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خلاصه ای از شعر و شعر ابوالفرج رونی
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       ابو الفرج رونی از استادان شعر فارسی در دوره دوم غزنوی است.او در میان شاعران  ابو الفرج خیلی زودتر از دیگر شاعران  عصر خود متوجه نو کردن سبک سخن گردید چنان که میان روش او  وروش  معاصرانش از قبیل عثمان و مسعود سعد و معزی و نظایر آنان اختلافات فراوان وجود دارد. او طرز شعر دورهء اول غزنوی را که باید آن را سبک تکامل یافتهء دوره سامانی شمرد،  به دور افکند ، وطریقه ای جدید  پدید آورد. پژوهنده این پژوهش را به سه مبحث رده بندی نمود ؛ نخست متعلق به شرح حال شاعر وممدوحان خود بوده است .   مبحث دوم ؛ در بارهء اغراض شعری که ابو الفرج در آن شعری سروده است  .  مبحث سوم ؛ مخصوص به بحث و بر رسی عمیق به سبک وطریقهء شاعر ، ونقش او در تحول شعر فارسی از سبک خراسانی به سبک عراقی است .

       از مهمترین منابعی که باحث را برای انجاز این کار کمک نمود ، دو نسخهء چاپی دیوان اشعار ابو الفرج رونی  ؛ یکی چاپ مستشرق چایکین ودیگر چاپ دکتر مهدوی است .    نیز از منابع مهم دیگر ؛ بحثی موسوم به صور خیال وتغییر سبک شعر فارسی در اشعار ابو الفرج رونی ) از نویسندهء یحیی طالبیان است علاوه بر کتاب ( چهار مقاله ) عروضی سمرقندی  ، وتعلیقات شادروان میرزا محمد خان قزوینی بر آن است .     از مهمترین نتایجی که بحث بدان رسیده ؛ این است ، که شاعر خیلی زودتر از دیگر شاعران زمان خود متوجه نو کردن سبک سخن  بود ، و سبک دوره ء اول غزنوی را که باید آن را سبک تکامل یافتهء دوره سامانی شمرد ، به دورافکند ، و شیوه‏ ای نو گرایشی به سوی مفاهیم عقلی و تجریدی دارد ،  پدید آورد نیز ، منشأ الهام تصاویر شاعرانهء ابو الفرج رونی ، تصاویر رزمی ، بیان صفات ممدوح ، در ضمن تکریم مفاهیم اخلاقی ، به ویژه عدل ، احکام نجوم و اقتباس از آیات و روایات و فرهنگ مذهبی در هیأت اسلوب های بلاغی مانند تشبیه وغیر از آن در کلام وی جلوه کرده است . ابو الرفرج رونی نیز تلمیحاتی بسیار ومتنوع - بویژه آنچه متعلق به فرهنگ اسلامی است – دارد  ، گوئی که فرهنگ عربی و اسلامی بسان سرچشمه‏ ای قوی و پربار ، ذهن و ذوق شاعر را تغذیه نموده ، و در شعر او بازتاب پیدا می‏ کند .

      Abstract 

 Abu Faraj Rooney is one of the Persian poets in the adult age Ghaznavi.

    He was granted a prominent place among his contemporaries and who came after them also, and confessed to him all Balostavep in the art of poetry. Among the poets who Ogrmwa hair; Alonori who developed the method of Abu Faraj and took him in the sixth century AH to perfection.

    Abu Faraj had Rooney his contemporaries of the poets in the renewal of hair at the end of the fifth century AH, and the difference was clear in the systems approach with the leading poets such as Osman Mokhtari and Masoud Saad Salman, Amir comforter and others.

 

    Abu Faraj has abandoned the method Samani, who had completed at the time to maturity there is a very distinct style; is the method or the casting of Iraq according to what has been termed in the naming of eras of poetry in Persian literature.

      The researcher to divide the consideration of this into three sections. The first attached a brief biography of the poet's life and highlighted the Mamdouhih.

 

 The second section was devoted researcher for the purposes of poetry of which the poet.

 

 The final research method to study poetry and foundries, which was followed by the poet Abu al-Faraj Rooney and his prominent role in the process of transition from method to method Khorasani Iraq.

     Of the most important sources used by the researcher in completing the work Office of the poet himself Btabotaih Almarovin (edition Orientalist Russian (Jaykin) and edition, Dr. Mahdavi.

