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"המימד הדתי בסיפור העברי המודרני" "מחקר לשוני ספרותי"Religious Dimension in Modern Hebrew Story
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תקציר :

 המחקר הזה הוא ניסיון לשפוך אור על נושא מרכזי וחשוב בחייהם של היהודים, "הממד הדתי" אצל היהודים, מחקרי הנקרא "הממד הדתי בסיפור העברי המודרני" גם מתייחס להשפעת התרבות הדתית של המספר והחוג המשפחתי שחי בו, ואיך שיקף המספר את כל הדברים האלה ביצירותיו הסיפורית .

המספר בוחר במילים ובמונחים בעלי משמעויות דתיות או מביא את הסיפור הזה אשר קרוב אל נושא הסיפור ההולך באותה מגמה .גם כן השפעת התיאולגיה  על המספר ממדים דתיות.יש להעיר גם כן שהתכוונו במשמעות הדתית הזו שהמספר השתמש בה בשיטה דתית.

הרקע הדתי של המספר גם ישפיע עליו בכלל ,ובפרט בספרות העברית, משום שהתורה ,התלמוד,והרעיונות הציוניים הם אבן – פינה לספרות העברית והחשיבות הצד הדתי בספרות העברית בולטת בגלל שהגורם היסודי ששמר ליהודים המפוזרים בארץ את מציאותם והדגיש אחדותם הוא השתיכותם לאמונתם וללשונם העברית1 .

המחקר הזה כולל הקדמה דברתי בו על "המימד הדתי בסיפור העברי הקצר" ואחרי כן הפרק היחיד והיסודי במחקר שהתייחסתי בו על חמשה סיפורים מקיפים את המימד הדתי וילדותם של חמשה מהמספרים והם יהודה בורלא וסיפורו "זהב" , דוד פרישמן וסיפורו "שלושה שאכלו", שלום עליכם וסיפורו "ירק לשבועות", יהודה שטיינברג וסיפורו "בדידות" . ולבסוף זאב פיארברג וסיפורו "לאן".

Abstract

     The religious dimension means the effect of the Jewish doctrine (Torah and Talmud) in the writer, and the reflection thereof on the community and the writer. The more the effect in the community, the more the individuals are to become religious and firm stand for their Jewish teachings.

My paper, which is entitled "Religious Dimension in Modern Hebrew Story: A Stylistic study" tackles the impact of the writer's religious culture and family environment where he lived, and the reflection thereof, on his writings and stories.

The paper includes an introduction where a condensed statement is given of the religious dimension in the Hebrew story and its most well-known writers. Then, a short statement of the writer's  biographyand language style. And later, the topic of the current paper which involved four stories for four writers: Yehuda Borla, David freshman, ShalumAlaikaym, and Steinburg. Lastly, I talked about the linguistic phenomena for each writer, and came out with a number of  conclusions that I have arrived at.

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 وفي بداية تأسيس الشبكة لم يكن ثمة اهتمام بمسائل الأمن بقدر ما كان الاهتمام ببنائها وتوسيع نش

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Zusammenfassung

Die Rache ist also ein effizientes, ausgiebiges Thema, das man in der Dramatik, in der Lyrik und auch in der Epik als Theaterzuschauer oder als Leser voller Spannung verfolgt.

Wenn man solch ein Thema verfolgt, wird man stark beeinflusst. Der Leser bzw. Zuschauer bleibt nicht isoliert vom Geschehen und wird innerlich unweigerlich zur Äußerung seiner Meinung gedrängt, gleich ob er sich nun für oder gegen das Verhalten der Gestalten solch eines Werkes stellt. Im Zuge meiner Forschungsarbeit mit diesen auserwählten Werken, in der ich das Thema „Rache“ behandelt habe, bin ich zu dem Resultat gekommen, dass die rächende Person ein bitteres Ende nimmt und ein dunkles Schicksal hat, ind

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