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Beauty Icon in Andalusian Poetry
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إن تجسيد الشعراء للجمال واقامته تمثالا مصورا مرئيا ، كان الهدف منه اولا اشاعة جو نفسي مريح في مقدمات قصائد المديح ، فهو الجزء البصري الممتع لمدركات حسية اخرى ترافقه، وأما المرامي  الاخرى 

ﻓﮭﻲ إﻣﺘﺎع اﻟﻨﻔﺲ إﻣﺎ ﺑﺎﺳﺘﺮﺟﺎع أﺟﻤﻞ ﺻﻮرة أو أﻧﻤﻮذج ﻗﺎﺋﻢ ﻓﻲ اﻟﺬاﻛﺮة، وﺟﻌﻠﮫ ﯾﺤﯿﺎ ﻣﻦ ﺟﺪﯾﺪ ﻟﺪواﻋﻲ اﻟﺤﻨﯿﻦ للاماكن والازمنة الاثيرة . أو الميل للتعبير عن الوعي الجمالي الذي يتصل بموضوع الجمال نفسه ، وهو المؤثر الاول في الادراك كما انه نتاج خبرات متواصلة توالت عبر عصور ادبية متلاحقة في التراث العربي بالأندلس ، فلكم وقف الشعراء منبهرين امام الجمال وارتقوا به حين جعلوه (كعبة) ، ومأما يطوفون حوله ولهين ، وبالغوا في رسمه حين جعلوه (روضة) تتجلى فيها كل أصناف الرياحين والزهور لتسرح الأنظار في نزهتها بارجائه ، وتسعد النفس في أرتياحها  بأجوائه ، وخلقوا له صورة لا نظير لها، فالمحبوبة مثلا هي ﺻﻮرة اﻟﺠﻤﺎل اﻟﺘﻲ أﻟﺒﺴﮭﺎ ﷲ ﻟﮭﺎ، وﺑﻼدھﻢ ھﻲ اﻟﺠﻨﺔ :ﻣﺎؤھﺎ اﻟﻜﻮﺛﺮ وﺣﺴﺎﻧﮭﺎ اﻟﺤﻮر .

وﻗﺪ ﺗﺤﻘﻖ ﻧﻘﻞ ھﺬه اﻟﺨﺒﺮة اﻟﺠﻤﺎﻟﯿﺔ واﻟﻘﺪرات اﻟﺬاﺗﯿﺔ واﻟﻤﻠﻜﺎت اﻟﺨﺎﺻﺔ ﻟﻠﻤﺒﺪع، ﺑﻮﺳﺎﺋﻞ ﻋﺪة ﻛﺎن ﻣﻨﮭﺎ  المبالغة في التمثيل ، والايقاع المناسب في النبر بالتوازي وحسن التقسيم والتوشيح مع التفنن بالاساليب من تعجب واستفهام وقسم واستحياء للموروث الديني وكان للجانب النفسي  اثره الببين في تفعيل المخيلة وصقل القوى الادراكية ايضا. 

