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خصوصية الأداء عند ممثلي فرقة المسرح الحي الأمريكية
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خضع فن التمثيل وتقنياته في العصر الحديث لانعطافات عديدة ومختلفة وجوهرية في بنيته العامة والخاصة لاسيما وان المنظرين والمخرجين والممثلين المحدثين على تماس وعلى حراك في خلق حساسية أدائية جديدة تنسجم ولغة العصر وحاجاته وإشكاله وأنماطه منطلقين في تنظير اتهم وتطبيقاتهم من نظم والسلوك البشري الخارجي والداخلي والاستفادة من ميادين الفنون الأدائية الأخرى كالرقص وفن البهلوان والمهرج والسيرك فضلا"عن استعارته الخيال والحلم من فن الرواية والشعر والأساطير والحكايات الخرافية والشعبية لإعطاء الأداء نفساً وقابلية للمطاوعة والاستمرارية وتقديم مقترحات ومقدمات لاستقبال الأداء التمثيلي القادم والاحتفاء به ، وقد حاول بعضهم تقديم تجربته الأدائية بعناصر التقمص والمحاكاة والتذكر العاطفي وتقديم حياة الشخصية بطريقة كلية لا توليفية على نحو مستمر بواجبات الإحياء والنمو كما عند (ستانسلافسكي ) في حين حاول ( مايرخولد ) أن يفجر البعد الخارجي عبر الاسلبة و البايوميكانيك لتوليد دلالات أدائية خارج معطيات النص ،بينما أخذت تجربة المسرح الملحمي عند ( بريخت ) مهمة الأداء من الطاقات الملحمية للغة التي تنسجم كلياً مع قضيته الفكرية معتقداً إن لهذه الملحمية صفات وقدرات هائلة على إطالة النفس الأدائي وضخه بقوى جديدة للعمل والفعل والانجاز مستخدماً فلسفة التغريب وأسلوب المباعدة وخلق المسافة الجمالية بين الممثل والشخصية من جهة وبين الممثل والجمهور من جهة أخرى ، في حين ذهب كل من ( ارتو) و( كروتوفسكي ) إلى خلق أجواء حلميه وطقسية في مخاطبة الوعي واللاوعي الجمعي والعواطف الإنسانية بالاعتماد على الفعل الفسلجي والنفسي للممثل لحظة امتزاجه مع فعل المشاهدة . وقد سار على نهج وطريق هؤلاء المخرجين الكثير من الفرق المسرحية في أوربا وأميركا والوطن العربي وكل حسب اجتهاده ووعيه في اكتساب التجربة وتطويرها آو الاكتفاء بنقلها، ومن هذه الفرق على سبيل المثال لا الحصر فرقة المسرح الحر في مصر والعراق وفرقة المسرح الفني الحديث في العراق وفرقة مسرح الشوك والعمالي في سوريا وفرقة محترف بيروت في لبنان و فرقة المسرح الحي لمؤسسيها (جوليان بيك وجوديث مالينا ) وفرقة فرانسيسكومايم وفرقة الخبز والدمى في أميركا وفرقة مسرح الشمس في فرنسا وفرقة المسرح الاشتراكي وفرقة السلم الأحمر في انكلترا .

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Publication Date
Tue Oct 05 2021
Journal Name
Arab Science Heritage Journal
مفهوم الجمال عند الجاحظ
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Al-Jahiz was an aesthetic philosopher, and the concept of beauty for Al-Jahiz depended on objectivity and focus on the idea of moderation

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Publication Date
Sun Sep 30 2012
Journal Name
College Of Islamic Sciences
Subject matter  for speakers
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Praise be to God, Lord of the worlds, and prayers and peace be upon our master Muhammad and upon his family and companions as a whole.
    The topic of attention was drawn to the attention of the speakers, as it made me ponder it carefully, and my goal in that is to know the reason for the interest of the speakers and their care for it, and to clarify from their books the purpose of making this topic one of the advanced investigations with them.

     The idea of ​​writing a paper on the subject of consideration was not absent from my thinking, because I saw the attention of speakers on this issue, as they made it one of the first issues that they deal with studying in their work

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Publication Date
Wed Feb 20 2019
Journal Name
Political Sciences Journal
Modernity when Zaki Almelad
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The Islamic thought still suffers from the problems posed by Western thought in the modern era, especially after the establishment of the modern Arab state, and replacing the intellectual reference that prevailed at that time, which is represented by Islamic thought with another intellectual reference represented by Western thought. Since then, thinkers and innovators and reformers and intellectuals of the Islamists, Are trying to get out of these many problems and multiple, after imposing the nature of that thought and those references with all their consequences, and one of these problems that is still Islamic thought suffers, the bilateral problem that some academics have raisedThe title of the symposium failed The Islamic thought and

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Publication Date
Fri Mar 15 2019
Journal Name
Journal Of The College Of Education For Women
The Philosophy of Beauty of Hegel
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Hegel's book entitled"The science of Beauty" is a serious attempt to establish a foundationfor this science. Hegel decided from the beginning, that his research is limited to artistic beauty more than natural beauty. He regards artistic beauty above the natural beauty as the former is the product of the soul.

