أثر تنوع الرؤى الاخراجية للاتجاهات والحركات المسرحية المعاصرة في أتساعالاشتراطات الجمالية لبنية الخطاب المسرحي + الامر الذي ادى الى انزياح مكوناتالعرض وعناصره ؛ ومنها المنظومة السردية للنص التي شكلت في بدايات المسرحجغرافية العرض المسرحي والمرتكز النظري والفكري الذي يمد العرض المسرحي أغلبتدفقه الجمالي وعنصر أستعلائي لعناصر العرض الاخرى ؛ وضمن التطورات اللاحقةأنسحب المخرج المسرحي من سطوة البنية النصية الى مدايات أكثر عمقا وأكثر كثافةجمالية ؛ بذلك تشكل مفهوم جديد يدعى " المعالجة النصية " وبتعدد الاتجاهات أصبح كلأتجاه يسعى الى معالجة خاصة للمكون النصي + وهذه الدراسة تتخذ الرؤية الاخراجيةلمسرح الصورة و ومعالجته للمدوّن النصي لا سيما ان مسرح الصورة يحاول تبني قيمجمالية خاصة بالتشكيل الصوري لخطاب العرض المسرحي بما يتجانس مع لغة المسرحالمعاصرة ؛ وقد تضمنت الدراسة الحالية الاطار المنهجي الذي احتوى على : (مشكلةالبحث ؛ وهدف البحث ؛ وحدوده ) 0 كما تضمن البحث أطارا نظريا شمل مبحثين ٠المبحث الاول :(معالجة النص في الاتجاهات المسرحية المعاصرة )والمبحث الثاني :(الأنشاء الصوري في مسرح الصورة) ؛ فضلا عن المؤشرات التي اسفر عنها الاطارالنظري ءوتضمن البحث اجراءات البحث مبينا فيه مبررات اختيار عينة البحث ؛ ومن ثمقيام الباحث بتحليل(عينة البحث ) من العروض التي قدمها مسرح الصورة للمخرج(صلاح القصب) مسرحية (مكبث ) ؛ وصولا لنتائج البحث التي شملت الابعاد الجماليةللرؤية الاخراجية لمسرح الصورة في معالجته للنص الدرامي ؛ ومن ثم يختم البحثبقائمة المصادر ؛ وملخص باللغة الانكليزية
الخلاصة
تشير نظريات علم اجتماع المعرفة الى ان ظهور مفهوم معين او سقوطه لايتم بمحض الصدفة، بل نتيجة تفاعل مجموعة من العوامل الثقافية والسياسية وحتى الاقتصادية ومن هنا فأن ظهور مفهوم الاثنية كان محصلة عوامل كثيرة خصوصاً بعد ان اصبح موضوع الاثنية في العقود الاخيرة من القرن الماضي وبداية القرن الواحد والعشرين محور نقاش رئيس في ميدان البحث الاجتماعي والسياسي، ليس في
... Show MoreReceipt date:10/8/2019 acceptance date:18/12/2019 Publication date:31/12/2021
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