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"המימד הדתי בסיפור העברי המודרני" "מחקר לשוני ספרותי"Religious Dimension in Modern Hebrew Story
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תקציר :

 המחקר הזה הוא ניסיון לשפוך אור על נושא מרכזי וחשוב בחייהם של היהודים, "הממד הדתי" אצל היהודים, מחקרי הנקרא "הממד הדתי בסיפור העברי המודרני" גם מתייחס להשפעת התרבות הדתית של המספר והחוג המשפחתי שחי בו, ואיך שיקף המספר את כל הדברים האלה ביצירותיו הסיפורית .

המספר בוחר במילים ובמונחים בעלי משמעויות דתיות או מביא את הסיפור הזה אשר קרוב אל נושא הסיפור ההולך באותה מגמה .גם כן השפעת התיאולגיה  על המספר ממדים דתיות.יש להעיר גם כן שהתכוונו במשמעות הדתית הזו שהמספר השתמש בה בשיטה דתית.

הרקע הדתי של המספר גם ישפיע עליו בכלל ,ובפרט בספרות העברית, משום שהתורה ,התלמוד,והרעיונות הציוניים הם אבן פינה לספרות העברית והחשיבות הצד הדתי בספרות העברית בולטת בגלל שהגורם היסודי ששמר ליהודים המפוזרים בארץ את מציאותם והדגיש אחדותם הוא השתיכותם לאמונתם וללשונם העברית1 .

המחקר הזה כולל הקדמה דברתי בו על "המימד הדתי בסיפור העברי הקצר" ואחרי כן הפרק היחיד והיסודי במחקר שהתייחסתי בו על חמשה סיפורים מקיפים את המימד הדתי וילדותם של חמשה מהמספרים והם יהודה בורלא וסיפורו "זהב" , דוד פרישמן וסיפורו "שלושה שאכלו", שלום עליכם וסיפורו "ירק לשבועות", יהודה שטיינברג וסיפורו "בדידות" . ולבסוף זאב פיארברג וסיפורו "לאן".

Abstract

     The religious dimension means the effect of the Jewish doctrine (Torah and Talmud) in the writer, and the reflection thereof on the community and the writer. The more the effect in the community, the more the individuals are to become religious and firm stand for their Jewish teachings.

My paper, which is entitled "Religious Dimension in Modern Hebrew Story: A Stylistic study" tackles the impact of the writer's religious culture and family environment where he lived, and the reflection thereof, on his writings and stories.

The paper includes an introduction where a condensed statement is given of the religious dimension in the Hebrew story and its most well-known writers. Then, a short statement of the writer's  biographyand language style. And later, the topic of the current paper which involved four stories for four writers: Yehuda Borla, David freshman, ShalumAlaikaym, and Steinburg. Lastly, I talked about the linguistic phenomena for each writer, and came out with a number of  conclusions that I have arrived at.

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Publication Date
Fri Oct 24 2014
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Journal Of Religion And Health
Cross-Cultural Validation and Psychometric Properties of the Arabic Brief Religious Coping Scale (A-BRCS)
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Intellectual and Religious Characteristics Andalusion Societ Image Beni Al-Ahmar Era Poetry as a model
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HISTORY AND MODERNITY OF POETRY AS : A Reference Of The Modern Poem In Iraq
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One of the most important intellectual issues, which receive attention is the issue of modernity, it has occupied the scholars of all time. However, modern poetry used to have special care in Iraq and in the Arab countries .. it is not strange that the concept of modernity is linked to history .. or having history as the most important dimension of its dimensions .. because Arab poetry is historical and it is moving into an area of ​​the past that is still active in terms of language and literary image .. When some poets found that changing and modernizing poetry became a necessity of evolution, and one of the fundamentals of modernization, the cultural impact did not respond to the desire of poets, and their impulse in modern poetry

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Nano-Additives in Asphalt Binder: Bridging the Gap between Traditional Materials and Modern Requirements
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     Musa son of Yaqoob son of Izra, the Spanish poet, linguist, and  philosopher, was born in Granada. He has many poems representing  types of poetry. Also, he had important books, such as "the Poetry of Israel" and "Contemplative Research". He is knowledgeable in both Hebrew and Arabic, because most of his books were written in Arabic and the then translated to Hebrew. It seemed that he was influenced by Arab poets, specifically Abo Firas, and borrowed many issues, such as comparison, repetition, exaggeration, etc. and included them in his poetry.

     All know that Arabic literature clearly influenced Hebrew literature in the Spanish era. Ara

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