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Beauty Icon in Andalusian Poetry
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إن تجسيد الشعراء للجمال واقامته تمثالا مصورا مرئيا ، كان الهدف منه اولا اشاعة جو نفسي مريح في مقدمات قصائد المديح ، فهو الجزء البصري الممتع لمدركات حسية اخرى ترافقه، وأما المرامي  الاخرى 

ﻓﮭﻲ إﻣﺘﺎع اﻟﻨﻔﺲ إﻣﺎ ﺑﺎﺳﺘﺮﺟﺎع أﺟﻤﻞ ﺻﻮرة أو أﻧﻤﻮذج ﻗﺎﺋﻢ ﻓﻲ اﻟﺬاﻛﺮة، وﺟﻌﻠﮫ ﯾﺤﯿﺎ ﻣﻦ ﺟﺪﯾﺪ ﻟﺪواﻋﻲ اﻟﺤﻨﯿﻦ للاماكن والازمنة الاثيرة . أو الميل للتعبير عن الوعي الجمالي الذي يتصل بموضوع الجمال نفسه ، وهو المؤثر الاول في الادراك كما انه نتاج خبرات متواصلة توالت عبر عصور ادبية متلاحقة في التراث العربي بالأندلس ، فلكم وقف الشعراء منبهرين امام الجمال وارتقوا به حين جعلوه (كعبة) ، ومأما يطوفون حوله ولهين ، وبالغوا في رسمه حين جعلوه (روضة) تتجلى فيها كل أصناف الرياحين والزهور لتسرح الأنظار في نزهتها بارجائه ، وتسعد النفس في أرتياحها  بأجوائه ، وخلقوا له صورة لا نظير لها، فالمحبوبة مثلا هي ﺻﻮرة اﻟﺠﻤﺎل اﻟﺘﻲ أﻟﺒﺴﮭﺎ ﷲ ﻟﮭﺎ، وﺑﻼدھﻢ ھﻲ اﻟﺠﻨﺔ :ﻣﺎؤھﺎ اﻟﻜﻮﺛﺮ وﺣﺴﺎﻧﮭﺎ اﻟﺤﻮر .

وﻗﺪ ﺗﺤﻘﻖ ﻧﻘﻞ ھﺬه اﻟﺨﺒﺮة اﻟﺠﻤﺎﻟﯿﺔ واﻟﻘﺪرات اﻟﺬاﺗﯿﺔ واﻟﻤﻠﻜﺎت اﻟﺨﺎﺻﺔ ﻟﻠﻤﺒﺪع، ﺑﻮﺳﺎﺋﻞ ﻋﺪة ﻛﺎن ﻣﻨﮭﺎ  المبالغة في التمثيل ، والايقاع المناسب في النبر بالتوازي وحسن التقسيم والتوشيح مع التفنن بالاساليب من تعجب واستفهام وقسم واستحياء للموروث الديني وكان للجانب النفسي  اثره الببين في تفعيل المخيلة وصقل القوى الادراكية ايضا. 

