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השירה החילונית לשמואל הנגיד בספרד Hebrew religious poetry to Shmuel Hnagad In Spain
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תקציר

השירה החילונית  זו מיזגה בין התרבות היהודית והתרבות הערבית השלטת. התרבות הערבית השלטת  השפיעה על היהודים בשירה, בספרי פילוסופייה ועיון, בהגות דתית, ביצירה של פרשנות המקרא, במחקר בדקדוק עברי, ברפואה ועוד. ספרי המדע המחקר והעיון נכתבו כולם בערבית. זו היתה שפת הדיבור בקהילות היהודיות. אבל השירה שהתפתחה, שירה אשר קבלה את יסודותיה מן השירה הערבית, שהגיעה לשיא בתקופה זאת – נכתבה כולה בעברית. השירה העברית הושפעה מאחותה הערבית בצורות השיריות, במשקלים, בסוגים – אבל נכתבה בשפה העברית בלבד. מטרת המשוררים העבריים בספרד הייתה להאדיר את השפה העברית לאור מופת המקרא. אם המשוררים המוסלמים כתבו בערבית כדי להאדיר את שפת הקוראן, ולאותה מטרה גם כתבו מחקרים על השפה והדקדוק הערביים – הרי היהודים הושפעו ממגמה זו על מנת להאדיר את שפת המקרא, שפת הקודש. עד לתקופה זאת לא שימשה שפת המקרא מקור לשוני ישיר ליצירה ספרותית. הפיוט הקודם לתקופה זאת היה קרוב בלשונו ללשון חז"ל, לשון התלמוד והמשנה. משוררי ספרד החיו את לשון המקרא. מילים מקראיות קבלו בשירתם פירוש חדש. זו הייתה תחייתה של לשון שלא דברו בה – לשם יצירה חדשה, ענפה ועשירה. שמואל הנגיד היה המשורר היהודי הראשון שעיצב את השירה החילונית  בספרד, על סוגיה השונים -  שירי יין, שירי ידידות, שירי שבח, שירי אהבה ועוד. שלא כמו משוררים אחרים - כתב הנגיד את שיריו לא למטרות פרנסה, כמשורר חצר, אלא כביטוי לחוויותיו ולרגשותיו:

ABSTRACT      

     The beginnings of Hebrew poetry religious in Andalusia was in the tenth century the rule days of King Abdul-Rahman III  (912-961), where the Jewish groups in Andalusia in those days was Thoudy of confidence by the Muslim authorities were also Thoudy autonomy in religious and cultural side, and this in turn led to the development of the Jewish literary output in all areas where Jewish philosophy evolved and renewed Hebrew poetry mundane .

The abundance of production in this kind of literature occurred under the influence of Arab culture and the first who wrote in this kind of poetry is poet (Donac bin Brat) where the transfer of poetry Hebrew formal components of Arabic poetry, including weight and rhyme.

Furthermore, the influence of Arabic literature appeared in Spain a new type of Hebrew poetry, but it is the standings, which is a rhymed prose Among the most prominent of the books in this kind of poetry is Judea Harizi.

     The most prominent of the books in this type of hair four poets are Shmuel Hnakid,  Solomon Ibn Jpiroll,  Moses Ibn Ezra, and Judah Halevi .

The Hebrew poetry earthly evolution and that the impact of Arabic poetry in form and substance where takes from the Arabic poetry threads  and curricula where established relationship and close contact unanimous and culturally between Jews and Muslims, and this Intellectuals Jews know  on Arab poetry and who was very open-minded and distinct linguistic style and image substantially so where love Jews poets this type of poetry and been affected by it and taken Arabic poetry features to poetry worldly Hebrew as Hebrew poetry adopted the weight and the Arab poetic rhythm, any quantitative weight Arabic poetry, and they have to divide each row or line of poetry specific number of a  sections.

The Arabic poetry impact on religious Hebrew poetry came through expression also in the content of the poetry and theme though this effect was always within the limits of tradition and conformity for the poets of the Jews, we find there poems telling the story of the friendship and companionship and there poetry the wine as well as find love poetry, which describes the pain loving and yearning and longing to those who love and there are other topics in the poetry worldly poems including the engagement and marriage and lamentation poems .

     In addition to all of these types and threads of poetry , which are all within the poetry worldly box there was also special types of poetry to others poets have been active within the circumstances of their lives and, for example, War poetry to Shmuel Hnakid who was defense minister in the Kingdom of Granada, and also  poetry of Zion Yehuda Halevy , as well as personal poems  to  Solomon said Jpiroll and who devoted his poetry in the mundane description of the dispute and the conflict with the people of his hometown and the isolation and misery and suffering.