 

 As reported by the researcher a lot of research, written by Professor Yahya Talebian for a poetic image at Abu Faraj Rooney and their role in finding a method of Iraq,

 

 As reported by a researcher from the book (four articles) to play my Samarqandi which included critical comments of the late Mirza Mohammad Khan silk Winnie.

      Of the most important findings of this research is that Abu Faraj Rooney was earlier than other poets in the renewal of poetry in the fifth century AH, have abandoned the method Khorasani and deliberately to find a new way; marked move away from concepts of sensory and propensity to concepts of mental and abstract.

    Of the main sources which supplied the poet and contributed in the formation of imagery; Islamic culture, especially the Holy Quran in addition to extensive briefing on the Arabic literature and Islamic sciences, which were in circulation at the time. Darwish died at the end of the fifth century AH, leaving behind a new style of poetry, and a wide fame, in the sky of Persian literature.

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Publication Date
Fri Jun 01 2018
Journal Name
Journal Of The College Of Languages (jcl)
بررسیِ حرکت¬شناختیِ افعالِ متنِ "ما زِ بالاییم و بالا می رویم" مولانا Kinetic Study of Mewlana Jalaluddin Rumi's "Mazi Balaeem we Bala Mi Roeem" Text's Verbs
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چکیده­ی بحث

       به نظر می­آید که عالم هستی ، بر مسأله­ی « حرکت» استوار دارد ، و روح ، همیشه دنبال دگرگونی و تکامل و برتری می­گردد. حرکت ، همه­ی چیزها در عالم إمکان را  در بر می­گیرد. حرکت در بنیادهای فکر مولانا جای مهمی دارد .اشعار مولانا مقدار زیادی از پویایی و حرکت برخوردارست، و از آنجایی که فعل ، عنصر تکانبخش جمله ، و کانون دلالت است ، ترجیح دادیم - علاوه بر دیگر عنا

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Publication Date
Thu May 21 2020
Journal Name
کلیة الآداب جامعة بغداد
أثر الرمز في تشكيل اللوحة الشعرية (شعر ديك الجن" 161 636 ه" انموذجا)
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يرسم الشاعر صورة بالكلمات، ومتى ما تتابعت الصور صارت تمثل لوحة شعرية على قدر كبير من الفنية والابداع, وقد أكثر ديك الجن في شعره من هذه اللوحات ويلاحظ القارئ أن الرمز يعمل عملا مهما في تشكيل اللوحة، وظهرت أنواع متعددة من اللوحات منها اللوحة الرثائية, والغزلية, ومن الرموز التي وظفها ديك الجن رمز الظبي, رمز الديك, واستعمل رمز القبر وظهرت لوحات متنوعة في شعره، ومنها اللوحة الخمرية التي تجعل للخمرة احساسا ومشاعر وا

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Publication Date
Sun Mar 15 2020
Journal Name
Journal Of The College Of Education For Women
Rhetoric Effect of Ibn Al Faridh’s Poetry Counterparts: اسماء خليل ابراهيم, فرج منسي محمد
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 The Sufi poetry of Ibn Al-Faridh represents a true image of the spiritual  experience, in which he presented the bright aspects of  his experience, and his suffering in it, by formulating it in a poetic form, because the Sufi poetry is the result of an experience in which the Sufi seeks to achieve his goal of reaching the truth, and this is why Ibn Al-Faridh made his poetry a tool for expression on his own experience, the poet reflected his Sufi life in which he moved rhymes and weights.

   The poet Ibn Al-Faridh stands as a witness to his making of  Sufi poetry in the service of the purpose of who said, it is the embodiment of the Sufi journey in the stages, and the fluctuation in the places and si

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Publication Date
Sun Jun 02 2019
Journal Name
Journal Of The College Of Languages (jcl)
The Exploitation of Carmen Valero Garces' Theory in the Criticism of Literary Texts: Saleh al-Jafari's Arabic Translation of "Rubbayat al-Khayyam" as a: کاربست نظریه¬ی کارمن والرو گارسس در نقد ترجمه¬ی ادبی (مورد مطالعه: تعریب صالح الجعفری از رباعیات خیام)
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There is a mutual relationship between the form of a text and its meaning so as separating these two or devaluating the role of one of them leads to the absence of the value therein. Thus, a translation is important as to how it relates the details of a text. That is, the text has special features which go beyond form, and these set out its distinctiveness. Here, we tackle Saleh al-Jafari's Arabic translation of  "Rubbayat al-Khayyam" of Naysapour descriptively and analytically by depending on extracts from the original text. This translation is evaluated on the basis of Spanish critic Maria Carmen Valero Garces. Herein, we discuss the effectiveness of this theory in the criticism of literary texts. It has been concluded that al-Jaf

