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Technique and music of letter poetry in Nali’s poetry: هونەر و مۆسیقای «پیتەشیعر» له شیعری نالیدا
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Musicality is a fundamental feature of poetry that takes the interest of scholars and critics. Most poets rely on a variety of literary devices and techniques to bring music to their work like rhymes - words that appear at the end of lines in poetry - and on arranging words techniques in such a way to create a pseudo melody, which is achieved primarily by patterning (or repeating) certain sounds. Such a poetic rhetorical and verbal enhancer’s aspect represented ever since the beginning of the classical poetry has been manifested more evidently in Nali’s poetry. His poetry is marked with particular letters that have played a substantial role in the rhyming that rings like cymbals or jingle like internal elevated rhymes. Within a descriptive-analytical approach, the present study describes the musical techniques of Nali’s poetry, particularly of what is called letter poetry, and investigates the application of these letters as figures of rhetoric in Nali’s poetic style. The study traces the letter poetry types and its impacts on poetic meaning creation in the light of semantic framework.

کورته

مۆسیقای هۆنراوه هەر لە سەردەمانی کۆنەوه، گرنگییەکی تایبەتی پێ­دراوه و جێگەوپێگەیەکی ئەوتۆی له چوارچێوه و پەیەکەرەی شیعردا هەبووه. ئەم مۆسیقایه به ڕیزکردن و پات­بوونەوه و ڕێک­خستنی وشە و پیته لێکچوو و هاوئاهەنگەکان پەیدا دەبێت. هەر له شیعری کلاسیکەوه تا ئەمڕۆ ئەم تەکنیکه له ڕازه و هونەره جۆربەجۆرەکانی ڕەوانبێژیدا خۆی نواندووه و دەرکەوتووه. له شیعری نالیدا به شێوازێکی زەق و بەرچاو پات­بوونەوەی پیتێکی دیاریکراو له هەندێ له هۆنراوەکانیدا دەورێکی مۆسیقایی بەهێز و زۆر دیاری به ئەستۆ گرتووه و ئاواز و مۆسیقای شیعرەکەی بەرزتر کردۆتەوه. به شێوەیەک که دەکرێت ناوی ئەو پیته ببڕین به سەر ئەو هۆنراوەدا و به «پیتەشیعر» ناوزەدی بکەین. ئەم توێژینەوە به شێوازی تەوسیفی – لێکۆڵینەوەیی هەوڵی­داوه به خوێندنەوەی شیعرەکانی نالی هونەر و مۆسیقا و دەوری پیتەشیعر ڕوون­بکاتەوه و وەک تەکنیک و هونەرێک له شێواز و شیعری نالیدا بیناسێنێت. له ئاکامدا توانیویه چەشن و کاریگەری و بەتایبەت لایەنە واتاییەکانی ئەم هونەره له شیعری نالیدا بخاته بەر چاو و تیشکی لێکۆڵینەوه و ڕاڤه و شرۆڤەیان لێ­بدات.

 

 

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Publication Date
Wed Dec 29 2021
Journal Name
Journal Of The College Of Education For Women
The Skills of Intended Meaning behind the Context when Reading Poetry among Fifth Grade Students- Literary Branch from Teachers’ Perspectives
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Thu Dec 31 2020
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Wed Sep 15 2021
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The research deals with the lyrical introduction in the commentary of Tarfa bin al-Abd as a formative system characterized by flexibility and richness of imagination, which achieved a formative treatment and a unique construction within the structures of the structural and semantic language. I dealt with the poetic verses represented by the lyrical introduction as a formative hypothesis, basing its goal on a methodological framework distributed on the problem that was summarized by the following question: Is it possible to look at the poetic pattern within the pre-Islamic poem / hanging blinking as a model, in its plastic dimensions and to identify the stylistic treatment that achieves the formation space within the poetic text. The rese

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Abstract

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Mon Dec 20 2021
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