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PHARAOH'S CHARACTER BETWEEN THE QUR'ANIC TEXT AND THE ARABIC NOVEL: (Naguib Mahfouz's Pharaonic Novels as a Model)
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The Character is one of the elements of Storytelling, as it is the center of the plot, making it the basis on which the talk is about. The talk is the portrayal of the character while they’re acting; the novelist presents the character by interacting with the events, and the extent of the negative and positive appearing impact on the character. It should be noted that everyone has two personalities or more, each one appearing in a different position or situation. For instance, a man can be a father, a lover, an employee, a son or anyone else .. in another position, he might be a master, and in another a looser begging for the mercy of his humiliator, and sometimes he can show weakness to the one he loves, or show strength to his enemies, therefore the novelists' interest was to show the special side of the characters after focusing on them and highlighting some of their hidden traits. And in order to understand the characters, they must convince us with their presence and their impact on the events of the novel. After this, we should refer to Pharaoh’s character; a real character, not a fictional one, especially that he had greatly influenced the evolvement of events into sometimes predictable outcomes, because the reader has already a historical reference about him, and the novelist was able to have the reader’s attention after realizing he’s understanding the personality, and conducting his ideas relative to the time he’s living rather than the era where Pharaoh lived, thus, these ideas and issues may seem separate from the society in which Pharaoh lived.

The Theoretical research included two main axes to construct the character: first, the physical aspect. Second: its behaviour.

We conclude that Najeeb Mahfuz had widened his field of vision from all that is individual and subjective, to a social and a lifelike view that is based on the artist’s deep contemplation of life, and his eagerness to reach the essence of things, using to get there, a human model of a character that is an example of arrogance and might as mentioned in the Holy Quran.

And why the character of Pharaoh ? Because it is common between readers that Pharaoh is a mighty arrogant, so the novelist wanted this to be his starting point from Pharaoh’s individuality until he speaks with his voice through this character, saying that the great state is based on Pharaoh the great, and that the greatness of Pharaoh cannot exist without dedicating his love to his people to the extent of sacrificing himself for the sake of them and his homeland. And if we look at the Pharaonic novels of Najeeb Mahfuz ( Khufu's Wisdom

 ) written in 1939, we’ll find that he defined the traits of the king who feels glorious when his people remind him that he is one of the greatest kings. Then he wrote ( Rhadopis of Nubia ) in 1943, where he described a vain king whose destiny was being killed by his people; all because he didn’t consider the destiny of his predecessors, and followed his pleasures, so Mahfuz used to say: “ This is the punishment of the person who is unjust with his people and cares only about his own interests and well being. Then we find that Mahfuz wrote ( Thebes at War ) in 1944, where he gives a different picture of Pharaoh than the two mentioned above; in the first one Pharaoh defends his throne along his life with all of his power and wealth, whereas surrenders to his destiny and accepts death in the second one. But in the third one, Pharaoh started to build himself physically and mentally since childhood in order to be eligible for this great task.

This is how Mahfuz fulfilled the condition of the mask technique in which the novelist is more contemplating than the original character from which the writer derived his idea, thus the creative expresses his experience in life and his creative view of things bringing all of that to the reality in which the recipient lives.

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Publication Date
Wed Sep 01 2010
Journal Name
Journal Of Economics And Administrative Sciences
أنتاج الفقر في الدول النامية بين المفهوم والأسباب
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The poverty in the developing countries is output to under development as we consider welfare, where as when the poverty disappear that produced be the general development . Historically, in our countries, the underdevelopment is the result of colonialism period and what is associated with it of transferring the surplus abroad  and the disorder of production structure.  And at the present  time, the poverty is reproduced and aggravated in the last years as a result of many  internal and external reasons.Today, poverty is associated in many forms with the poverty previously.

