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Technique and music of letter poetry in Nali’s poetry: هونەر و مۆسیقای «پیتەشیعر» له شیعری نالیدا
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Musicality is a fundamental feature of poetry that takes the interest of scholars and critics. Most poets rely on a variety of literary devices and techniques to bring music to their work like rhymes - words that appear at the end of lines in poetry - and on arranging words techniques in such a way to create a pseudo melody, which is achieved primarily by patterning (or repeating) certain sounds. Such a poetic rhetorical and verbal enhancer’s aspect represented ever since the beginning of the classical poetry has been manifested more evidently in Nali’s poetry. His poetry is marked with particular letters that have played a substantial role in the rhyming that rings like cymbals or jingle like internal elevated rhymes. Within a descriptive-analytical approach, the present study describes the musical techniques of Nali’s poetry, particularly of what is called letter poetry, and investigates the application of these letters as figures of rhetoric in Nali’s poetic style. The study traces the letter poetry types and its impacts on poetic meaning creation in the light of semantic framework.

کورته

مۆسیقای هۆنراوه هەر لە سەردەمانی کۆنەوه، گرنگییەکی تایبەتی پێ­دراوه و جێگەوپێگەیەکی ئەوتۆی له چوارچێوه و پەیەکەرەی شیعردا هەبووه. ئەم مۆسیقایه به ڕیزکردن و پات­بوونەوه و ڕێک­خستنی وشە و پیته لێکچوو و هاوئاهەنگەکان پەیدا دەبێت. هەر له شیعری کلاسیکەوه تا ئەمڕۆ ئەم تەکنیکه له ڕازه و هونەره جۆربەجۆرەکانی ڕەوانبێژیدا خۆی نواندووه و دەرکەوتووه. له شیعری نالیدا به شێوازێکی زەق و بەرچاو پات­بوونەوەی پیتێکی دیاریکراو له هەندێ له هۆنراوەکانیدا دەورێکی مۆسیقایی بەهێز و زۆر دیاری به ئەستۆ گرتووه و ئاواز و مۆسیقای شیعرەکەی بەرزتر کردۆتەوه. به شێوەیەک که دەکرێت ناوی ئەو پیته ببڕین به سەر ئەو هۆنراوەدا و به «پیتەشیعر» ناوزەدی بکەین. ئەم توێژینەوە به شێوازی تەوسیفی – لێکۆڵینەوەیی هەوڵی­داوه به خوێندنەوەی شیعرەکانی نالی هونەر و مۆسیقا و دەوری پیتەشیعر ڕوون­بکاتەوه و وەک تەکنیک و هونەرێک له شێواز و شیعری نالیدا بیناسێنێت. له ئاکامدا توانیویه چەشن و کاریگەری و بەتایبەت لایەنە واتاییەکانی ئەم هونەره له شیعری نالیدا بخاته بەر چاو و تیشکی لێکۆڵینەوه و ڕاڤه و شرۆڤەیان لێ­بدات.

 

 

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This study comes to be as an attempt by the researcher to
participate in gathering part of the heritage of the Arab nation which is
dispersed between the historical and literary sources and references.
The study also aims to accumulate and achieve poetry to be more
useful and effective in the productions of the researchers and scholars
of Arabic literature and history.
The research is an extension of eight handwritings studied by
the researcher for the same poet. These handwritings are found in the
form of five eulogistic stanzas about the great prophet (may peace be
upon him). Therefore, the researcher decides to reveal what other
researchers have transcended but from the side of concern and belief
in th

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Publication Date
Sun Feb 03 2019
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