In her poetry, Carol Ann Duffy looks into the concerns of the disregarded and humiliated people. Approaching facts fearlessly and disclosing realities in a way highly characteristic of her, she establishes the world newly and reframes it honestly. This research shows how Duffy reframes the world in her own peculiar terms, starting with her own creative use of the language, in particular, when the forms of things of the world are distorted, thus our perception of things will be reframed too.
As regards relations among people, the research elucidates how Duffy’s strained characters abandon real life and reframe an eccentric way of living, while respecting faith, wherein Duffy notices that religious rituals confine the intellect, she reframes them by adopting the secular and familiar rather than the sacred and ceremonial. The hideousness of war is another motif in her poetry where she pervertedly reframes the entity and wholesomeness of the victims of war in order to leave us reflect on the tragedy of war. Duffy also challenges the misconceptions of adults about childhood, and she cleverly reframes the relationship between adults and children. Lastly, the research puts forth the subject of time and memory where her characters reframe a sense of satisfaction through mental mechanisms in order to adapt themselves to the vicissitudes of time. The research concludes that Duffy stands lofty, contemplating and suggesting extraordinary solutions for incurable problems.
That art and poetic creativity is not associated with a certain time and place and that artistic inspiration is a gift from God loved to a group of individuals so that their experiences be simulated speaking to the insides of the human self and that the creativity of the artist poet lies in the purpose of what is familiar and accepted and mocked for this purpose to
Önsöz
Ali Şir Nevai’nin vücuda getirdiği edebi Çağatayca, edebi ve canlı bazı Türk şivelerinin işlenmesinden ve kaynaşmasından hasıl olmuştur. Bu gün bu dilin
fonetik bünyesi hakkında, en çok bilgi veren, yine Nevai’nin kendisidir. Onun―Muhakeemet-ül-luğateyn‖ adlı eseri, bu bakımından büyük bir değer taşımaktadır.Bu eserinde Nevai, bir taraftan Türk dilinin Farsçaya üstünlüğünü ispata kalkışken, bir taraftan da kendi Türkçesinin fonetik ve morfolojik özelliklerini belirtmiştir. O, Arab imlası kaidesi üzerine ayni şekilde yazılarak, semantik yönden başka başka manalarda kullanılan kelimeleri sıralarken, açık bir surette, edebi Çağataya şivesinin fonetik bünyesini d
Аннотация
В данном исследовании рассматривается символичность (( Джикора )) в лирике иракского поэта ас-Саййаба и перевода лирики o деревне и городе с арабского на русский. Русский читатель пока не имеет возможности познакомиться с стихотворениями Бадра Шакера.
Abstract
The paper aims at making the Russian reader acquainted with the Iraqi Poet Badr Shakir as-Sayyab, and showing the effect of the village an
... Show MoreThe Arabian language was particularized in its style, which dazzles minds, so sophistication and diversity have been seen, which gives to words that aren't given to others in a specific weight and creator way
The Arabian language was particularized in its style, which dazzles minds, so sophistication and diversity have been seen, which gives to words that aren't given to others in a specific weight and creator way, and applies to them even though semantics don't come only from the formula that came out
ابو الفرج رونی از استادان شعر فارسی در دوره دوم غزنوی است.او در میان شاعران ابو الفرج خیلی زودتر از دیگر شاعران عصر خود متوجه نو کردن سبک سخن گردید چنان که میان روش او وروش معاصرانش از قبیل عثمان و مسعود سعد و معزی و نظایر آنان اختلافات فراوان وجود دارد. او طرز شعر دورهء اول غزنوی را که باید آن را سبک تکامل یافتهء دوره سامانی شمرد، به دور افکند ، وطریقه ای جدید پدید آورد. پژ
... Show Moreان صفي الدين الحلي اهتم في قصائده بالالفاظ والمعاني واكتظت قصائده
بالالفاظ الدالة عمى الصفات المعنوية مع كثرة فما مف حدث مف الأحداث ومعنى مف المعاني الا وتخير لو الشاعر المفظ المناسب