 

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Publication Date
Sun Dec 02 2007
Journal Name
Political Sciences Journal
الخطاب السياسي الاسلامي واشكالية المراوحة بين الشورى والديمقراطية
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الخطاب السياسي الاسلامي واشكالية المراوحة بين الشورى والديمقراطية

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Publication Date
Sat Jun 01 2013
Journal Name
Journal Of Economics And Administrative Sciences
underemployment
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underemployment

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Publication Date
Sun Jan 01 2012
Journal Name
Journal Of The College Of Languages (jcl)
LOS ENUNCIADOS INTERROGATIVOS DIRECTOS: ESTUDIO MORFOLOGLCO CONTRASTIVO ENTRE EL ESPANOL Y EL ARABE
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Los enunciados interrogativos desempeñan un papel de sumo interés en el habla del ser humano en todo el mundo, además de la gran importancia que desempeñan sus distintos enunciados y partículas en abreviar las oraciones y hacer llegar a nuestro interlocutor nuestra intención con pocas palabras, por eso a través de esta investigación vamos a enfocar la luz sobre uno de sus tipos fundamentales "los enunciados interrogativos directos", a través de un estudio morfológico contrastivo entre el árabe y el español,  este fue el principal motivo para elegir este tema.

A pesar de que los enunciados interrogativos directos aparentemente no ofrecen mucha dificultad, pero dominar a dicho tipo de enunciados con

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Publication Date
Wed Nov 09 2011
Journal Name
المجلة السياسية والدولية
جدلية العلاقة بين الديمقراطية وتداول السلطة : العراق انموذجا
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تعد الدیمقراطیة الخیار المناسب للمشكلات والأزمات التي تواجه أقطار الوطن العربي بـشكل عـام والعـراق ٕ بــشكل خــاص، فهــي لا تقــدم المعالجــات والحلــول الآنیــة لهــذه المــشكلات والأزمــات فحــسب،وانما تــضع الأطـــر والسیاقات لنمو وتطور النظام السیاسي وبناء هیكل دولة عصریة حدیثة. وفي الوقت الذي تحظى فیه الجوانب المؤسسیة بأهمیة قصوى فـي إطـار العملیـة الدیمقراطیـة، فـان غیابهـا یعمل على تشویه هذه ا

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Publication Date
Mon Mar 01 2004
Journal Name
Al-academy
كلية الفنون الجميلة بين تقادم المعرفة وعصر التحديات
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كلية الفنون الجميلة بين تقادم المعرفة وعصر التحديات

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Publication Date
Wed Feb 01 2006
Journal Name
Political Sciences Journal
اشكالية الطائفية السياسية في العراق بين الاستمرارية والانكفائية
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اشكالية الطائفية السياسية في العراق بين الاستمرارية والانكفائية

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Publication Date
Fri Nov 01 2013
Journal Name
كلية الآداب
نظرية الشك بين استشراقية مرجليوث واستغرابية طه حسين
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نظرية الشك بين استشراقية مرجليوث واستغرابية طه حسين

Publication Date
Mon Jul 01 2013
Journal Name
دراسات دولية
قراءة في المذهب العسكري الروسي بين الماضي والحاضر
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إن أهميـة بحثنـا تتضـح مـن خـلال التطـرق إلى دراسـة المـذهب العسـكري في حقبـة الاتحـاد السـوفيتي السـابق وإبـراز الجوانـب الرئيسـة المتعلقـة بفلسـفة المـذهب العسـكري السـوفيتي ومضـامينه الاستراتيجية مــن جانــب، وفلســفة المــذهب العســكري الروســي لمرحلــة مــا بعــد الحــرب البــاردة والتغـيرات المهمـة الـتي طـرأت عليـه، ممـا أفـرز لنـا بطبيعـة الحـال مضـامين مـذهب عسـكري روسـي جديــد قــد يتقــا

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Publication Date
Wed Jun 01 2005
Journal Name
Journal Of The College Of Languages (jcl)
El Punto de Asimilación entre los Dramaturgos romances Echegaray e Ibsen
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José Echegaray, dramaturgo español, obtuvo premio Nóbel de literatura en (1904), político, orador, economista y dramaturgo. Con su obra "El gran Galeoto" en 1881, llegó a la cumbre de la popularidad.
Henrik Ibsen, dramaturgo noruega, creador del drama moderno, por sus obras realistas que abordan problemas psicológicos y sociales. Y a que fue el iniciador del teatro de tesis del teatro social. Ibsen, dramaturgo noruega, cuya obra influyó notablemente en el teatro europeo de finales del s. XIX y principios del XIX ; en gran parte en la obra de Echegaray, Galdós (1) y Benavente (2).
Los presentes autores empezaron sus producciones bajo el romanticismo que fue poco a poco añadiendo ideas del naturalismo y el realismo dramátic

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