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Wed Dec 29 2021
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Spread of Private Education: An Analytical Geographical Study of the Factors of their Appearance, Prevalence and Functional Competence in Baghdad: سيناء عدنان عبد الله, و أريج بهجت أحمد
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يهدف البحث إلى تقييم الكفاءة الوظيفية لمؤسسات التعليم الأهلي في أداء وظيفتها بمستوى عالٍ لتشبع حاجة سكان المدينة الذين فضّلوا التعليم الأهلي على التعليم داخل المؤسسات الحكومية مما أدى إلى انتشارها، وصولا إلى أهم الآثار المترتبة على ذلك الانتشار إذ نافست فيه مؤسسات التعليم الحكومي، بل وتنافست المؤسسات الأهلية فيما بينها لتقديم أفضل خدمة تعليمية للصراع من أجل البقاء، وتهدف أيضا إلى  إظهار الوجه السلبي ا

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Publication Date
Mon Jan 23 2023
Journal Name
Arab Science Heritage Journal
التعريف بحاشية الازنيقي لوحي زاده ، أبي عبد الله محمد بن أحمد (المتوفى : 1018هـ) (سورة الانبياء من الآية 1) دراسة وتحقيق
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Publication Date
Sun Sep 27 2020
Journal Name
Journal Of The College Of Education For Women
Imagination and Emotional Impact by Constructional Methods:Al-Almohdeen’s (Believers’) Poetry in AhlAl-Bayt, (peace be upon them) as a Model
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Semantic functions of repetitive synthesis in Adnan al-Sayegh's poetry: زينب دريانورد - رسول بلاوي - علي خضري
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The art of synthesis is one of the most important pillars in cinematic art, as the director combines cinematic shots to produce a third shot in the mind of the recipient by various methods such as mental synthesis, analogous synthesis, rhythm synthesis, parallel synthesis and repetitive synthesis, Repetitive synthesis is one of the most important techniques in cinematic montage. Through repetitive synthesis, the director is able to link the shots and scenes with each other, and this is what we see in the poetic imagery of Adnan Al-Sayegh when he links the visual images to each other, especially those images that manifest the manifestations of grief and misery following the misfortunes that befell in His homeland. This study follows the d

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Publication Date
Fri Jun 28 2019
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Creative Formation in the Poetry of Thafer Bin Qasim Al-Haddad (529 A.H) (Creative Ingenuity as Model): خلود هاشم جوحي الوائلي
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Through research and research in the creative composition in the poetry of Zafer-Alhaddad it turned out to be superior in its systems, especially that he chose a linguistic and verbal texture accompanied by a cultural dictionary full of creativity and beauty helped this culture arrangement reflects the poetically wonderful and beautiful custom led to the harmony of colors and bodies painted by the poet brush the creative artist evaluates the metaphorical and metaphorical relations that would explain the poets idea, most of which were inspired by the wonderful spirit of nature, its beautiful landscapes and bright colors, especially that we do not forget the beautiful colors and the aesthetic touch that created a fascinating musical intera

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Publication Date
Thu Jan 02 2020
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Journal Of The College Of Languages (jcl)
Analysis Of Elements Of The Iranian Story In The Story Of Rustom And Suhrab - A Stylistic Study: بررسی عناصر قصه ایرانی در داستان رستم و سهراب، با رویکرد سبک‌گرایی
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Iranian stories have been one of the most important aspects   of Iranian society's culture and have reflected us as a mirror of all its cultural, societal and political dimensions.Among the important elements of the story can be the creation of space and the movement and the creation of characters and conflict and content and the angle of vision and landscape, language and subject. Studying the elements of the story leads to more understanding and determining the strength and skill of the author by studying the elements of his story. The story of Rustom and Suhrab is also one of the many stories in which the elements of the story are often noticed and show the skill of the great professor Al-Fardousi to benefit from these eleme

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