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Melody in Translation of a Selection of Persian Poetry لحن موسیقی در ترجمۀ نمونه های از شعر فارسی
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     ترجمۀ شعر به آهنگ موسیقی از شاهکارهای فکری که تولیدی علمی ترجمی می آراید به شمار میرود ، چیزی مورد نا راحتی  ونومیدی نسبت به مترجم وجود ندارد ، اگر وی در این راه با تلاش کردنی سیر می رود تا ثمره های آن ترجمه می چیند .

روش پژوهشگر در آنچه از ترجمۀ ابیات شعر فارسی بر آمد ، روشی نوینی می داند  که آن بر هماهنگی آواز الفاظ با یکدیگر اتکای می کند  تا ترجمه دارای آوازی وهماهنگی ، به مرتبه ای موسیقای شعر نزدیکی می رود بدون به کار بردن بحور شعر است ، پژوهشگر پاینده ای را بنیاد کرد و از خلال آن توانست به میدان ترجمۀ خود برای ابیات شعرسر آغازی کند این پاینده عبارتند از : (ما طابَ لحنهُ حَسُنَ سماعهُ – هر چه آهنگیش خوب است  حتماً شنیدن آن خوب است)

    پژوهشگر به سخنان یأس آمیزان هم نخورد که ترجمۀ شعر امر نا ممکن گفتند بلکه خود را به روش گروه خوش بینندگان گرفت که ابیات عرفانی وتعلیمی حکمی ترجمه کرد ، که با آن طرز زندگی و دوست داری خود منسجم می نماید .

هر گاه مترجم از لحاظ حقیقتش نزدیکتر بسوی شیوۀ شاعر بود ، مسلماً اثر ترجمی بهتر میشود ، بر سبیل مثال مترجمی که تصوف را دوست دارد حتماً در ترجمۀ ابیات صوفی بهتر از مترجم غیر روحانی می باشد . از این رو پژوهشگر ابیاتی که با فکرش وعلمش هماهنگی بُرد گزین کرد ، از لحاظ تأثر خود به حقیقت آنچه شاعر نظم کرد .

Translation of poetry into poetry is a matter that some regarded it as being impossible, others sees it a preferable thing. The researcher follows the second stand of view. He set out from a basis he established for his research which he termed; (what has a preferable melody must be preferable for hearing), without deep diving into meters and measures of poetry.

     What the researcher presented in this research may be regarded pure intellectual output, as he has adopted a distinctive form of unified rhyme in his translation like that of the doubled Arabic form, and the Persian duals, because this form has the musicality and tune that delight the audience, stir their joy, cheerfulness and shake their feelings.

      The researcher has translated the true feelings Wisdom and Gnostic verses which had sprang from a pure being. He lived and loved them, therefore, he translated them with a melody and rhythm that stir joy in their hearers hearts, because of the beauty of their tune and their near to the source verse, then, he declared his translation method regarding them, such as:

Abdul-Rahman Al-Jammi, the Persian poet (c 793 A. H.), had wrote this line:

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Publication Date
Wed Jul 17 2019
Journal Name
Anbar University Journal
The Translation of Swearwords in Shakespeare’s Hamlet into Arabic: A Pragmatic Perspective
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Publication Date
Sat Jun 30 2018
Journal Name
College Of Islamic Sciences
Criticism of poetry From an anthropological cultural perspective In Andalusian genealogy books
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The research aims to answer some of the fundamental questions posed by the contexts used and assumed for the criticism of poetry from the cultural anthropological perspective in the field of genealogy in Andalusia, as available from the remaining literature in this humanitarian field. Criticism, the varieties of its outputs, and the reasons behind it, which came in its entirety as a critical link in the critical heritage chain, did not create separation as much as we wanted to shed light on them from their sources, and from the atmosphere that resulted.

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Publication Date
Mon Mar 25 2019
Journal Name
Al-academy
Characteristics of Melody Structure of the Cello and Contrabass in Works of Iraqi Symphony Orchestra: تقى سعد جعفر
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The idea of this research is based on presenting a study specialized with the rules and bases of the Iraqi methodological music composition of the Symphony Orchestra according to the construction of the musical compositions of great forms and which are characterized by the melody difference and variation within their musical fabric according to the method of distributing the instruments and their types within the orchestra. The researcher has been interested in studying this building based on what is written for him according to the stringed instruments arc instruments and bass, which is represented by the cello and the contrabass. It is possible through the analysis of the melody structure features of these instruments and the melody re

