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EL ULTRAÍSMO EN LA POESÍA ESPAÑOLA: SU APARICIÓN Y SUS RASGOS THE ULTRAISM IN SPANISH POETRY: IT'S APPEARANCE AND CHARACTERISTICS
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Resumen

 

     El Ultraísmo es un movimiento literario que comenzó en España a finales de 1918 y continuó hasta el año 1922. Este movimiento, que representó la contribución de España al Vanguardismo literario, que en la primera parte del siglo XX surgió en toda Europa, se desarrolló no tanto a través de los libros, cuanta a través de las revistas literarias de la época.

 

La creacionista es, sin duda, la escuela que dio a Ultra mayores aportes. Por esta razón, en las literaturas de Vanguardia se funden, y a veces también se confunden, con frecuencia, Ultraísmo y Creacionismo. Los dos movimientos eran como una revolución en contra del Modernismo que predominó muchos años en la literatura española.

      En este estudio intentamos dar una idea suficiente del Utraismo: su carrera histórica, sus rasgos, su desarrollo histórico, así también hacer un análisis de algunos ejemplos poéticos que pertenecen a esta escuela.

Abstract

    The Vanguard movements are one of the most important literary movements that appeared in Europe in general, and in France in particular, in beginning of the twentieth century. Spain was affected in the these movements and has succeeded to present two movements with his Spanish theories: Creationism and Ultraism.

       The Vanguard movements in Spain were intended to breaking the traditional mold of the Spanish literature in general, and poetry in particular, by bringing new literary molds formed a revolution against Modernism of Ruben Dario that was predominant in the Spanish poems for many years.

       The objective of our research is the study of ultraist movement through the mention his beginnings, his historical development and his characteristics even the demise of those literary movement after years no longer from the start. Also taking some poetic forms that characterized the movement.

 This study was based on a Spanish bibliography in the first place, and we hope that be had hit their targets, especially if we knew that the subject of the study is rarely treated by researchers.

 

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Publication Date
Sat Feb 09 2019
Journal Name
Journal Of The College Of Education For Women
طرافة التخییل بحسن التعلیل في الشعر الاندلسي دراسة تحلیلیة
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Of good reasoning (the art of unique moral turn him poets of Andalusia in
poetry verse emitter myself, and to achieve a very technical. Either the emitter is
related to the nature of the environment and the composition of personal Andalusia
of appetite for life and interaction with the legibility beautiful, and it was (wit)
feature in them even said they are charming as Bagdad ions , and either art, it made
them this color to show their ability intellectual in the search for bugs, and
stimulate their imaginations in a contract equations in the interpretation and find
justifications for the ideas and meanings Exaggeratedly times, and especially in the
purpose of praise, and novelty in many cases, as in the spinning

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Publication Date
Sun Jan 01 2006
Journal Name
Journal Of The College Of Languages (jcl)
L’analyse structurale en stylistique Caractéristiques, et tentative d’application sur un poème de Verlaine
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La stylistique, héritière de la rhétorique, est ‘la science du style’. La stylistique

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stylistique génétique s’est vu connaître d’autres classements en stylistique idéaliste,

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Publication Date
Wed Sep 15 2021
Journal Name
Al-academy
Characteristics of the folkloric shapes in the works of the potters Sajida al-Mashayikhi and Siham al-Saudi (acomparative study): وفاء حرب عبد اللطيف
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The research deals with the formal characteristics of folklore in contemporary Iraqi ceramics as a comparative study between the two potters Siham Al-Saudi and Sajida Al-Mashayikhi.
The research consists of four chapters. The first chapter is concerned with the research problem, the importance, the objectives, and the limits of the research, while the aim of the research answers the following question: The method and mechanisms of employing the traditional elements and vocabulary in the products of the potters “Seham Al-Saudi and Sajida Al-Mashaikhi”.
The second chapter came in the theoretical framework of the investigations and includes: The first topic: The second topic the movement in shaping contemporary Iraqi ceramics, whi

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