Parmi les oeuvres d'Albert Camus, qui s'éloignent un peu de sa
tendance générale qui traite les thèmes de l'absurde ,du néant et de la
question de la mort , on trouve son recueil "l'Exil et le Royaume" 1957
qui contient six nouvelles qui sont d'une invention moins épouvantable
(le Renégat , la Femme adultère , les Muets , le Pierre qui pousse , l'Hôte
et Jonas). Ces nouvelles , à l'exception du "Renégat" , ne provoquent pas
les questions philosophiques et dialectiques qui dominent la plupart des
oeuvres d'Albert Camus , Mais ces nouvelles traitent tout simplement la
question d'homme exilé dans son existence et sa recherche perpétuelle
de son royaume.

This is an abstract of  a thesis entitled `` style and characteristics of Omar Saifaddin`s Stories ''. The study is concerned with Turkish fiction and what characterizes Saifaddin`s stories .

        Saifaddin ( 1884 – 1920 ) writes short stories , novels, plays and poems . He is also atranslator and literature teacher . He is influenced by Namiq kaamil, Khalid dhayaa, Hussein Jahid Jahid and Mohammad Rauf . He has a good command of French . His works are characterized by simplicity and wisdom . Among them are `` The Morsel, Calling to Prayer, Mosquitoes, The Rooster, The Crazy, Grey Hair, The Bomb, The noble People, Spring, Brothers and admiration. Many of his stories are translated into

“La Femme: une présence invincible”
L'univers du dramaturge est très féminisé puisque Giraudoux donne volontiers la parole aux femmes, dont il fait des personnages de premier plan.
En fait la femme semble seule capable de sauver l'humanité par une mission plus générale qui la rend garante d'une équilibre de l'univers, pour préserver son amour, et son époux, la femme giralducienne peut sauvegarder la dignité d'une people, elle refuse sa ville soit fondée sur les mensonges, les hypocrisies.
Pourtant, la femme peut aussi être la cause de la guerre, elle est responsable des destructions aux mondes.
A Considérer l'ensemble des personnages crées par Giraudoux est frappé par l'omniprésence des femmes, par la gra

موازين النقد في الشعر الفارسي

After this trip in the poetry of irony fields, which  restricted to the second Abbasid poetry .it is necessary to mention the most notable results that the research reached

الميسر في موسيقى الشعر العربي

Many people, especially among the youth or scholars, wonder about the position of Islam or the scholars of faith on the terminology used by scholars of theology in a certain period of time, and then circulated by people throughout the times and to the present day, such as the terms (the old, the maker, the updated, the cause and the cause) and so on, and this What I felt myself while teaching this subject from some of the students, some of whom consider it blasphemy, and some of them consider it an innovation of speech, and so there were many questions about this subject, which led me to write and research it, after relying on God Almighty, although the research is not long due to the nature of This topic on the one hand, and because I d

The Al-Shishtary is considered one of the well-known Andalus poets. His poetry represents a flood of kind emotions, springs from the sincere sources of Divine Love, and this is what we felt in his life and his literary prestige. He was a poet who was familiar withthe art of his timeknowsthe oldand popularintellectual assets ofIslamicSciencesof Sharee'a. This wide culture, which he had, is available to him through his many travels between the coasts of Syria, Egypt and others ... to become Imam of the religion way known as(Al-Shishtariyah)resonatedin the hearts ofthe general publicespecially the poor people. This showshis smoothand influential styleand his humanitarian andsimple words which resonate in the hearts of his followers, therefo

Informativity, being an essential component of text/discourse, plays a significant role in highlighting the intended meaning and finally contributes to the overall process of rendering a text cross-culturally. It has, however, been overlooked by translators in doing their jobs. In poetic translation, informativity plays a particularly significant role as it sheds light on the ungraspable traits of meaning.

This study tries to explore this aspect in a translation of Emily Dickenson's Slant of Lights to see where the translator fell short in this aspect with attempts to produce an alternative translation taking into consideration the various orders of informativity. For this purpose, a model of informativity is forwarded t