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Publication Date
Wed Jun 01 2022
Journal Name
Journal Of The College Of Languages (jcl)
A Feminist Stylistic Analysis of Anti-feminist Poetry in English and Arabic
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Language plays a major role in all aspects of life. Communication is regarded as the most important of these aspects, as language is used on a daily basis by humanity either in written or spoken forms. Language is also regarded as the main factor of exchanging peoples’ cultures and traditions and in handing down these attributes from generation to generation. Thus, language is a fundamental element in identifying peoples’ ideologies and traditions in the past and the present. Despite these facts, the feminist linguists have objections to some of the language structures, demonstrating that language is gender biased to men. That is, language promotes patriarchal values. This pushed towards developing extensive studies to substantiate s

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Publication Date
Fri May 23 2025
Journal Name
Al-adab Journal
شعر أبي نواس بين الرقابة والامتاع
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Summery Abu Nawas poem won a great interest on the part of learners of Arabic literature.Studied in many ways ,trying to explore it’s the meanings ,purpose and psychological part of him. I have found that poem of Abu Nawas was divided into two parts ,one is the opposite of the other. Prostitution and asceticism. I tried to elucidate the factors control of the poem and then factors interestingness then studied patterns of censors .I found from them Calipha , poets and critics who then no one in the amount of influence in poetry by immorality to prosecution and faithful representation of reality ,but the poet can skillfully evade censorship that choking him in various ways such as satire cynism and transcendence it is able to so through the

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Publication Date
Sat Mar 30 2019
Journal Name
College Of Islamic Sciences
السرد في شعر الشاعر عدنان الصائغ
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ملخـــص البحــــث

 

يتناول بحثي المتواضع هذا السرد في شعر الشاعر العراقي عدنان الصائغ من خلال دراسة السرد في قصائده، وقد تناولت السرد في شعره من خلال ضمير المتكلم-السارد والمخاطب مع ذكر انموذجات شعرية تؤكد ما ذهبت اليه في هذا السرد من رؤى ودلالات رمزية.

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Publication Date
Sat Jun 29 2019
Journal Name
Journal Of The College Of Education For Women
The Repetition in Bushra Al Bustany Poetry: A Stylistic Study
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يعد التكرار من الظواهر الاسلوبية التي اتخذت دورها في بناء النص الشعري الحديث ويقوم على جملة من الاختيارات الاسلوبية لمادة دون أخرى ولصياغة لغوية دون سواها ، مما  يكشف في النهاية عن سرّ ميل هذا النص الشعري أو ذاك لهذا النمط الاسلوبي دون غيره ، وعلى الرغم من ان التكرار يعد مسألة عامة وشائعة في العمل الأدبي ، فأن الاهتمام بهذا الجانب من المنهج الاسلوبي يأتي من جهة كونه مهيمناً له ايحاءاته ودلال

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Publication Date
Wed Oct 05 2022
Journal Name
Journal Of Basic Science
Loss in the Translation of Colour Euphemstic Expressions in the Qur’an: A Pragmatic Analysis
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Publication Date
Fri Jun 01 2007
Journal Name
Journal Of The College Of Languages (jcl)
Old Age as a Motif In the Poetry of W.B. Yeats (1865-1939)
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In 1908 , the American poet Ezra Pound (1885-1972) , the central figure in the modern movement who was the driving force behind several movements , notably Imagism and Vorticism , met the Irish poet W. B. Yeats in London . Pound was employed as his secretary and the two soon became close friends . He found Yeats a realist, symbolist and a metaphysical poet with an uncanny power over words and regarded him the greatest living poet .The poetical style and the occult beliefs of the Irish poet drew the attention of the American Imagist .During the war, Pound and Yeats lived together at Stone Cottage in Sussex studying Japanese literature .Speaking of Yeats , T. S. Eliot described him as "one of those few whose history is the history of their

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Publication Date
Sun Jan 02 2022
Journal Name
Journal Of The College Of Languages (jcl)
Word-Formation System And Its Influence On The Translation Of New Vocabulary In Russian And Arabic: Словообразовательная Система И Ее Влияние На Перевод Новой Лексики В Русском И Арабском Языках
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Derivational word formation process is one of the most substantial linguistic procedures that solves many problems in the translation of the language new vocabulary and helps to comprehend the smallest language component that not simply semantically and structurally explain the elements  of both Russian and Arabic but also enables translators to comprehend the derivational method procedures of both languages. It also reveals the structural aspects of translation equivalences, cognitive and semantic foundations of translation. The rapid development of languages and the appearance of a new vocabulary like ṭabaʿa "print → ṭābiʿat "printer", kataba "to write" → kātib → kātibat, rafaʿa "to raise" → rāfiʿat "a crane" d

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