The communication inspiration formed an essential foundations for contribute the influence individuals and recipients, whether negatively or positively, through the messages that were published and presented in them with multiple themes and viewpoints that covered all parts of the world and all age groups; it is directed to children addressing the various stages of childhood, as it simulates many goals, including what is directed through the digital use of educational data in television production, as it is considered an intellectual and mental bag to deliver ideas and expressive and aesthetic connotations to children, where the songs and cartoons carrying data on education; within adjacent relations and in a mutual direction, both of th

This study presents the concept of communicating as criticism analytical vision of art in general and contemporary composition particularly. Art is a means of communication for that activity to participate in the information or meanings, where the artwork is the message that includes what the artist sends ideas ,to the recipient . Thus, the language of communication between the artist and the receiver are made through the artwork (whatever his specialty: theatrically, plastic art, musically) and the magnitude of the meaning of outwardly or inwardly, is determined by the relationship between the artist and the recipient of which lead us turn to the issue of communication between them . .
At that determined search through which we seek

اهتم البحث الموسوم بـ(القدرات الاجتماعية للمنتجات الصناعية المحاكية للكائن الحي وعلاقتها بالتفضيل الجمالي) بدراسة ظاهرة القدرات الاجتماعية للمنتجات المحاكية للكائن الحي والمؤثرة على دور القدرات الاجتماعية في إضفاء صبغة التفضيل الجمالي لهوية المنتج الصناعي لغرض تلبية وسد حاجة المستهلك، فتضمن مشكلة البحث متمثلة بالسؤال التالي: هل ان القدرات الاجتماعية لها علاقة بالتفضيل الجمالي للمنتج الصناعي المحاكي ل

يتناول البحث جدلية الحياة والموت في نصوص مثال غازي (مسرحية عزرائيل –اختياراً) وتداعياتها الدلالية، وهي من المسائل الوجودية التي شغلت حيزاً واسعاً من الفكر الفلسفي،فحضور الموت يعني غياب الحياة وحضور الحياة يعني غياب الموت فضلاً عن ان الكاتب يعيش الضياع ومشاهد الموت اليومي في بيئته الاجتماعية كحالة وشعور وماتشكله هذه المشاهد من هم يومي يلقي بظلاله على افراد المجتمع.فضلاً عن أنها من المحطات المهمة التي تشكل

Showing animal shapes is one of the primary topics since the discovery of cave drawings, with semantic discourses, as they appeared in the ancient civilization of Iraq, with their discourse and intellectual structure, and their reflections on their plastic achievements. The research deals with three topics: the first (an introduction to the concept of discourse), the second: (the historical roots of animal forms), and the third (the manifestation of animal forms and their discourse, in Mesopotamia). Mesopotamian fauna and its concepts? What are the?, Its importance was also represented in: the presence of animals and their semantic and conceptual discourse, especially the sculptures (the lion and the bull), with the aim of revealing the

Theatrical art, from (Plato) to (Heidegger), passing through (Husserl) and (Husserl) has propagated the parallel relations between the overlapping formal patterns in the world of hypotheses crowded with diaspora and scattering, leading to the manifestations of implicit meaning in the intellectual and aesthetic discourse, through the deconstructive pattern that restructures The aesthetic image according to the aesthetic data to be employed, so the effectiveness of the deconstructive system had an important role in authorizing the Ghanaian logic and continuity on which the Western meta meaning was based, and the artistic scene was subjected to it in line with literature and art to be able to pay attention to the achievement and clarify it

بما ان البحث الحالي يهدف الى التعرف على البعد الجمالي للاضاءة في عروض مسرح الطفل، لذلك فان اجراءات البحث الحالي تتجه الى اعتماد المنهج الوصفي التحليلي كونه اكثر المناهج العلمية ملائمه لتحقيق هدف البحث الحالي والوصول الى النتائج المتوخاة من عملية التحليل
يتكون المجتمع من عروض مسرح الطفل بواقع (ثلاثة عروض مسرحية) وفقاً لحدود البحث الحالي والتي تتضمن في سياقها طريقة توزيع الاضاءة، علماً ان العروض من نتاج (ط