            Everything that comes from the soul is superior to what is found in nature and the worst idea that penetrates human's thoughtbetter  than any  product of the nature. Man turned to art as a means of his awareness of his superior soul and his interests. All nations poured  their highest outputs of their  perceptions in the product of art.

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Publication Date
Thu Mar 02 2023
Journal Name
الاستاذ للعلوم الانسانية والاجتماعية
Christian religious beliefs
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Through the title of the research, it is clear that beliefs in different religions are considered the important principles that distinguish religions, sects, and sects from each other, and belief is the important foundation and pillar on which the individual and society is based, because God Almighty called for reflection and reflection to choose his peaceful belief away from blind imitation. It is (belief in the existence of God, and His unification - and glorifying His attributes - and belief in the prophets in general, and belief in the angels in general, and in the revealed books in general).

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Publication Date
Tue Jan 08 2019
Journal Name
Arab Science Heritage Journal
النظرية السياسية عند المعتزلة
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تعد فرقة المعتزلة من الفرق الإسلامية الكبيرة التي شغلت حيزاً كبيراً في التاريخ الإسلامي, فقد ظهرت المعتزلة كفرقة ذات نسق عقيدي مميز الى الوجود في العصر الأموي , ولكنها شغلت الفكر الإسلامي في العصر العباسي عندما بلغت أوج قوتها ردحاً طويلاً من الزمن .

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Publication Date
Sun Sep 30 2012
Journal Name
College Of Islamic Sciences
Poetic necessity, when Maari
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Praise be to God, Lord of the worlds, and prayers and peace be upon the master of the messengers, his family and all his companions. And after:
      This research talks about a topic that has taken a great deal of attention and controversy among many Arabic language scholars, which is the subject of poetic necessity, but it does not talk about the necessity in general, but one of the scholars and writers who had stances and references to this issue was chosen in many places from their books. Abu Al-Ala 'Al-Maari was among the scholars who dealt with this issue on numerous occasions and occasions, and this was evident in his books.

    We chose this topic to see how Abu Al-Ala

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Publication Date
Sun Mar 15 2020
Journal Name
Al-academy
Deconstruction and the Acting Performance for the Shakespearean Character in the Iraqi Theatre: هيثم عبد الرزاق علي-اياد طارش ساجت
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Researchers classified deconstruction as a strategy concerned with reading the philosophical, literary, artistic and critical texts according to (construction and deconstruction) binarism, which is an applied procedural space that calls for researching the layers of meaning and its non-closure. It establishes reversals in the text level.  The center changes into a margin and vice versa.  Thus the two researchers sought to study the deconstruction strategy and its work in the theatre field, that deconstruction is considered one of the most important modern currents  that actively inters in reading the theatre show.  The research studies the procedure of the construction and deconstruction of the Iraqi theatre actor reg

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Publication Date
Fri Sep 15 2023
Journal Name
Al-academy
The recepient’s beauty in the algerian theatre and the recepient’s hypothetical bet , reading in stop theater by m’hammed ben gataf
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Meditationsuggetsthat the theatrical world and the receiptindicatethattherie a thread connection or relationshipbetweenthembecausetheateris an art thatfailsinto the abyss of the humanfield ,receivingis a practice thatisreffered to by corners of society and islocated in the context of thisfield. Thus, the relationshipbetweenalgeriantheater and the recepientissanctified by the nature of theaterwhichisbased on a social basis thatbuildsitsexistance and continuityfrom the recepient.Its impossible to imagine a real theaterthatwillbeestablishedunlessit’sassociatedwith an audience so one hand never claps to makesound. This connectionis the first phenomenonthatcanbecome accessible to all people and itremains the second phenomenonthatrequires th

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Publication Date
Mon Jun 15 2020
Journal Name
Al-academy
Fashions Between Form & Content In Shows of School Drama: محمود جباري حافظ -خــــــالد عبـــــاس شـــــايع
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Shows of school drama are consisted of visual elements ( Actor (Student ) , ( Fashions , Decoration , Lighting , Make Up , Accessories ) for these elements have privacy being penetrate inside education institutions ( School ) , besides to property of thought direction , teaching for school drama generally , from among these elements are fashions with their designs , colors and various shapes which address student directly by visual . They affect on him as form or content pursuant to movements or design tackles which are made under directive settings and aims of school drama show wholly . Accordingly , this current study presented question for problem of research . Which it is what is relation between form and content for drama fashions t

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