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Beauty Icon in Andalusian Poetry
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إن تجسيد الشعراء للجمال واقامته تمثالا مصورا مرئيا ، كان الهدف منه اولا اشاعة جو نفسي مريح في مقدمات قصائد المديح ، فهو الجزء البصري الممتع لمدركات حسية اخرى ترافقه، وأما المرامي  الاخرى 

ﻓﮭﻲ إﻣﺘﺎع اﻟﻨﻔﺲ إﻣﺎ ﺑﺎﺳﺘﺮﺟﺎع أﺟﻤﻞ ﺻﻮرة أو أﻧﻤﻮذج ﻗﺎﺋﻢ ﻓﻲ اﻟﺬاﻛﺮة، وﺟﻌﻠﮫ ﯾﺤﯿﺎ ﻣﻦ ﺟﺪﯾﺪ ﻟﺪواﻋﻲ اﻟﺤﻨﯿﻦ للاماكن والازمنة الاثيرة . أو الميل للتعبير عن الوعي الجمالي الذي يتصل بموضوع الجمال نفسه ، وهو المؤثر الاول في الادراك كما انه نتاج خبرات متواصلة توالت عبر عصور ادبية متلاحقة في التراث العربي بالأندلس ، فلكم وقف الشعراء منبهرين امام الجمال وارتقوا به حين جعلوه (كعبة) ، ومأما يطوفون حوله ولهين ، وبالغوا في رسمه حين جعلوه (روضة) تتجلى فيها كل أصناف الرياحين والزهور لتسرح الأنظار في نزهتها بارجائه ، وتسعد النفس في أرتياحها  بأجوائه ، وخلقوا له صورة لا نظير لها، فالمحبوبة مثلا هي ﺻﻮرة اﻟﺠﻤﺎل اﻟﺘﻲ أﻟﺒﺴﮭﺎ ﷲ ﻟﮭﺎ، وﺑﻼدھﻢ ھﻲ اﻟﺠﻨﺔ :ﻣﺎؤھﺎ اﻟﻜﻮﺛﺮ وﺣﺴﺎﻧﮭﺎ اﻟﺤﻮر .

وﻗﺪ ﺗﺤﻘﻖ ﻧﻘﻞ ھﺬه اﻟﺨﺒﺮة اﻟﺠﻤﺎﻟﯿﺔ واﻟﻘﺪرات اﻟﺬاﺗﯿﺔ واﻟﻤﻠﻜﺎت اﻟﺨﺎﺻﺔ ﻟﻠﻤﺒﺪع، ﺑﻮﺳﺎﺋﻞ ﻋﺪة ﻛﺎن ﻣﻨﮭﺎ  المبالغة في التمثيل ، والايقاع المناسب في النبر بالتوازي وحسن التقسيم والتوشيح مع التفنن بالاساليب من تعجب واستفهام وقسم واستحياء للموروث الديني وكان للجانب النفسي  اثره الببين في تفعيل المخيلة وصقل القوى الادراكية ايضا. 

وﻟﻤﺎ ﻛﺎن اﻟﺸﻌﻮر ﺑﺎﻟﺠﻤﺎل ﯾﻘﻮم ﻋﻠﻰ أﺳﺎس اﻻﻧﻔﻌﺎل ﻓﻘﺪ أﺑﺪع اﻟﺸﺎﻋﺮ اﻷﻧﺪﻟﺴﻲ ﻓﻲ ﺗﻨﺎول ﻗﯿﻢ ھﺬا اﻟﺠﻤﺎل، وﺗﻮظﯿﻔﮫ ﻟﻤﻌﻄﯿﺎﺗﮭﺎ، وﺗﻨﻘﻠﮫ ﺑﺄﺳﺎﻟﯿﺐ ﻋﺮﺿﮭﺎ ﻹﺛﺎرة اﻷﺣﺎﺳﯿﺲ ﺑﻌﻘﺪ ﻣﻘﺎﺑﻠﺔ أو إﺣﯿﺎء زﻣﻦ واﻟﺘﻠﺬذ ّ .ﻣﻦ ھﻨﺎ وﺟﺪ اﻟﺒﺤﺚ ﻟﻮﺣﺎت رﺳﻤﺖ ﺑﺮﯾﺸﺔ ﻣﺒﺪﻋﺔ ًﺑﺎﺳﺘﺮﺟﺎع ﻣﺸﺎھﺪ اﻟﻄﺒﯿﻌﺔ ﻣﺘﺪاﺧﻠﺔ ﻣﻊ اﻟﺤﺪث أو اﻟﺸﺨﻮص ٍ ٍ ﺣﯿﺚ اﻷﻟﻮان واﻟﻈﻼل، ﻣﻨﺤﮭﺎ اﻟﺸﺎﻋﺮ إﯾﻘﺎع اﻟﺤﯿﺎة :ھﺎدﺋﺔ وﺻﺎﺧﺒﺔ، وﺟﻌﻠﮭﺎ ﺗﻨﺒﺾ ﻣﻦ ﺟﺪﯾﺪ ﻟﯿﻌﯿﺶ ﻓﻲ ذﻛﺮﯾﺎت اﻟﻤﺎﺿﻲ، وﻛﺎن ﻓﺎﻋﻼ ﺣﯿﻦ وظﻒ ﻓﻨﻮﻧﺎ ﺗﺴﺘﺜﯿﺮ اﻟﻤﺨﺎطﺐ، وﺗﺠﻌﻠﮫ ﻣﺸﺎرﻛﺎ ﻣﺘﻮاﺻﻼ، ﻓﻜﺎن ﻟﻠﺘﺪاﻋﻲ، ً ً ً ً ّ د اﻻﺳﺘﺬﻛﺎري اﻟﺠﺎﻧﺐ اﻷوﻓﺮ ﻓﻲ طﺎﻗﺘﮫ اﻹﺑﺪاﻋﯿﺔ .أﻣﺎ اﻟﺠﺎﻧﺐ ّواﻟﻜﺜﺎﻓﺔ اﻟﺘﺼﻮﯾﺮﯾﺔ، وأﺳﺎﻟﯿﺐ اﻟﺘﻤﻨﻲ، واﻟﺴﺮ اﻟﺘﻄﺒﯿﻘﻲ ﻓﻘﺪ ﺟﺎء ﻓﻲ ﺣﻘﺒﺘﯿﻦ )ﻋﺼﺮ اﻟﻄﻮاﺋﻒ واﻟﻤﺮاﺑﻄﯿﻦ، وﻋﺼﺮ اﻟﻤﻮﺣﺪﯾﻦ.(. 

