metaphtonymically. The word APPLE represents a catalyst for highlighting an array of various frames, frame elements, and scenes reflecting as a result the participants‟ distinct levels of experiences, awareness, level of thinking, etc. Finally, the theory of frame semantics has proven its applicability to visual images particularly to pictorial concepts.
The present study aims at analyzing the polysemy of the English preposition in from the cognitive linguistic (CL) point of view using Evans' and Tyler's approach (2003). The perplexity faced by Iraqi second language learners (L2) due to the multi-usages of this preposition has motivated the researcher to conduct this study. Seventy-six second year university students participated in this experimental study. The data of the pre-test and post-test were analyzed by SPSS statistical editor. The results have shown the following: First, a progress of more than (0.05≤) has been detected as far as students' understanding of the multiple usages of the preposition in is concerned. Second, the results of the questionnaire have s
... Show MoreIn this paper we have dealt with the word " בַּיִת" in the Book of Joshua because it makes one of those that highly employed the word בַּיִת" " in the Old Testament. The Book of Joshua comes sixth in the order of tanakh wich was written by Joshua son of Noon in Palestine during the fifteenth century B.C. and it covers a three-decade era extending from the death of Moses til the death of Joshua son of Noon.
The word " בַּיִת " in this paper refers to the place, where expressions are made by a noun modified by a noun . The modifier is"" בַּיִת , and the modified is another noun. Herein, we
... Show MoreSome research reports that cognitive grammar (CG) theory has good contributions to teaching English as a foreign language. In this research, the researchers seek to apply this theory and its principles when teaching the simple present tense to Iraqi students who face difficulties in differentiating between the multiple usages of this tense. To achieve this objective, the researchers have conducted an experimental study on a group of 60 Iraqi students in the University of Baghdad, College of Education for Women. Langacker’s (2003) theory has been adopted in the analysis of the cognitive relations to understand the common and different connections of these usages of the simple present. The study has concluded that the cognitive grammar t
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The present study is a qualitative study that aims to investigate the way the Iraqi caricaturist,Dheaa Al-Hajjar uses caricatures to produce a satirical meaning humorously.Producing satire while at the same maintaining humor requires a creative thinking on the part of the caricaturist. Thus, the study examines the production of humorous satire in terms of creativity. The analysis is done from the cognitive linguistic point of view using Arthur Koestler's theory of bisociation as presented in his book The Act of Creation in 1964. The main principle on which the theory is based is that humor is created via linking (or bisociating in Koestler's terms) two habitually incompatible trains of thought in order to come up with a novel me
... Show MoreThe present study is a qualitative study that aims to investigate the way the Iraqi caricaturist,Dheaa Al-Hajjar uses caricatures to produce a satirical meaning humorously.Producing satire while at the same maintaining humor requires a creative thinking on the part of the caricaturist. Thus, the study examines the production of humorous satire in terms of creativity. The analysis is done from the cognitive linguistic point of view using Arthur Koestler's theory of bisociation as presented in his book The Act of Creation in 1964. The main principle on which the theory is based is that humor is created via linking (or bisociating in Koestler's terms) two habitually incompatible trains of thought in order to come up with a novel meaning that i
... Show MoreThe current study qualitatively addresses concept as the main theoretical problem in cognitive linguistics on the one hand, and the abstract nature of things on the other. In this regard, scholars maintained that the issue with concept is still controversial and to deal with abstract nouns is also difficult, let alone when dealing with the concept of abstract noun. Of course the problem will be doubled as the nature of both concepts and abstract nouns is invisible, perspectivised, and changeable. Accordingly, the objective of the present work is to examine the semantic range of the abstract word BLACKMAILING from the perspectives of a number of talented participants in drawing. That is, the researchers are to address the following
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The present paper adopts a qualitative methodology to address the various frames and scenes activated while textually memeing an image macro, specifically, Woltze’s problem picture, The Letter. To achieve this objective, the researcher is to employ Fillmore’s (1976, 1982) Frame Semantics. The data consists of a single image selected following the jurors’ feedback and submitted to purposively selected female students from the Department of English-College of Education for Women-University of Baghdad, using a Google form. The study has concluded that having activated a similar frame does not necessitate sharing a similar number of elements and/or referents. There is no one-to-one correspondence between the activated frame and th
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The present paper is a qualitative descriptive study. It aims to examine the macro-cultural schemata addressing the concept of violence against women in Iraq from a cognitive linguistic point of view. To meet this objective, a number of Iraqi social caricatures have been selected from two popular and active Iraqi caricaturists, Odeh Al-Fahdawi and Nasser Ibrahim. The selection and the analysis of data have been achieved following the validity and reliability procedures and the ethical considerations. To meet this objective, Sharifian’s Model (2011) of Cultural Schemata has been adopted in data analysis. The study has concluded that the macro-cultural schemata regarding the concept of violence in the selected panels reveals that violenc
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This study is an attempt to investigate the conceptual metaphor of UP and DOWN commonly used in Iraqi community. Some of the metaphorical expressions in Iraqi colloquial Arabicarewidely used by Iraqi speakers in everyday language. Ithas been analyzed by following the cognitive theory of metaphor (Lakoff& Johnson,1980).The study indicates that the Iraqi speakerexperiences more of the metaphorical expressions of UP and DOWN to referto many of the abstract concepts that shape his/her impression of everyday life situations.
The present paper is a qualitative descriptive study. It aims to examine the macro-cultural schemata addressing the concept of violence against women in Iraq from a cognitive linguistic point of view. To meet this objective, a number of Iraqi social caricatures have been selected from two popular and active Iraqi caricaturists, Odeh Al-Fahdawi and Nasser Ibrahim. The selection and the analysis of data have been achieved following the validity and reliability procedures and the ethical considerations. To meet this objective, Sharifian’s Model (2011) of Cultural Schemata has been adopted in data analysis. The study has concluded that the macro-cultural schemata regarding the concept of violence in the selected panels reveals that vi
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