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Beauty Icon in Andalusian Poetry
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إن تجسيد الشعراء للجمال واقامته تمثالا مصورا مرئيا ، كان الهدف منه اولا اشاعة جو نفسي مريح في مقدمات قصائد المديح ، فهو الجزء البصري الممتع لمدركات حسية اخرى ترافقه، وأما المرامي  الاخرى 

ﻓﮭﻲ إﻣﺘﺎع اﻟﻨﻔﺲ إﻣﺎ ﺑﺎﺳﺘﺮﺟﺎع أﺟﻤﻞ ﺻﻮرة أو أﻧﻤﻮذج ﻗﺎﺋﻢ ﻓﻲ اﻟﺬاﻛﺮة، وﺟﻌﻠﮫ ﯾﺤﯿﺎ ﻣﻦ ﺟﺪﯾﺪ ﻟﺪواﻋﻲ اﻟﺤﻨﯿﻦ للاماكن والازمنة الاثيرة . أو الميل للتعبير عن الوعي الجمالي الذي يتصل بموضوع الجمال نفسه ، وهو المؤثر الاول في الادراك كما انه نتاج خبرات متواصلة توالت عبر عصور ادبية متلاحقة في التراث العربي بالأندلس ، فلكم وقف الشعراء منبهرين امام الجمال وارتقوا به حين جعلوه (كعبة) ، ومأما يطوفون حوله ولهين ، وبالغوا في رسمه حين جعلوه (روضة) تتجلى فيها كل أصناف الرياحين والزهور لتسرح الأنظار في نزهتها بارجائه ، وتسعد النفس في أرتياحها  بأجوائه ، وخلقوا له صورة لا نظير لها، فالمحبوبة مثلا هي ﺻﻮرة اﻟﺠﻤﺎل اﻟﺘﻲ أﻟﺒﺴﮭﺎ ﷲ ﻟﮭﺎ، وﺑﻼدھﻢ ھﻲ اﻟﺠﻨﺔ :ﻣﺎؤھﺎ اﻟﻜﻮﺛﺮ وﺣﺴﺎﻧﮭﺎ اﻟﺤﻮر .

وﻗﺪ ﺗﺤﻘﻖ ﻧﻘﻞ ھﺬه اﻟﺨﺒﺮة اﻟﺠﻤﺎﻟﯿﺔ واﻟﻘﺪرات اﻟﺬاﺗﯿﺔ واﻟﻤﻠﻜﺎت اﻟﺨﺎﺻﺔ ﻟﻠﻤﺒﺪع، ﺑﻮﺳﺎﺋﻞ ﻋﺪة ﻛﺎن ﻣﻨﮭﺎ  المبالغة في التمثيل ، والايقاع المناسب في النبر بالتوازي وحسن التقسيم والتوشيح مع التفنن بالاساليب من تعجب واستفهام وقسم واستحياء للموروث الديني وكان للجانب النفسي  اثره الببين في تفعيل المخيلة وصقل القوى الادراكية ايضا. 