 

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Publication Date
Tue Feb 10 2026
Journal Name
Ijaz Arabi Journal Of Arabic Learning
Textual Intertextuality In The Poetry Of The Bani Debba Poets Of The Islamic Era
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A literary text is created through relationships with other scholarly and artistic texts, asas clearly represented in the poetry of the poets of Bani Debba in the early Islamic era, which will be analysed and studied in terms of terms of the relationships amongamong their poetic texts. This research aims to identify the poetry of this tribe in the Islamic era, the extent to which they were influenced by what they heard from the ancient period, and the areas of influence. Research method: This research analysed several poems by the Bani Debba tribe from that era to identify the sites of influence. Results: is to explore the extent to which the poets of bani dabba were influenced by the before islamic poetic text and the extent to which the p

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Publication Date
Sat Jun 30 2018
Journal Name
College Of Islamic Sciences
Narrative narration in the poetry of Mohammed Abdul Muttalib   (Top poem as a model)
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Poets of the age since ancient times to recount the events of their adventures in a fun story style in which the elements of the story of personalities, time and place, and we do not mean this modern art technique (poetic story) as it is now, but was aimed at the pleasures of the other receiving because it is the rule of the quality of literary output, Other times the narrative of events inspired by his broad imagination and this mixing indicates the story's involvement with Arabic poetry to be (poetic story) and this depends entirely on addressing the poet to the recipient, and requires in this narrative to be familiar with the elements of influence and suspense in the other or turned into a monotonous and dull narrative Influential, un

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Publication Date
Sat Sep 30 2023
Journal Name
College Of Islamic Sciences
Features of visual formation in the poetry of the poets of the Umayyad era
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Abstract

The Umayyad poets tried to invest all artistic tools in order to achieve a measure of creativity in their texts. The phenomenon of visual composition is breaking the familiar writing system, with the aim of increasing the number of possible connotations. The visual in the Umayyad poetry tries to replace it through expression with the visual image, and its manifestations were manifested by the multiplication of punctuation marks in the body of the poetic text and the tearing of the single poetic line by cutting it into several sentences or repetition.

Keywords: visual formation, poetic writing, Umayyad poetry, recipien

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Publication Date
Tue Jun 30 2015
Journal Name
College Of Islamic Sciences
The phenomenon of advertising In the poetry of Ali bin Abdul Rahman Balnopi Sicilian
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The phenomenon of advertising In the poetry of Ali bin Abdul Rahman Balnopi Sicilian

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Publication Date
Wed Jun 01 2022
Journal Name
Journal Of The College Of Languages (jcl)
Concept of Time in the Poetry of Abdulhaq Hamid: Abdülhak Hamid'in Şiirlerinde Zaman İncelenmesi
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     After Organization literature era, two literary schools appeared in Turkey and Abdulhaq Hamid is one of this period most prominent poets. During his stay in France with a group of colleagues sent by Turkish Government, he was greatly influenced by the French modern literature and the French modern literary authors.

     The study discusses the concept of time in the poetry of Abdulhaq Hamid. Reading his poetry, it can be noticed that time is important where he frequently refers to day and night, morning and evening as time insinuations. Hence, the present paper gives a brief study of the poet’s life, and sheds lights on his poems that deal with time- concept.