وﻟﻤﺎ ﻛﺎن اﻟﺸﻌﻮر ﺑﺎﻟﺠﻤﺎل ﯾﻘﻮم ﻋﻠﻰ أﺳﺎس اﻻﻧﻔﻌﺎل ﻓﻘﺪ أﺑﺪع اﻟﺸﺎﻋﺮ اﻷﻧﺪﻟﺴﻲ ﻓﻲ ﺗﻨﺎول ﻗﯿﻢ ھﺬا اﻟﺠﻤﺎل، وﺗﻮظﯿﻔﮫ ﻟﻤﻌﻄﯿﺎﺗﮭﺎ، وﺗﻨﻘﻠﮫ ﺑﺄﺳﺎﻟﯿﺐ ﻋﺮﺿﮭﺎ ﻹﺛﺎرة اﻷﺣﺎﺳﯿﺲ ﺑﻌﻘﺪ ﻣﻘﺎﺑﻠﺔ أو إﺣﯿﺎء زﻣﻦ واﻟﺘﻠﺬذ ّ .ﻣﻦ ھﻨﺎ وﺟﺪ اﻟﺒﺤﺚ ﻟﻮﺣﺎت رﺳﻤﺖ ﺑﺮﯾﺸﺔ ﻣﺒﺪﻋﺔ ًﺑﺎﺳﺘﺮﺟﺎع ﻣﺸﺎھﺪ اﻟﻄﺒﯿﻌﺔ ﻣﺘﺪاﺧﻠﺔ ﻣﻊ اﻟﺤﺪث أو اﻟﺸﺨﻮص ٍ ٍ ﺣﯿﺚ اﻷﻟﻮان واﻟﻈﻼل، ﻣﻨﺤﮭﺎ اﻟﺸﺎﻋﺮ إﯾﻘﺎع اﻟﺤﯿﺎة :ھﺎدﺋﺔ وﺻﺎﺧﺒﺔ، وﺟﻌﻠﮭﺎ ﺗﻨﺒﺾ ﻣﻦ ﺟﺪﯾﺪ ﻟﯿﻌﯿﺶ ﻓﻲ ذﻛﺮﯾﺎت اﻟﻤﺎﺿﻲ، وﻛﺎن ﻓﺎﻋﻼ ﺣﯿﻦ وظﻒ ﻓﻨﻮﻧﺎ ﺗﺴﺘﺜﯿﺮ اﻟﻤﺨﺎطﺐ، وﺗﺠﻌﻠﮫ ﻣﺸﺎرﻛﺎ ﻣﺘﻮاﺻﻼ، ﻓﻜﺎن ﻟﻠﺘﺪاﻋﻲ، ً ً ً ً ّ د اﻻﺳﺘﺬﻛﺎري اﻟﺠﺎﻧﺐ اﻷوﻓﺮ ﻓﻲ طﺎﻗﺘﮫ اﻹﺑﺪاﻋﯿﺔ .أﻣﺎ اﻟﺠﺎﻧﺐ ّواﻟﻜﺜﺎﻓﺔ اﻟﺘﺼﻮﯾﺮﯾﺔ، وأﺳﺎﻟﯿﺐ اﻟﺘﻤﻨﻲ، واﻟﺴﺮ اﻟﺘﻄﺒﯿﻘﻲ ﻓﻘﺪ ﺟﺎء ﻓﻲ ﺣﻘﺒﺘﯿﻦ )ﻋﺼﺮ اﻟﻄﻮاﺋﻒ واﻟﻤﺮاﺑﻄﯿﻦ، وﻋﺼﺮ اﻟﻤﻮﺣﺪﯾﻦ.(. 

 

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Publication Date
Mon Feb 04 2019
Journal Name
Journal Of The College Of Education For Women
The Sufian Symbol and its significance in Abd Allah Hamadi's Poetry
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This research paper looks to put its hands on sufi symbols which are applied by the algerian poet د abdallah hammadi د in his poetical works . the symbols it relies on are : ( symbolisme of wine . symbolisme of light . symbolisme of night . sufisme and nature , femal symbols ) .
From these symbols we try to show its range of ability to apply it , with trying to determine its meaningful , dimensions .

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Publication Date
Thu Mar 10 2011
Journal Name
University Of Thi-qar Journal
Negative Capability: Theory and Practice in the Poetry of John Keats
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Publication Date
Wed Dec 30 2015
Journal Name
College Of Islamic Sciences
Rhetoric of the ellipses   In the poetry of Namik Abdul Deeb
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The research attempts to identify the pattern of punctuation in contemporary Iraqi poetry through delving into the poetry of an Iraqi poet belonging to the seventieth generation, Namik Abdul Deeb, who belongs to the poets of Arab modernity in general, the research has reached many results, including that the signs of deletion were vocabulary marks any They are located in the center of the poetic singular, or inline markers, which are those that fall within the poetic line of the prose poem separating its vocabulary, or cross-sectional marks located within the poetic passages that are part of the poetic text, and finally text marks which are located within the poetic text and fragmented into Parts. The research also found that the work of

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Publication Date
Tue Jan 01 2019
Journal Name
Ssrn Electronic Journal
Silence as a Tactic of Communication in Pragmatics, Novel, and Poetry
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Publication Date
Tue Nov 01 2022
Journal Name
Alustath
Metrical Phonology in Classical English and Arabic Poetry: A Contrastive Study
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One of the prominent goals of Metrical Phonology Theory is providing stress of poetry on the syllable-, the foot-, and the phonological word- levels. Analysing poetry is one of the most prominent and controversial issues for the involved number and types of syllables, feet, and meters are stable in poetry compared to other literary texts. The prosodic seeds of the theory have been planted by Firth (1948) in English, while in Arabic يديهارفلا in the second half of the eighth century (A.D.) has done so. Investigating the metrical structure of poetry has been conducted in various languages, whereas scrutinising the metrical structure of English and Arabic poetry has received little attention. This study aims at capturing the