وﻟﻤﺎ ﻛﺎن اﻟﺸﻌﻮر ﺑﺎﻟﺠﻤﺎل ﯾﻘﻮم ﻋﻠﻰ أﺳﺎس اﻻﻧﻔﻌﺎل ﻓﻘﺪ أﺑﺪع اﻟﺸﺎﻋﺮ اﻷﻧﺪﻟﺴﻲ ﻓﻲ ﺗﻨﺎول ﻗﯿﻢ ھﺬا اﻟﺠﻤﺎل، وﺗﻮظﯿﻔﮫ ﻟﻤﻌﻄﯿﺎﺗﮭﺎ، وﺗﻨﻘﻠﮫ ﺑﺄﺳﺎﻟﯿﺐ ﻋﺮﺿﮭﺎ ﻹﺛﺎرة اﻷﺣﺎﺳﯿﺲ ﺑﻌﻘﺪ ﻣﻘﺎﺑﻠﺔ أو إﺣﯿﺎء زﻣﻦ واﻟﺘﻠﺬذ ّ .ﻣﻦ ھﻨﺎ وﺟﺪ اﻟﺒﺤﺚ ﻟﻮﺣﺎت رﺳﻤﺖ ﺑﺮﯾﺸﺔ ﻣﺒﺪﻋﺔ ًﺑﺎﺳﺘﺮﺟﺎع ﻣﺸﺎھﺪ اﻟﻄﺒﯿﻌﺔ ﻣﺘﺪاﺧﻠﺔ ﻣﻊ اﻟﺤﺪث أو اﻟﺸﺨﻮص ٍ ٍ ﺣﯿﺚ اﻷﻟﻮان واﻟﻈﻼل، ﻣﻨﺤﮭﺎ اﻟﺸﺎﻋﺮ إﯾﻘﺎع اﻟﺤﯿﺎة :ھﺎدﺋﺔ وﺻﺎﺧﺒﺔ، وﺟﻌﻠﮭﺎ ﺗﻨﺒﺾ ﻣﻦ ﺟﺪﯾﺪ ﻟﯿﻌﯿﺶ ﻓﻲ ذﻛﺮﯾﺎت اﻟﻤﺎﺿﻲ، وﻛﺎن ﻓﺎﻋﻼ ﺣﯿﻦ وظﻒ ﻓﻨﻮﻧﺎ ﺗﺴﺘﺜﯿﺮ اﻟﻤﺨﺎطﺐ، وﺗﺠﻌﻠﮫ ﻣﺸﺎرﻛﺎ ﻣﺘﻮاﺻﻼ، ﻓﻜﺎن ﻟﻠﺘﺪاﻋﻲ، ً ً ً ً ّ د اﻻﺳﺘﺬﻛﺎري اﻟﺠﺎﻧﺐ اﻷوﻓﺮ ﻓﻲ طﺎﻗﺘﮫ اﻹﺑﺪاﻋﯿﺔ .أﻣﺎ اﻟﺠﺎﻧﺐ ّواﻟﻜﺜﺎﻓﺔ اﻟﺘﺼﻮﯾﺮﯾﺔ، وأﺳﺎﻟﯿﺐ اﻟﺘﻤﻨﻲ، واﻟﺴﺮ اﻟﺘﻄﺒﯿﻘﻲ ﻓﻘﺪ ﺟﺎء ﻓﻲ ﺣﻘﺒﺘﯿﻦ )ﻋﺼﺮ اﻟﻄﻮاﺋﻒ واﻟﻤﺮاﺑﻄﯿﻦ، وﻋﺼﺮ اﻟﻤﻮﺣﺪﯾﻦ.(. 

 

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Publication Date
Wed Jan 30 2019
Journal Name
Journal Of The College Of Education For Women
Contradictions in experience of Criticism in Andalus Poetry
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Metaphor has been occupied first place among eloquent methods to build metaphors;
poetry with the latter becomes senseless thing. Metaphor is necessary part of energy that
sustains the poetry. Sentence of metaphor regarded more eloquent than the reality since it
does not conduct directly to the meaning , but rather get to it indirectly. Metaphor is
considered one of the most tools for the poet since it is a means of expression about his
sensation and feelings . Andalus paid concerns over metaphors as that being incited by their
country beauty and nature. The poet might resort to contradiction as to picture contraries
within himself.
Through pictures of contradictions depicted by the poets , it has explained that t

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Publication Date
Sun Jun 01 2008
Journal Name
Journal Of The College Of Languages (jcl)
Pain and pleasure in Ibn – Zaidoon poetry
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Pain and pleasure is when a human being feels pain because one of his sensesُ organs has extremely stressed itself. Where as pleasure is when someone indulges himself as much as he could and get away from anything that causes pain to himself and hurts it. The beauty of the poetic text appears when two contradictions occur together in the same poetic line, just like when two contradictions live together in life; they live and struggle in one poem. Contradictory duet is not something new poetry was based on this duet since it was found until this day. It forms the essential source from which meanings come, and the guide lines that drawn by the personal experience of the poet are formed from it.I preferred to study the duet of Ibn- Zaido
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Publication Date
Sun Feb 03 2019
Journal Name
Journal Of The College Of Education For Women
The Immanence in S. Abdu; Saboor Poetry
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The Immanence in S. Abdu; Saboor Poetry

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Publication Date
Mon Feb 04 2019
Journal Name
Journal Of The College Of Education For Women
Peace Indicating Words in Pre- Islamic Poetry
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In pre- Islamic poetry, there are a lot of words that indicate
peacefulness of one sort of another, in addition to the inspirations of semantic
modeling in which the poet sets himself in various horizons.
Among these words: brother, comrade, friend, companion, lover,
people, prince, home, land, country, blessing, honesty, contract, company,
justice, thankfulness, forgiveness, pardoning, guest, goodness, faithfulness,
silence, death, peace,….
In addition, there are their derivatives from various aspects that indicate
peacefulness either directly or indirectly.