        Which was entitled : Aesthetic and dramatic dimensions of silence in the feature film , and the researcher clearly define after removing the confusion existing in some authorized sources , as for the concept of silence , adopted in this research is : the death of the audio stream , Hence the researcher shed a light on the aesthetic and the dramatic role of silence in the feature film , through the handing of the silent scenes ( absolute silence ) in the film research divided this research into four chapters . This first Chapter includes : methodological framework , which represents the research problem , which came with the following question : what is the mechanism of productive silence to the

الانتقالات الفنية في تكوين اسلوب الفنان حافظ الدروبي

The problem of the research represented by knowing the approaches which presented by knowing the design guides and the design styles which the imitation products enter upon it to be able to competitor the other original products .The research aim was to comparison the design approaches of the functional performance and the utilizations for the imitation and the original products , however the research limits contained study products samples of the kitchen electric equipments which available in local markets of Baghdad city for the period (2000 – 2013) .After the view of research back for the subject fundamental basics and investigating research sample to be complete to a group of results and conclusions and the most marked of her were

جاء هذا البحث ليوضح فاعلية الفكر الجدلي لكل من هيغل وماركس ، وإمكانية القراءة الجدلية في الاداء التشكيلي الذي تنوعت أفكاره ومواده التنفيذية ، وجاء البحث من أربعة فصول ، الفصل الأول الاطار المنهجي لبيان مشكلة البحث التي اثارت التساؤل ما قابلية الفكر الجدلي الهيغلي والماركسي على التمثل في الأداء الفني التشكيلي وخلق حالة تبادلية، وأهمية البحث عده إضافة للبناء المعرفي الاكاديمي بمجاله الفلسفي والادائي ، فضل

هدفت الدراسة للتعرف على الجمالية المعاصرة في الفن وهندسة الفراكتال من منظور فني، والتطور التاريخي للخزف، والخزف المعاصر، وطرق تشكيله ومعالجته، وإنتاج أعمال خزفية مستوحاة من الفراكتال، وللإجابة على سؤال الدراسة: ما مدى إمكانية الاستفادة من جماليات هندسة الفراكتال كمدخل لاستحداث خزفيات معاصرة؟ افترضت الدراسة أنه من الممكن أن تفيد جماليات هندسة الفراكتال في إنتاج خزفيات معاصرة، واستخدمت للتأكد من صحة الف

Some have considered the dialectic in form and meaning from different points of view, and dismantled them from each other, and this view is correct if we adopt according to the logic of Aristotle when it comes to dialectic, the dialectic of form and meaning has different aspects and does not share a single line in terms of conceptual meaning, the form is the appearance What the recipient sees with the help of cognitive tools, the content or content is the mental meaning, which in turn depends on his own tools, and to this extent this view is correct, and the intellectual content or meaning of the artwork or the human message that the artist wants to convey to the viewer.
The research included four chapters. The first chapter included

The topic of context is one of the important topics, which was mentioned as a concept in several fields and different fields, and there were many points of view that defined that concept.
He specified the title of the research (design contexts in the design of the interior space), as the research sought to identify the concept of context in the interior design of the spaces of sewing workshops. The research was divided into four chapters:
The first chapter, which consists of the methodological framework, the problem of research and the need for it, the importance of research, the goal and limits of research for sewing workshops for vocational schools from (2020-2021).
The second chapter: consists of previous studies and the theo

يتناول البحث الحالي دراسة جمالية تحليلية للآثار النحتية بمنطقتي جُبّة والشويمس بمدينة حائل لاحتواهما على العديد من الرموز الإنسانية والحيوانية المنفذة بأسلوبي النحت "الغائر والبارز"، والتي تعود إلى عصور ما قبل التاريخ، وقد تميزت بأنماط متعددة ومراحل مختلفة ما يعكس المراحل التاريخية التي مرت بها المنطقة. هدفت الدراسة إلى الكشف عن الأبعاد الجمالية لهذه الأثار، من خلال منهج وصفي تحليلي يُبرز قيمها التشكيلي

