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jcois-2201
Except that of wishing between Sibawayh and grammarians
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The scholars of Arabic - may God reward them with the reward of the doers of good - laid down the rules of this language, the cycle of which never ceases to dazzle minds, so they adopted principles according to which they judged the denomination of this word, and the accusative of that, and determined in its light the worker and the done, until they reached us the rules and foundations of our dear language, and it is obvious that they differ. The origins of grammarians from one school of thought to another, or from one world to another, especially with regard to the subsidiary rules, and this difference was clearly reflected in what we have received from the rules, as we find a difference in the rulings that they restricted to the one factor or the applied, so we find two different rulings for the same word, so each of them rules According to a hearing, or a logical or moral argument that the other did not reach, or that he reached others, and both rulings are correct according to the principles that the scholar relies on, and the recipient must be convinced of any of them he wants, so he takes it with conviction in the principles of that ruling and its argument, and this multiplicity of opinions is not considered It is a defect, but it is one of the virtues of our Arabic language, as it gives it flexibility that other languages do not have, and among the many rulings in it is (not) that negates gender if an interrogative hamza enters it, and it indicates that they combine the meaning of wishing, for I used to read Ibn Hisham repeatedly, and I find him mentioning (Except) which is for wishing at Sibawayh, so my curiosity seduced me in searching for its truth and getting to know it, and its rulings, so this research came as a result of that curiosity, so I ask God that my curiosity be of benefit, and that I am not just an intruder, and I tried in this research to collect the opinions of grammarians About (no) if the interrogative hamza enters it and their wishful composition is indicated, and these opinions are compared with each other, and an attempt is made to reach its truth.
It should be noted that many grammarians did not elaborate on it, while a large number of them did not mention it, nor did they mention it except for two anonymous witnesses, which constituted an obstacle for me to reach the opinions of the grammarians about it.

I can not help but ask the reader for an excuse if he finds a slip or a mistake, for I am only a human being who has no immunity from error, and between me is a soul that is inclined towards evil. It is a mistake, but I do not mean it, and I seek forgiveness from God Almighty and repent to Him, and praise be to God, Lord of the worlds, and the best prayers and peace be upon our master Muhammad, and his family and companions altogether.

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Publication Date
Wed Aug 08 2012
Journal Name
Arabian Journal Of Geosciences
Chemical and physical control processes on the development of caves in the Injana Formation, Central Iraq
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Numbness of the Mind Paradigm in Haruki Murakami’s After the Quake and Iraq’s After the Quake
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Haruki Murakami (1949-present) is a contemporary Japanese writer whose works have been translated into fifty languages and won him plenty of Japanese and international awards. His short stories are well constructed in a weird realistic manner and are mixed with elements of surrealism. His novels and short stories fall under the genre of magical realism. One of the major revolving themes that Murakami wrote about was the haunting feeling of emptiness and disconnectedness in a world which seems to care much for materialism and self-interests.

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Publication Date
Wed Jun 01 2022
Journal Name
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Technique and music of letter poetry in Nali’s poetry: هونەر و مۆسیقای «پیتەشیعر» له شیعری نالیدا
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Musicality is a fundamental feature of poetry that takes the interest of scholars and critics. Most poets rely on a variety of literary devices and techniques to bring music to their work like rhymes - words that appear at the end of lines in poetry - and on arranging words techniques in such a way to create a pseudo melody, which is achieved primarily by patterning (or repeating) certain sounds. Such a poetic rhetorical and verbal enhancer’s aspect represented ever since the beginning of the classical poetry has been manifested more evidently in Nali’s poetry. His poetry is marked with particular letters that have played a substantial role in the rhyming that rings like cymbals or jingle like internal elevated rhymes. Within a descr

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