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Technique and music of letter poetry in Nali’s poetry: هونەر و مۆسیقای «پیتەشیعر» له شیعری نالیدا
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Musicality is a fundamental feature of poetry that takes the interest of scholars and critics. Most poets rely on a variety of literary devices and techniques to bring music to their work like rhymes - words that appear at the end of lines in poetry - and on arranging words techniques in such a way to create a pseudo melody, which is achieved primarily by patterning (or repeating) certain sounds. Such a poetic rhetorical and verbal enhancer’s aspect represented ever since the beginning of the classical poetry has been manifested more evidently in Nali’s poetry. His poetry is marked with particular letters that have played a substantial role in the rhyming that rings like cymbals or jingle like internal elevated rhymes. Within a descriptive-analytical approach, the present study describes the musical techniques of Nali’s poetry, particularly of what is called letter poetry, and investigates the application of these letters as figures of rhetoric in Nali’s poetic style. The study traces the letter poetry types and its impacts on poetic meaning creation in the light of semantic framework.

کورته

مۆسیقای هۆنراوه هەر لە سەردەمانی کۆنەوه، گرنگییەکی تایبەتی پێ­دراوه و جێگەوپێگەیەکی ئەوتۆی له چوارچێوه و پەیەکەرەی شیعردا هەبووه. ئەم مۆسیقایه به ڕیزکردن و پات­بوونەوه و ڕێک­خستنی وشە و پیته لێکچوو و هاوئاهەنگەکان پەیدا دەبێت. هەر له شیعری کلاسیکەوه تا ئەمڕۆ ئەم تەکنیکه له ڕازه و هونەره جۆربەجۆرەکانی ڕەوانبێژیدا خۆی نواندووه و دەرکەوتووه. له شیعری نالیدا به شێوازێکی زەق و بەرچاو پات­بوونەوەی پیتێکی دیاریکراو له هەندێ له هۆنراوەکانیدا دەورێکی مۆسیقایی بەهێز و زۆر دیاری به ئەستۆ گرتووه و ئاواز و مۆسیقای شیعرەکەی بەرزتر کردۆتەوه. به شێوەیەک که دەکرێت ناوی ئەو پیته ببڕین به سەر ئەو هۆنراوەدا و به «پیتەشیعر» ناوزەدی بکەین. ئەم توێژینەوە به شێوازی تەوسیفی – لێکۆڵینەوەیی هەوڵی­داوه به خوێندنەوەی شیعرەکانی نالی هونەر و مۆسیقا و دەوری پیتەشیعر ڕوون­بکاتەوه و وەک تەکنیک و هونەرێک له شێواز و شیعری نالیدا بیناسێنێت. له ئاکامدا توانیویه چەشن و کاریگەری و بەتایبەت لایەنە واتاییەکانی ئەم هونەره له شیعری نالیدا بخاته بەر چاو و تیشکی لێکۆڵینەوه و ڕاڤه و شرۆڤەیان لێ­بدات.

 

 

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Publication Date
Mon Nov 21 2022
Journal Name
College Of Islamic Sciences
Sources of audio images in the poetry of the Islamic
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Thu Jan 10 2019
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Tue Mar 31 2020
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College Of Islamic Sciences
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Publication Date
Wed Sep 29 2021
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College Of Islamic Sciences
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Publication Date
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Mon Feb 04 2019
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Publication Date
Tue Feb 05 2019
Journal Name
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Publication Date
Wed Sep 28 2022
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A literary text is not void of the use of the ego and the other while speaking or in a spoken communication. Such a usage is apparently outstanding in Arabic literature, and it reflects society in all its various cultural, social and political conditions. Therefore, the ego is one of the prominent concepts on which human personality is built, and its role in the formation of society and in communicating among all human societies. Accordingly, the present paper aims to clarify the duality of the ego and the other, where the ego starts from the poet himself to expand the circle of subjectivity by including his family, society, immediate surroundings, race and his religion. The other, on the other hand, that is separated from the poet,

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Publication Date
Mon Feb 04 2019
Journal Name
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The Sufian Symbol and its significance in Abd Allah Hamadi's Poetry
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