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Publication Date
Sat Feb 09 2019
Journal Name
Journal Of The College Of Education For Women
اﻟﻔﺗﺢ اﻹﺳﻼﻣﻲ ﻟﺑﺧﺎرى ﻓﻲ اﻟﻣﺻﺎدر اﻟﻌرﺑﯾﺔ
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The Arab Muslime Paid agreat attention to the Islamic East, especially after their conquest to the Parisian lands, they went forword to continue their conquest till Transoxiara (the lands beyond the river). The research is included the Islamic efforts to conquest (Transoxiara) , They needed mouch time for more than 40 years to conquest it. To sattle their steps in it they used its leading figures to prevent the breaking of the agreement held between them as they were known for doing this before more than once. The main idea of this research is releated to study that history in the Arabic resources.

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Publication Date
Sun Feb 10 2019
Journal Name
Journal Of The College Of Education For Women
اﻟﻘﺮاﺋﻦ اﻟﺴﯿﺎﻗﯿﺔ ودورھﺎ ﻓﻲ اﻟﺘﺤﻠﯿﻞ اﻟﻠﻐﻮي
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  اﻟﺴﯿﺎق ﻓﻲ َأدرك ﻋﻠﻤﺎؤﻧﺎ اﻷواﺋﻞ أﺛﺮَ اﻟﺴﯿﺎق ﻗﺮﯾﻨﺔ ﻣﻦ اﻟﻘﺮاﺋﻦ اﻟﻤﺆﺛﺮة ﻓﻲ ﻣﻌﻨﻰ اﻟﺨﻄﺎب، وﻗﺪ ﻠﻤﺔ ّ وﺗﻤﺜﻞ ﻟﺪﯾﮭﻢ ﻓﻲ ﺟﺎﻧﺒﯿﻦ :اﻷول اﻟﺴﯿﺎق اﻟﻠﻐﻮي اﻟﺬي ﯾﻘﻮم ﻋﻠﻰ أﺳﺎس أن اﻟﻜ ،ﺗﻮﺟﯿﮫ اﻟﻤﻌﻨﻰ وﺗﺤﺪﯾﺪه ِﻜﻮن ﺣُﺴﻨﮭﺎ ورداءﺗﮭﺎ ﻓﻲ ﻧﻈﻤﮭﺎ، ّ ﻻ ﻗﯿﻤﺔ ﻟﮭﺎ ﻓﻲ ﺣﺎل إﻓﺮادھﺎ، وإﻧﻤﺎ ﯾ واﻟﺜﺎﻧﻲ اﻟﺴﯿﺎق اﻟﺤﺎﻟﻲ، وذﻟﻚ ُ ُ ﺑﺮﺑﻄﮭﻢ اﻟﺼﯿﺎﻏﺔ اﻟﻠﻐﻮﯾﺔ ﺑﺎ

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Publication Date
Thu Jan 31 2019
Journal Name
Journal Of The College Of Education For Women
Adnan Al-Sayegh's Anti-War Poetry: A Cry Against Inhumanity
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This paper aims at exploring the impact of the Iraq-Iran war in the poetry of Adnan Al-Sayegh. Al-Sayegh participation in this war makes him a first hand witness to the atrocities of the trenches and fight in the first lines. This war did not only change his life and world view for good, it changes the nature of his poetry as well. As aresult, war becomes a central issue not only in the poetry Al-Sayegh wrote in the 1980s and 1990s Iraq, but also in the exile.
Key Words: War, Al-Sayegh, Poetry.

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Publication Date
Mon Jul 04 2016
Journal Name
University Of Plymouth
‘History Engraved on his Shoulder’: A Comparative Study of the Influence of British First World War Poetry on Post 1980 Iraqi War Poetry "embargoed indefinitely"
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Abstract This study aims to compare British war poetry of the First World War with Iraqi poetry from the mid-20th century with special reference to Iraqi war poetry of the 1980’s Iraq-Iran War and the period that followed it. It will also investigate the influence of the designated British war poetry on the chosen body of Iraqi poetry. Through the comparison of sample poems the study presents, firstly, the direct influence of the British poetry of the Great War and its translation which formed the seeds of a more radical movement in Iraqi poetry during the 1980’s Iran/Iraq War and the period that followed it. The study also presents a comparison of the works of British and Iraqi civilian poets during and after the war time and their con

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Publication Date
Sun Jan 02 2022
Journal Name
Journal Of The College Of Languages (jcl)
The concept of reproach in the Poetry of Necati Cumalı: Necati Cumali'nin Şiirlerinde Sitem Anlayişi
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         Necati Cumalı, the Turkish writer and poet, was born on the 13th of January 1921. The Origin of his name coincides with the same Friday where an airplane crush accident happened inside the borders of Greece where he used to live. He was one of the 20th century most prominent writers whose fame lasted for 80 years until his death on the 10th of January 2002.

    Although Necati Cumalı worked in various literary fields such as short stories, novel, drama, and critical analysis, he was often known as a poet. His poetry celebrates highly elevated emotions to love and nature in unique lifestyle that displays his delightful diction. The p

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