وﻟﻤﺎ ﻛﺎن اﻟﺸﻌﻮر ﺑﺎﻟﺠﻤﺎل ﯾﻘﻮم ﻋﻠﻰ أﺳﺎس اﻻﻧﻔﻌﺎل ﻓﻘﺪ أﺑﺪع اﻟﺸﺎﻋﺮ اﻷﻧﺪﻟﺴﻲ ﻓﻲ ﺗﻨﺎول ﻗﯿﻢ ھﺬا اﻟﺠﻤﺎل، وﺗﻮظﯿﻔﮫ ﻟﻤﻌﻄﯿﺎﺗﮭﺎ، وﺗﻨﻘﻠﮫ ﺑﺄﺳﺎﻟﯿﺐ ﻋﺮﺿﮭﺎ ﻹﺛﺎرة اﻷﺣﺎﺳﯿﺲ ﺑﻌﻘﺪ ﻣﻘﺎﺑﻠﺔ أو إﺣﯿﺎء زﻣﻦ واﻟﺘﻠﺬذ ّ .ﻣﻦ ھﻨﺎ وﺟﺪ اﻟﺒﺤﺚ ﻟﻮﺣﺎت رﺳﻤﺖ ﺑﺮﯾﺸﺔ ﻣﺒﺪﻋﺔ ًﺑﺎﺳﺘﺮﺟﺎع ﻣﺸﺎھﺪ اﻟﻄﺒﯿﻌﺔ ﻣﺘﺪاﺧﻠﺔ ﻣﻊ اﻟﺤﺪث أو اﻟﺸﺨﻮص ٍ ٍ ﺣﯿﺚ اﻷﻟﻮان واﻟﻈﻼل، ﻣﻨﺤﮭﺎ اﻟﺸﺎﻋﺮ إﯾﻘﺎع اﻟﺤﯿﺎة :ھﺎدﺋﺔ وﺻﺎﺧﺒﺔ، وﺟﻌﻠﮭﺎ ﺗﻨﺒﺾ ﻣﻦ ﺟﺪﯾﺪ ﻟﯿﻌﯿﺶ ﻓﻲ ذﻛﺮﯾﺎت اﻟﻤﺎﺿﻲ، وﻛﺎن ﻓﺎﻋﻼ ﺣﯿﻦ وظﻒ ﻓﻨﻮﻧﺎ ﺗﺴﺘﺜﯿﺮ اﻟﻤﺨﺎطﺐ، وﺗﺠﻌﻠﮫ ﻣﺸﺎرﻛﺎ ﻣﺘﻮاﺻﻼ، ﻓﻜﺎن ﻟﻠﺘﺪاﻋﻲ، ً ً ً ً ّ د اﻻﺳﺘﺬﻛﺎري اﻟﺠﺎﻧﺐ اﻷوﻓﺮ ﻓﻲ طﺎﻗﺘﮫ اﻹﺑﺪاﻋﯿﺔ .أﻣﺎ اﻟﺠﺎﻧﺐ ّواﻟﻜﺜﺎﻓﺔ اﻟﺘﺼﻮﯾﺮﯾﺔ، وأﺳﺎﻟﯿﺐ اﻟﺘﻤﻨﻲ، واﻟﺴﺮ اﻟﺘﻄﺒﯿﻘﻲ ﻓﻘﺪ ﺟﺎء ﻓﻲ ﺣﻘﺒﺘﯿﻦ )ﻋﺼﺮ اﻟﻄﻮاﺋﻒ واﻟﻤﺮاﺑﻄﯿﻦ، وﻋﺼﺮ اﻟﻤﻮﺣﺪﯾﻦ.(. 

 

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Publication Date
Fri Apr 24 2020
Journal Name
Opción
Hyperbole in poetry: A case study of exaggeration
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The present study identifies the linguistic means used to realize hyperbole in poetry as a rhetorical device that makes readers experience the beauty of poetic language. To achieve the aim of the study, a model of analysis in accordance with Spitzbardt (1963), Norrick (1982), and McCarthy & Carter (2004) is used. The analysis of data under investigation reveals that hyperbole is a crucial aid used by poets to portrait the real world as imaginative. In conclusion, poets prefer using lexico-grammatical repertoires than lexico-grammatical configurations. Keywords

Scopus
Publication Date
Fri Jun 01 2018
Journal Name
Research And Islamic Studies Journal
The artistic in the poetry of Kazem Jawad
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the researchers pointed that the poet relied on several means in the form of poetic images, including analogy, and the metaphor with its various elements, The chromatic component has also been used in the formation of its poetic image,and resorted to the correspondence of the senses and the symbol of two types:Self-code, public code : And we find a variety of symbolic stems from different sources, from these symbols, what is religious, including what is historical and what is legendary, and such symbols, which resorted to the rare places of his poems confined to the myths contained in the Bible, His use of the general symbols was ineffective in the poetic picture, relying on the metaphor and metaphor.