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Publication Date
Thu May 18 2023
Journal Name
College Of Islamic Sciences
Lamentation in the poetry of Hafez Ibrahim
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Elegy is one of the foundations of the Arab poetic heritage, and it is one of the main sections of poetry. Man has found in him his desire to express his innermost self at an hour filled with pain, and an outlet from which his anguish and grief come out in an expressive form that liberates tears and reproaches death.
Lamentation is an evolving purpose that grows with the growth of society and life and records the change that takes place in every stage of history. It is an important result of the poet's collision with life and events.
That is why I chose the lamentation poetry of Hafiz Ibrahim, due to the importance of this art to him, and it is the art in which he excelled the poets of his time.
I have divided this research into

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Publication Date
Thu Dec 15 2022
Journal Name
Alustath Journal
''The Middle Poetry of John Clare: The Rural Muse's Mature Nature Poetry''
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Publication Date
Fri Sep 15 2023
Journal Name
Al-academy
The recepient’s beauty in the algerian theatre and the recepient’s hypothetical bet , reading in stop theater by m’hammed ben gataf
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Meditationsuggetsthat the theatrical world and the receiptindicatethattherie a thread connection or relationshipbetweenthembecausetheateris an art thatfailsinto the abyss of the humanfield ,receivingis a practice thatisreffered to by corners of society and islocated in the context of thisfield. Thus, the relationshipbetweenalgeriantheater and the recepientissanctified by the nature of theaterwhichisbased on a social basis thatbuildsitsexistance and continuityfrom the recepient.Its impossible to imagine a real theaterthatwillbeestablishedunlessit’sassociatedwith an audience so one hand never claps to makesound. This connectionis the first phenomenonthatcanbecome accessible to all people and itremains the second phenomenonthatrequires th

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Crossref
Publication Date
Sun Feb 03 2019
Journal Name
Journal Of The College Of Education For Women
Visions in the poetry of Yahiya Ibn Hakam AL- Chazali: Visions in the poetry of Yahiya Ibn Hakam AL- Chazali
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Conclusion and results
1. The research concluded through considering the rhetorical visions,
appropriate relationships between utterances with a language derived
from the reality of the social, religious, and, cultural life.
2. The poet compound between realism and the documentation of the
poetic structure, its depth, and the conjugation of its symbolic
metaphors, and also between its phonetic music and the right artistic
nature and the inanimate rules to take in consideration what Dr. Ahmad
Haikal concluded that the tried to com up with something better than
that of the previous generation, but he is still following their orbit, and
their trend method of poem building.
3. The realistic images visionary r

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Publication Date
Wed Dec 30 2015
Journal Name
College Of Islamic Sciences
The Jews of the East in the journey of Benjamin and the Andalusian Alttali (d. 586 AH): (دراسة تحليلية)
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Because of the diverse circumstances in Andalusia, the Jews lost much of the atmosphere of freedom and coexistence, which they enjoyed under Islamic rule there, to leave more Jews in the sixth century AH, under Spanish rule abolishing the existence of the other. And to impose his negativity with unjust domination. What motivated the people of Judaism; to turn their faces on the Islamic East; according to the coexistence climates that glorified various religions. It has emerged in this regard Benjamin Title (d. 685 e), who made a long journey to the east, recorded in the texts of the traveler, what will be shown research, God willing.

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Publication Date
Fri Jun 01 2018
Journal Name
Research And Islamic Studies Journal
The artistic in the poetry of Kazem Jawad
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the researchers pointed that the poet relied on several means in the form of poetic images, including analogy, and the metaphor with its various elements, The chromatic component has also been used in the formation of its poetic image,and resorted to the correspondence of the senses and the symbol of two types:Self-code, public code : And we find a variety of symbolic stems from different sources, from these symbols, what is religious, including what is historical and what is legendary, and such symbols, which resorted to the rare places of his poems confined to the myths contained in the Bible, His use of the general symbols was ineffective in the poetic picture, relying on the metaphor and metaphor.