أثر تنوع الرؤى الاخراجية للاتجاهات والحركات المسرحية المعاصرة في أتساعالاشتراطات الجمالية لبنية الخطاب المسرحي + الامر الذي ادى الى انزياح مكوناتالعرض وعناصره ؛ ومنها المنظومة السردية للنص التي شكلت في بدايات المسرحجغرافية العرض المسرحي والمرتكز النظري والفكري الذي يمد العرض المسرحي أغلبتدفقه الجمالي وعنصر أستعلائي لعناصر العرض الاخرى ؛ وضمن التطورات اللاحقةأنسحب المخرج المسرحي من سطوة البنية النصية الى مدايات أكثر عمقا وأكثر كثافةجمالية ؛ بذلك تشكل مفهوم جديد يدعى " المعالجة النصية " وبتعدد الاتجاهات أصبح كلأتجاه يسعى الى معالجة خاصة للمكون النصي + وهذه الدراسة تتخذ الرؤية الاخراجيةلمسرح الصورة و ومعالجته للمدوّن النصي لا سيما ان مسرح الصورة يحاول تبني قيمجمالية خاصة بالتشكيل الصوري لخطاب العرض المسرحي بما يتجانس مع لغة المسرحالمعاصرة ؛ وقد تضمنت الدراسة الحالية الاطار المنهجي الذي احتوى على : (مشكلةالبحث ؛ وهدف البحث ؛ وحدوده ) 0 كما تضمن البحث أطارا نظريا شمل مبحثين ٠المبحث الاول :(معالجة النص في الاتجاهات المسرحية المعاصرة )والمبحث الثاني :(الأنشاء الصوري في مسرح الصورة) ؛ فضلا عن المؤشرات التي اسفر عنها الاطارالنظري ءوتضمن البحث اجراءات البحث مبينا فيه مبررات اختيار عينة البحث ؛ ومن ثمقيام الباحث بتحليل(عينة البحث ) من العروض التي قدمها مسرح الصورة للمخرج(صلاح القصب) مسرحية (مكبث ) ؛ وصولا لنتائج البحث التي شملت الابعاد الجماليةللرؤية الاخراجية لمسرح الصورة في معالجته للنص الدرامي ؛ ومن ثم يختم البحثبقائمة المصادر ؛ وملخص باللغة الانكليزية
Receipt date:10/8/2019 acceptance date:18/12/2019 Publication date:31/12/2021
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