Advertisements containing images of women represent one of the most controversial topics of the advertising industry and has an impact on people and trends. This study aims to determine the typical mental image of women purveyed through visual advertising in the Arab media. It also aims to find out whether these advertisements portray women positively or negatively, in addition to investigating the reasons for the recent negative portrayal of women in commercials. The study adopted a descriptive-analytical approach to achieve these objectives. The results indicate that advertising designs that carry images of women displayed in the Arab media create strong mental images. Repetition reinforces these images, and they emphasize the concept

The formal integration of the interior spaces in general and the commercial spaces of the watch shops in the large commercial centers in particular is the goal that the designers aim to reach in order for the interior space to become successful in terms of the design idea and its characteristics. Implementation mechanism. One of the reasons for achieving formal integration in the interior spaces of watch shops is the requirements of the design that must be available in these spaces to reach a state of formal integration between the interior and the exterior so that the space becomes fully integrated in all respects. Because of the aforementioned reasons for dealing with the research, through four chapters: The first chapter included the

ابتدأت الحركة التشكيلية العراقية منذ النصف الأول من القرن العشرين أي ما يقارب المئة عام، مرت عبر مراحل مختلفة وارهاصات غيرت من مساراتها ورؤى الفنانين المشتغلين من أجيال القرن الماضي، وعليه تبرز لنا مشكلة تبويب وتوثيق هذه التجارب والاستعمالات الفنية التي شهدت تقلبات سياسية وإجماعيه واقتصادية متباينة خلال العقود الاخيرة، والتي شكلت عوامل ضاغطة ومؤثرة على الصعيد الإنساني وعلى المنجز الفني المعبر عن هموم و

يَتَناَولُ هذا البَحثُ (الإدراكُ الحِسيّ وَتَلقي العَرض المَسرَحيّ العِراقيّ)، باعتِبارِ الإدراك هُوَ العَمَليَّة التي يَتُمُّ مِن خِلالِها التَعَرُّف عَلى المَعلوماتِ الحِسيَّة، وَتَفسيرها سَواءَ أَكانَت المُثيرات بَصَريَّة أَو سَمعيَّة أَو لَمسيَّة أَو شَميَّة أَو ذَوقيَّة، وَبالنَظَرِ لأَهَميَّةِ المَوضوع فَقَد رَصَدَت الباحثَة العَديد مِنَ الآراءِ وَالتَنظيرات الفَلسَفيَّة وَالدينيَّة وَالن

The woman represents an existential dualism with the man along history. This existence has been manifested through the history of Art starting from the arts of the old civilizations until modernism. It must be said that the history of Art refers to her presence as an extension for this history in the oriental arts, and the Arab countries including Iraq.  The woman has varying outputs in terms of the content of her presence and the style of presentation. In her characterizations: maternity, fertility, femininity and others. The Iraqi artists adopted these fields among them the artist Jaber Alwan who formulated his style of presentation and its units depending on the feminine presence and his experience in her formal and stylistic fie

  eroticism formed a basic focus in contemporary studies and caused a problematic clash in terms of terminology, as some interpreted it by pornography and another interpreted it as aesthetic, so this research came to seek to decipher this terminological clash, and to be known as erotech in terms of cognitive significance, Accordingly, the research culminated in four chapters. The first chapter (Methodological Framework) talks about the research problem that came according to the following question: “How is the erotic act built in the theatrical text and what are the epistemic connotations that express its subjectivity? Then followed by the importance of research and the need for it, then the objective of the research, and the boun

           This thesis study (pen weight and diversity of Arabic calligraphy), including the Arabic script went through multiple bodies, it came through the natural evolution of societies, and helped in the renovation and development of calligraphy after they gained a clear identity as a result of development that has occurred in the materials and writing instruments, especially industry pen that led to the diversity of Arabic calligraphy, and through the exploratory research and modeling study, which was obtained that the researcher could pose a problem discussed in the first chapter of his study follows by asking: is the pen is the weight of the role in the diversity of Arabic calligrap