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Publication Date
Tue Nov 01 2022
Journal Name
Alustath
Metrical Phonology in Classical English and Arabic Poetry: A Contrastive Study
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One of the prominent goals of Metrical Phonology Theory is providing stress of poetry on the syllable-, the foot-, and the phonological word- levels. Analysing poetry is one of the most prominent and controversial issues for the involved number and types of syllables, feet, and meters are stable in poetry compared to other literary texts. The prosodic seeds of the theory have been planted by Firth (1948) in English, while in Arabic يديهارفلا in the second half of the eighth century (A.D.) has done so. Investigating the metrical structure of poetry has been conducted in various languages, whereas scrutinising the metrical structure of English and Arabic poetry has received little attention. This study aims at capturing the

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Publication Date
Sun Feb 10 2019
Journal Name
Journal Of The College Of Education For Women
PERSUASION IN BLURBS AS AN ADVERTISING DISCOURSE (AN EXTRACTED RESEARCH OF MASTER DEGREE LETTER)
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It is a well-known fact that publishing companies spend much money, time and energy in designing their book covers to attract potential customers. As the first thing people do when they buy or intend to buy a book is looking at its front cover. However, if there is a need to know more about the book, people usually look at the information on its back cover. This paper attempts to explore the persuasive function of blurbs beyond the constraints of the academic domain and consequently their connection with advertising discourse in two main sections: The first presents the concept of blurb and its structure while the second defines persuasion and shows the most prominent strategiesused in blurbs. Finally, this paper gives the conclusion tha

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Publication Date
Sun Feb 10 2019
Journal Name
Journal Of The College Of Education For Women
ﻧﻈﺮات ﻓﻲ اﻟﻨﺤﻮ اﻟﻜﻮﻓﻲ
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نحاول في هذا البحث الوقوف عند طائفة من المسائل الخلافية النحوية بين النحويين البصريين والكوفيين ، حيث نقوم بعرضها وتحليلها وبيان ادلتهم ومناقشتها مناقشة موضوعية من دون ميل الىمذهب دون الاخر لان غرضنا البحث عن الحقيقة .ولاغرض  لنا سواها محتجين بما نحكم بالشاهد وبما يتفق وطبيعة اللغة  

.واﻟﻤﺴﺎﺋﻞ اﻟﺨﻼﻓﯿﺔ ﻛﺜﯿﺮة ﺻﻨﻔﺖ ﻓﯿﮭﺎ اﻟﻜﺘﺐ ﻛﺎﻹﻧﺼﺎف ﻓﻲ ﻣﺴﺎﺋﻞ اﻟﺨﻼف ﻟﻸﻧﺒﺎري وﻗﺪ ارﺗﺄﯾﻨ

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Publication Date
Sat Feb 09 2019
Journal Name
Journal Of The College Of Education For Women
اﻟﺗﻛﺛﯾف ﻓﻲ اﻟﺷﻌر اﻟﻌﺑﺎﺳﻲ
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Through the above-mentioned evidence and opinions on this literary term of art which was not an emergency event or a term recently invented . But its roots stands since ancient times, especially in the unit of independent poetic system , or united poetic unit in the poem, where unit including the densest words and a broader meaning or significance which has been referred to in the midst of this research and the final result that we have reached is that the term condensation can be classified in the equation ofa new literarylistas follows:
Case Pressure Emotionalliteracy andflowingof article + Rich Economy of language in terms ofsymboland image = Heavy wordin a broad sense.
As well as enable the poet to his language and his intellig

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Publication Date
Fri Jun 30 2023
Journal Name
Journal Of The College Of Islamic Sciences
The translated text is a second launch of the text (Al-Kharja Al-Muwashah Al- Andalusian as an example
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Literary translation is one of the most difficult types of translation ,because it conveys feelings that differ from one person to another, and since the language constitutes an obstacle to understanding the Andalusian excerpts, the translators resorted to translating it, and this was a second start to the text, different from its first start, is said from the tongue of the Al-washah , The muwashshah is a poetic art that appeared in Andalusia after the Arabs entered it ,characterized by special system It differs from the traditional Arabic poem, as it has a beginning represented in the beginning of the muwashshah and several equal parts ending with differentrhymes.

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