There is a fact we have to admit here, first, that is art innovation, since
its early beginnings, is mostly a male product, and causing to stir interest and
attention, if it was a female one. Psychiatrist and sociologists could give us a
convincing answer or a logical explanation for that. What is really important
here is how the male artist could review his vision to woman, what was the
impact of all these ideas and desires towards each other in their artistic
products? Did he reflect the real role played by the woman in pushing the
artist towards specific ways? Did it related to the struggle for immortality? In
searching for motherhood and life eternity and the partner to find the way to
life. We, often, find artworks showing great interest in woman to the extent
that she became a case or may be an aim that most of his works consist
whether the artwork discuss a humane issue or reviewing the beauty of
humane figure.
Jawad Salim's works were the fertile soil to study that if we simply
reviewed some of them. Picasso, as well, was not far from that if we
acknowledged that only few of his works lacked the presence of woman. For
all of the above mentioned, lie the true objectives of this research to unveil
the nature of the humane and intellectual contents related to woman in Jawad and Picasso's paintings, their importance and role, their similarity and
differences throughout their art career.
The main results the researcher reached is that:
1- During his blue and pink period, Picasso took the woman as a humane
symbol reflecting the Spanish reality; he shouldered the responsibility
of representing the sad nation (Pain-isolation-poverty- subjugation).
2- Jawad Salim attacked in his works the oriental social traditions that
dealt with woman during the 40s, which was a reflection of his
personal sufferings in his early life and the contradictory he lived
between Paris and Baghdad.
3- Follwing the inspiring Lorna (Jawad's wife), he switched to defend
the human woman (mother-sister-friend-wife) in her tragedy and
political and social struggle side by side with the man, that was
clearly shown in what we so-called (freedom period) at the end of 50s
which preceded his early death.
4- During his Cubism and after that, Picasso resorted to oddity –the
primitive arts- in achieving innovative amazement. The lot of
familiarity and satisfaction exist inside him, prompted him to look for
the new, as if it is a reflection to his relation with woman.
(لا مجتمــــع الا وبـــــه قـــــانو ن ) مقولـــــه اطلقهـــــا فقیـــــه رومـــــا القدیمـــــة ( شیشـرون ) فالقـانون لـیس ولیـد الیـوم وانمـا منـذ بـدء الخلیقـة بـدأت حاجـة الانسـان الـى قواعـد سـلوكیه یـنظم بهـا حیاتـه ویـرى بهـا حـدود حریتـه بحیـث لاتتجـاوز هـذه الحریة الى حدود حریة الاخرین٠واذا كانـــت المؤسســـیة ودولـــة القـــانون مـــن اهـــم معـــاییر الانتمـــاء الـــى العصر الحـدیث یـأت الخ
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This research aims to investigate the impacts of Quranic readings on the meanings of antonyms in the Quran, with considering the practical aspects that clarify them. The importance of this topic lies in clarifying the importance of the science of Qiraʼat, its great value and its high status. Moreover, this research sheds light on the relationship between Quranic readings and the antonyms words, following the descriptive approach in the study. The research has found several findings, the most prominent of which was: antonyms are linguistic phenomena that are proven to occur in Quranic readings, so each reading deliver a meaning that is opposite to the meaning learned from the other reading.In addition, Quranic readings are considered as
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مارسَ التراث بغير قصد دوراً تحكّمياً في العلل البلاغية ، إذ أمكث في كل موضوع علّة ً في عليائها بـها يقارع وبفضلها يداول ، ممـا كفل ديمومتها وتوجّـه الخاطر إليها، ومـن تلك العلل ( العناية بالمتقدّم لأنـــه الأهمّ ) الماثلة في موضوع( التقديم والتأخير) ، فقد تركت هذه العلّة لقوّة ركائزها بصمتها بنجاح لتكون مدخلاً إلى علل أخرى في إطار مفاهيمي مستوفٍ حقائق موضوعية وهواتف نفسية يغذيها الواقع، ولكن بمتابعة نصـوص قرآ
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