The Miocene succession of western and southern Iraq is represented by the
Euphrates, Ghar, Jeribe, Nfayil, Fatha, and Injana formations. The Euphrates
Formation (Early Miocene) consists mainly of shallow marine facies; it`s equivalent
the Ghar Formation (Early- Early Middle Miocene) is represented by continental
clastic facies. The Jeribe Formation (Early Middle Miocene) represents shallow
marine environment. The Nfayil Formation (Middle Miocene) also of shallow marine
environment, it`s equivalent the Fatha Formation is represented mainly by supratidal
marine environment. The Injana Formation (Late Miocene) represents the clastic
continental facies.
The studied succession was highly affected by many diagenetic processes such as
dolomitization, dedolomitization, dissolution and cementation with less effective
micritization, neomorphism, and compaction.
Four third order cycles were recognized in the studied sections, These include:
cycle A of the Miocene Euphrates Formation and it`s equivalent the lower part of the
Ghar Formation, cycle B of the Early Middle Miocene Jeribe Formation and it's
equivalent the upper part of the Ghar Formation, cycle C of the Middle Miocene
Nfayil Formation and it`s equivalent the Fatha Formation, and cycle D of the Late
Miocene Injana Formation. Each third order cycle can be subdivided into a number of
fourth order cycles. All of the fourth order cycles are assymmetrical reflecting an
imbalance between the relative sea level and carbonate production. A variation
between the different sections in nature of cyclic deposition reflects the difference of
local tectonic effect on the sequence development.
This research was distributed into two sections, the first section was concerned with the concept of value for De Saussair and its methodological impact on his linguistic structural conceptions with respect of the distinction between synchronism and diachronism, the value role of linking function between the sounds and the though, the basing of his theoretical conception on the language being a form and not a material according to this principle and the value impact on the demonstration that the linguistic element acquires its functional importance from the relations inside the language system. It also stopped at the methodological impact of value on defining the analytical linguistic unit and the value role in semantics through the prin
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The Vogue of the Restoration Comedy of Manners and George Etherage's The Man of Mode; or, Sir Fopling Flutter