There are many varied studies that dealt with the dramatic construction, especially books and studies that addressed drama in its construction and the method of writing it, that no textbook or a general cultural content is void of tackling the dramatic text in its construction and how the dramatic action develops in it. Therefore, a question occurs to the mind about the feasibility of dealing with the dramatic construction in this time, where many contemporary studies of dramatology and its relation and the contemporary critical directions are accumulating. This question many have two realistic aspects, yet the novelty and originality that this research shows lie in addressing a refined linguistic text in its style and connotations, such

The current study aimed to identify the role of the theatrical technical supervisor in developing and enhancing the skills of middle school students in Baghdad. The sample consisted of 73% of the original community of theatrical technical supervisors, randomly selected from those working in the first, second, and third educational directorates in the Rassafa and Karkh areas. The sample size was 32 theatrical technical supervisors. The study used a questionnaire to collect data on three axes: the cognitive skills developed by the theatrical technical supervisor, the voice and speech skills developed by the supervisor, and the body movement skills developed by the supervisor. The results showed that the theatrical technical supervisor play

يتناول البحث الموسوم (تكاملية الأداء الوظيفي في تصميم المنتج الصناعي ما بين التحكم الذكي والتقليدي) دراسة أثر التقنيات الرقمية على المنتجات الصناعية وعملية التكامل بين منظومات المنتجات الصناعية من خلال تداخل واشتراك وظيفة كل منظومة مع المنظومات الأخرى، فهو يهدف الى إيجاد مقارنة في ادائية المنتج الصناعي ما بين التحكم الذكي والتقليدي. واشتملت حدود الدراسة على المنتجات الصناعية ذات التحكم التقليدي والتحكم

This research deals with the perceived and the imagined in the texts of Yusef Al-Sayegh, considering language as the most important source in literature and theatrical criticism, and given the importance of the subject, the researcher monitored many philosophical and psychological opinions and theories related to (the perceived and the imagined), and they were discussed and their compatibility with the Iraqi theatrical t As for the second chapter, where (the theoretical framework), it included two topics, and the first topic was about the concept of the perceived and the imagined, and the second topic was about Youssef Al-Sayegh and the structure of the theatrical text.
In the third chapter, where (research procedures), the research

  The study entitled (Anthropometric Treatments of the Study Seat Units Used in Elementary stages) highlighted the relations between the sizes of dimensions of the study seats and the different anthropometric sizes of the students. The study problem is manifested in the following question: what are the anthropometric treatments used in the design of the study seats in the elementary stages? The research aims at finding design treatments for the anthropometric variables of the study seats used in the elementary stages, because the study seats have to do with preserving students health and safety through providing an ideal seating mechanism compatible with the anthropometric variables which enhances comfort, safety and focus in the mo

The research aims to monitor and analyze the visual and symbolic features, derived from the Omani heritage, and inspired by the concept of local identity, for a selection of contemporary Omani graphic art works, which represent a mixed, multi-category of research sample, comprising three levels: the works of professional Omani artists, and the works of young artists and specialized students, as well as the work of a number of active academics in the field of graphic theorizing and teaching. The sample is also divided - in terms of technical classification - into a category of works executed using traditional engraving and printing media, and a category of works executed using modern and digital graphic printing media.
Through the da

This research aims to study the performance of comedian in the plays of writer Moliere . The problem of research is to answer the following question:      How does comedian Moliere's techniques in a number of his plays and funny acts?   The    research aims at revealing the means used by the comedian in his performance of a comedic character in the number of Moliere plays.                                                 

   &

With a descriptive and analytical approach, it discusses the concept of phenomenology as an approach to seeing the aesthetics of ugliness as one of the concepts associated with the aesthetic experience in contemporary art designs, as it is the result of communication between artistic production and the recipient, which leads to creating a state of aesthetic pleasure. A phenomenological method is used to uncover the aesthetics of ugly and to connect ugliness and beauty since ugliness in aesthetics incorporates beauty as a modern aesthetic vision from the phenomenological perspective. The study investigated aesthetics as a phenomenon of perception, sensory knowledge, and the aesthetic response to the production of designs in contemporary a