Philosophy of Abstraction and Construction of Space in Contemporary Iraqi Theater Abstract The aesthetic and stylistic features in the theatrical play develop according to the changes of the age and its developments. Stylistic forms different from the prevailing and familiar in the visions of contemporary theatre directors emerged which adopt the removal of traditional awareness in the creation of the visual space of theatrical discourse, through adopting contemporary formats and structures which depend on the abstraction representations in the aesthetic construction of the contemporary theatre show which is one of the prerequisites of the postmodern theater, that produces aesthetic data based on abstract metaphors in the formation of the display space in order to call another kind of participation in making the meaning by leaving an area of production of meaning to the receiver's mind in the extrapolation of the abstract visual narrative because it is the aesthetic partner in the production of theatrical discourse. This research deals with the subject of "the philosophy of abstraction and construction of space in the contemporary Iraqi theater). It highlights the use of abstract forms and their implications in the discourse of theatrical presentation as a contemporary aesthetic language proposing formations, forms and the abstract ways in the construction of the theatrical space. The research aims to reveal the philosophy of abstraction and its representations in the space of theatrical presentation. The limits of the research were determined by analyzing the sample of the research, the play (the Red Carpet) director by (Jabbar Joudi) as a selected model of the plays of the capital (Baghdad) for the year 2016. The research, in its theoretical side has two sections, the first topic deals with the concept of abstraction and the construction of artistic space. The second section deals with the construction of abstract space in the experiments of the world theater.
Toni Morrison (1931-), the first African-American winner of Noble Prize in literature (1993) and the winner of the 1988 Pulitzer Prize for fiction, regards herself as the historian of African-American people. She does not think of her writings as literature but as a sacred book dedicated to explore the interior lives of blacks. She creates history by disregarding European standards and the white man's view of African- Americans. She adopts her people's point of view, invests their heritage, voices their pains and uses their vernacular. She even writes to a black audience. She establishes the black novel by depicting the blackness of American literature. In choos
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إدارة المخاطر في الوحدات الإقتصادية الصناعية بإستعمال مخطط باريتو
This research involves the civilized vision of the trends and approaches of philosophical thought in the Islamic Orient, whose objectives were to show Islamic philosophy and the pioneers of thought in it and the most important products that crystallized after its emergence in the Islamic world
The words in the Holy Qur’an are distinguished by the
accuracy of expression, their elegance, the lightness of their
performance, the harmony of their timbre, as well as the ease of
their pronunciation. We find the coarse words in which the
movement of sounds and the hesitation of the soul are mixed, as
it was distinguished by the abundance of its words indicating the
same meaning without a phenomenon that the reader or the
listener notices
this research talks about the weakness that had happened in the construction of the sentences which effected on the syntactic meaning . it considers an important problems faced the languages .
Using religious characters which come from religion is a significant means that poets applied in their texts. The Iraqi poet Adib Kamal Aldin applied religious characters as an active means helping the theme of the text and playing a great role in expanding the meanings and their implications in the text.
المنازعات والحروب الاهلية في العالم الثالث نموذجاً الصومال وافغانستان
لقد أرسى الفنان العراقي القديم، بلا ريب، الأسس الأولى للفنون فكانت وما زالت أعماله مصدرا مهما للمدارس الفنية كافة منذ العصور التاريخية وما قبلها، وداولتها الحضارات المتعاقبة في أرضه وخارجها حتى أصبح فن الرافدين يطبع كثيرا من خصائصه وسماته على تلك الحضارات. وعندما بزغ نور الإسلام السرمدي وبدد