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Publication Date
Wed May 14 1997
Journal Name
رسالة الماجستير
صورة اليهودي الغربي في الادب القصصي العبري الشرقي دراسة في نتاجات إسحاق شامي وسامي ميخائيل وامنون شاموش
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Sun Dec 31 2023
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‘Ambivalence’ as a Concept in John Clare's Middle and Late Poetry
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        This paper signifies the contradictory point of view in John Clare’s poetry. Clare (1794-1864) is an English romantic poetry in the nineteenth century, who writes more than ten volumes about nature. So, this study highlights the concept of Psychoanalytic theory which is ‘ambivalence’ and how through this theory can interpret any literary text on the basis of utilizing psychoanalytic methods to literary texts in order to reveal the author's inner emotions such as motives, dreams, as well as wishes. Consequently, the concept of  ‘ambivalence’ has a lot in common with the human psyche and its struggles. Sometimes the reader finds the author/poet talking about something real or a notion with pleasant sentiments

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Thu Mar 10 2011
Journal Name
University Of Thi-qar Journal
Negative Capability: Theory and Practice in the Poetry of John Keats
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Tue Nov 01 2022
Journal Name
Alustath
Metrical Phonology in Classical English and Arabic Poetry: A Contrastive Study
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One of the prominent goals of Metrical Phonology Theory is providing stress of poetry on the syllable-, the foot-, and the phonological word- levels. Analysing poetry is one of the most prominent and controversial issues for the involved number and types of syllables, feet, and meters are stable in poetry compared to other literary texts. The prosodic seeds of the theory have been planted by Firth (1948) in English, while in Arabic يديهارفلا in the second half of the eighth century (A.D.) has done so. Investigating the metrical structure of poetry has been conducted in various languages, whereas scrutinising the metrical structure of English and Arabic poetry has received little attention. This study aims at capturing the

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Publication Date
Tue Nov 01 2022
Journal Name
Alustath
Metrical Phonology in Classical English and Arabic Poetry: A Contrastive Study
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One of the prominent goals of Metrical Phonology Theory is providing stress of poetry on the syllable-, the foot-, and the phonological word- levels. Analysing poetry is one of the most prominent and controversial issues for the involved number and types of syllables, feet, and meters are stable in poetry compared to other literary texts. The prosodic seeds of the theory have been planted by Firth (1948) in English, while in Arabic يديهارفلا in the second half of the eighth century (A.D.) has done so. Investigating the metrical structure of poetry has been conducted in various languages, whereas scrutinising the metrical structure of English and Arabic poetry has received little attention. This study aims at capturing the

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Tue Jan 01 2019
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Ssrn Electronic Journal
Silence as a Tactic of Communication in Pragmatics, Novel, and Poetry
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Publication Date
Thu Aug 15 2019
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Arab World English Journal For Translation And Literary Studies
Silence as a Tactic of Communication in Pragmatics, Novel, and Poetry
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Publication Date
Sat Sep 30 2023
Journal Name
College Of Islamic Sciences
Features of visual formation in the poetry of the poets of the Umayyad era
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Abstract

The Umayyad poets tried to invest all artistic tools in order to achieve a measure of creativity in their texts. The phenomenon of visual composition is breaking the familiar writing system, with the aim of increasing the number of possible connotations. The visual in the Umayyad poetry tries to replace it through expression with the visual image, and its manifestations were manifested by the multiplication of punctuation marks in the body of the poetic text and the tearing of the single poetic line by cutting it into several sentences or repetition.

Keywords: visual formation, poetic writing, Umayyad poetry, recipien

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Publication Date
Mon Jan 01 2018
Journal Name
مجلة كلية الآداب
العمود الومضة وتجلياته في الشعر العراقي المعاصر
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Publication Date
Sun Jun 01 2008
Journal Name
Journal Of The College Of Languages (jcl)
Çağdaş Türk şiirinde imgenin rolü ve önemi Giriş
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Şiiri şiir yapan öğlerin başında imge (hayal, tasavvur, imaj) gelir. İmgesiz şiir düşünülmez. İmge nedir?
İmge duyuyla elde edilen güzelliklerin, deneyimin dil aracıyla ortaya konulmasıdır. Şiiri şiir yapan sadece içeriği değil. Sunuluşu, imgelerin etkili bir biçimde kullanılışı, şairinin bu konudaki yetenek ve ustalığı, insana hitap etmesi, değişimlere açık oluşu, evrenselliği, kalıcılığı, sıra dışı güçlü anlatığına başvuruşu, söz sanatlarından yararlanması, öz anlatım biçimi, kimi zaman alışılmamış bağdaştırmaları bünyesinde barındırması ve sık sık da yinelemeler yardımıyla zengin anlatım aktarımıdır.
Biz bu çalışmamızda şiirde yalnızca imge

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