Publication Date
Sun Sep 27 2020
Journal Name
Journal Of The College Of Education For Women
Humanizing the War in Pre-Islam Arabic Poetry
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Personification in Arab poetry is not confined to the abstract items in nature: it trespasses them to include more than that. We found after reviewing the anthologies of the poets tens of the personified items are full of human attributes - via personification- such as speaking, moving, feeling human feelings.. Personification formed a remarkable feature in the relationship between poets and war, which was clear in the Pre-Islamic poetry, because it occupied the minds of the ancient Arab mindset. The poets have envisioned war as ugly as a force that brings destruction and devastation. The paper aims at stating the position in which poets personified war with female tributes. Thus, it is impregnated, conceived, and produced birth like a w

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Crossref
Publication Date
Sat Sep 30 2017
Journal Name
College Of Islamic Sciences
The dualism in the poetry of Ahmed Bakheet
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The study of the (dualist antagonism) of a poet, will be determined by the poet's potential, and according to the system of concepts and creativity, and this means that there is a difference between the rooting of the meaning and its roots, and poetic sources by tracking the poets and their attitudes.
Therefore, poetry is a variable function according to the values ​​of the movement, which is the freedom and continuous fuel. With these units of measurement, can measure the dose (Ahmed Bakheet) of freedom and mechanisms of investment, Bakheet (moment) of the time of hair dimensions of the limits of his experience. This is what the researchers will address in their research.

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Publication Date
Mon Feb 04 2019
Journal Name
Journal Of The College Of Education For Women
Motivated Lamentations of Imam Hussein in modern Iraqi poetry
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The Fountain of poetry Canot be suddenly flow or flood from emptiness. but it is streams and motives drive it to move . Forward tat Calmness and latent in depth of poet ,and try to Chang it in to high wives , go in to details inside the seas of poetry ,to sail threw it on the ships of poetry in creative styel to reach to the point from imaginary meaning , so every poet has direction to competein poetry poetsin Lament of Imam Hussain, There versification of poetry didn’t come from emptiness , but there was clashes motive them threw Calling the personality of Imam Hussain to learn lesson in avery beautiful and greative styel ,to be the expression poem from many sides in the personality of Imam Hussain from that events and facts that happ

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Publication Date
Sun Dec 30 2012
Journal Name
College Of Islamic Sciences
Profiles of indignation and indiscretion in pre-Islamic poetry
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Profiles of indignation and indiscretion in pre-Islamic poetry

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Publication Date
Fri Feb 08 2019
Journal Name
Journal Of The College Of Education For Women
Dialectical perspective and treatment in poetry of Khalil Hawi
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Were not experience Khalil Hawi capillary module as presented or routine in the format
of the implications , but was saturated transitions quality that targeted built by visionary and
mechanisms expressive , Valgosaidp when the container is a clash between two worlds world
Nahdi to promote world on the ashes , and often strained poet himself to achieve an approach
between worlds , and in the midst of those caesarean section exhausted poet in touch his tools
and visions , and this is why the poetry Hawi toward westernization expressive as a result of
the conflict concepts chronic , be sure to researcher not engaged in the overall qualitative
changes in the structure and content, but the goal Acetknah level that qualit

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Publication Date
Fri Oct 11 2019
Journal Name
Journal Of The College Of Education For Women
The Mythical Reference in the Poetry of Nabil Yassin
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The Mythical Reference in the Poetry of Nabil Yassin

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Publication Date
Thu Jan 10 2019
Journal Name
Journal Of The College Of Education For Women
Types of parallelism in the poetry of Mahmoud Darwish
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This research deals with the study of types of parallelism in contemporary Arabic poetry and took the hair Mahmoud Darwish, a model for the study has been the goal of research to clarify the term parallelism and the statement of the most important types, said evidence of that in the poetry of Mahmoud Darwish

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Publication Date
Sat Oct 12 2019
Journal Name
Journal Of The College Of Education For Women
The Style of combining Contradictions in Bany Ahmar Poetry
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This research deals with the technical configuration of the beautiful visions among Bany Ahmar poets reflected through the incarnation of beautiful artistic images that manifests itself clearly in the combination of two contradictories  simultaneously.

      The main conclusion is, the Andalusian poets try to use those fictional visions in search of aesthetic pleasure and values,  through forming an image from water and fire as two prominent contradicted elements to express the impact of the heat of wine which soon vanishes when it is mixed with water. By this, they show the beautiful side of nature that suggests joy and splendor.

     

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