The art of Islamic ceramics is considered one of the main pillars of the art of ceramics in the plastic arts, as his knowledge of what is presented in the Islamic arts intertwined in a special way. And the Islamic ceramics are indications of fertility and the rekindling of religious ties, controversy over them, and interpretation as additions to their vocabulary. Studies in the plastic arts began to empty the knowledge towards this direction, especially its relationship to the Arabic calligraphy and specifically the Islamic decoration, which derived the first aesthetic values from calling the artist Muslim pottery and potters to inviting the Arabic letter and Islamic decoration to indicate within the theory of "displacement" the aesthetic values of it, in order to advance the "displacement" role The real thing is in the construction of the word and the decorative text, at a time when many studies have been absent from showing the individuality of Arabic crafts and Islamic decoration with the plastic art system, specifically Islamic ceramics. Accordingly, studies have become, and it is more appropriate for them to examine the concept of beauty occurring in the circle of conditions that were demonstrated by the linear and decorative displacement in ceramics, thus creating the artistic profile. And enriching it with a high poetic sense of the high melody of the component performances, as it breaks and breaks all the patterns of tradition and rules, so that Islamic ceramics, through letters and decorative additions, become full of reading consisting of the spirituality of the Muslim artist, which transcends it to the world of Arabic crafts and Islamic decoration.
And since the decoration of ceramics, the geometry of Arabic calligraphy, the determination of the dimensions of the letters and the vocabulary of the decoration, which depend on according to certain proportions and derives their aesthetics from their geometrical creation, to give us the basis of the final form of the Kufic font, in its final form and its presence on the surfaces of pottery or ceramics that need a proportional scale, and here the work becomes formal form From the images of letters, but "displacement" began to produce the method that came with it and to complete everything related to this type of Arabic calligraphy and its decoration to announce that there was no fixed scale when adding it to the arts of ceramics. Especially the Islamic one.
Nominal ellipsis is a linguistic phenomenon found in English and Arabic .It is
based on leaving out a part of a nominal construction or more for the sake of good
style , compactness and connectedness .This phenomenon is found in the language of
the Glorious Qur’an .The study in hand is concerned with how translators handle
translating Qur’anic verses which contain ellipted nouns , i ,e. , to what extent the
translated Qur’anic verses are close to the original ones , and to what extent their
translations serve understanding the meanings of the glorious verses while at the
same time maintaining their beauty in style. The study aims at shedding light on
nominal ellipsis in English and Arabic .The study undertak
The research addressed the problem of widows that increased recently enormously. The researcher also referred to the perspective of Islam that gave a significant attention for both widows and orphans as powerless groups. Some straightforward example were presented to reflect the actual difficulties that encounter these groups as well as the author proposed number of appropriate ways that mitigate their psychological and physical sufferings such as: the provision of convenience jobs, and the legislation of rule that save their rights. Moreover, the researcher addressed the importance of marrying widows and what these challenges that encounter polygamy in Arab societies, the advantages and disadvantages of polygamy, and discussing all the
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The research problem is to study how ( Kintsugi) technique and similar techniques are used to create new rebirths of pottery piec
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... Show MoreThe Ceramic was a part from the humanitarian production that masseure the development and promotion of the Nations through decades. The Ceramic development involve wide and more techniques. One of these techniques that appear through the developmental centuries, the ( Alkaro Ceramic )technique, this technique depended the simplicity that comitted on religions thoughts through their development and its origin, so it had connected with these religions thoughts and had transmitted to the differnt Nations and they development in it to stay as a connection to the original key although its a way to keep them from adoption a new path. The tracker of the Ceramic fine art through its modernal level could knew and touched the Enormons transformati
... Show MoreForbidden Suckling Decision in Islamic jurisprudence
Abstract Rationality and freedom are fundamental elements of Western modernity. Although modern and contemporary Islamic thought has established its intellectual foundations on the fundamentals of intellectual thought that are at the core of its Islamic intellectual system, at the same time many of its intellectual products have been a response In spite of the fact that this Islamic intellectual response stands out from Western modernity as a negation or a positive attitude. The Islamic intellectual response differed in determining its position on Western modernity, depending on the nature of the historical stage that was The Islamic nation, as well as the nature of the challenge posed by Western civilization to other nations and other c
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