ان التطور التكنولوجي في عناصر انتاج الصورة المسرحية يرتبط بعدة مفردات يتم توظيفها في رسم المنظر المسرحي والذي يرتبط بالمكان مباشرة ، اذ ان الية اشتغال السينوغرافيا في مسرح الطفل تتشكل عبر منظومة الضوء بأجهزتها المختلفة ومؤثراتها الصورية وتقنياتها المتقدمة، اذ يمكن ان يشكل الحضور الكمي والنوعي لتلك المفردتين مسبوقتين بمعرفة فنية تسمح بتحديد فنية التزامن وفنية التركيب، اي بمعنى ان كل قطعة ديكورية يجب ان تكون في مكانها الفعلي ، وان اشتغالها يرافق اشتغال الحركة والفعل ، حتى يتم تفعيل تلك القطعة الديكورية وعدم تركها بشكل غير فاعل ."اذ يتحقق ذلك من خلال مسارات الحركة الضوئية الناتجة عن تقنيات تركيب الضوء في العرض المسرحي سواء في الحركة الموضعية وتغيير مصادر البقع الضوئية او باستخدام اجهزة المتابعة او الليزر او كل الوسائل الحركية المتاحة للضوء". (الباهلي، 2010، ص195)كما ان العناصر البصرية التي تساهم في تقديم ملامح سينوغرافية للعرض لابد لها من ان تهتم بالتسلسل الزماني المرتبط بالتسلسل المكاني وهما يشكلان نسق الاحداث ، وحركة شخوص المسرحية، وطبيعة الصراع والعلاقات الدائرة ما بين الشخصيات من جهة وما بين الشخصيات وفضاء العرض من جهة اخرى .ان مفهوم البناء او البنية التي اصبحت تعني "الكيفية التي تنتظم بها مجموعة من العناصر المتماسكة فيما بينها بحيث يتوقف كل عنصر على باقي العناصر الاخرى وبحيث يتحدد هذا العنصر بعلاقته بتلك العناصر" (بنعبد العالي، 2005 : 11).لذلك فان الانساق البصرية وما تحمله من دلالات تربوية يمكن ان تظهر في عروض مسرح الطفل بحيث تشكل احد اهم المنطلقات التي يستند اليها فضاء العرض المسرحي كونها جزءا لا يتجزأ من المدركات الحسية التي تسهم في تحقيق التسلية والامتاع بأسلوب درامي يتمكن الطفل من ادراكه، ولكون الطفل يتلقى المعلومات عن طريق الفعل الحي وجدانيا مع ما يعرض امامه على خشبة المسرح من حالات تمس حياته اليومية ونشاطاته ورغباته التي لها دلالات تربوية يسعى المهتمين بالعرض المسرحي الموجه للطفل الى غرس المفاهيم الايجابية والعمل على تغيير او ترسيخ مفاهيمه وثبات القيم والعادات الاجتماعية المكتسبة لديه، لذا فان الانساق البصرية تلعب دورها في فضاء مسرح الطفل كونها تؤدي وظيفتها بطريقين، الاولى باتجاه الانساق البصرية والية اشتغالها تربويا، والثانية بآلية الاشتغال وعلاقتها بسينوغرافيا مسرح الطفل، ومما تقدم تؤسس الباحثة مشكلة بحثها من خلال التساؤل الاتي: ما الانساق البصرية وكيف يتم توظيفها في عروض مســــرح الطفـــل
The research aims to identify the bedroom furniture designs for children who are in ages range between (4-6) years and the rate of employing them in developing their aesthetic sense. To achieve this objective, the researchers developed the two research tools represented by a analysis-description form of bedroom furniture designs included a number of domains that were represented in the shapes, colors, and sizes of the furniture, as well as the availability of the safety factor, ease of use, cleaning and movement. As for the aesthetic sense scale included (30) paragraphs and alternatives (always, sometimes, never), they were distributed among a representative sample of (170) mothers of children were chosen randomly from (17) kindergartens
... Show MoreThe postmodern ideas and concepts have produced social, political and economic variables that have been affected by wars, crises, the role of globalization and the information revolution. They have created many variables in concepts and great variables in technological, artistic and cultural innovations. All these changes have contributed to changing the form of the theatrical show aesthetically and intellectually, which cast a shadow over the nature of the actor's performance who has become more demanding to change his performance and to find the mechanisms and new nature of work governing him corresponding to those variables and this prompted the researcher to adopt the subject (the performance variable of the actor's techniques in pos
... Show MoreSummary Search Alachtgalat process semantic encoding carried out by the actor inside the theater to deliver the intellectual sense, and social, as well as the aesthetic to the recipient, the fact that the code is the function is operated relationship in accordance with the prior intent to deliver the implications of a particular intent, too, and the fact that encryption is the best way to transfer messages in system theater, where should the actor that has the ability to create images (sensory) or intellectual new in human consciousness on the basis of conversion of impressions collected from reality and re technically formed inside the theater, allowing the recipient to arrange these marks to obtain the meaning that lies in them. So he
... Show MoreThe visual attraction of the fundamentals that require the availability in the design business, to achieve the needs of different social interactive and the need for recreation or entertainment as well as financial need and as such has considered the importance of a researcher studying the mechanics of visual attractions in the interior spaces have been identified according to the research problem the following question:
What are the mechanisms of visual attractions in the interior spaces and the current research aims to Recruitment mechanisms of visual attractions in the design of interior spaces as determined by three research limits are:
• Reduce the objective: the mechanics of visual attraction.
• Reducing the spatial: S
In his masterpiece ’The Prophet’, Kahlil Gibran presents his unwavering faith and passionate belief in the healing power of universal love that brings humans to sublime ideas and elevates their souls and behavior. The current study aims to find out the stylistic devices utilized to represent the concept of love based on the hypothesis that Gibran tends to use certain stylistic effects to convey his meaning. The study adopts Leech and Short’s (2007) framework of stylistic analysis to analyze the lexical items and figures of speech in selected extracts from the book. The findings reveal that Gibran prefers concrete nouns, dynamic verbs, and physical adjectives over abstract nouns, stative verbs, and psychological adjectives to s
... Show MoreIt is very necessary for the political theater to be within the space of every theatrical performance, so that the theater carries the diverse and enlightened values and cultures of this world. political theatre. In the first chapter, the researcher dealt with (the methodological framework), which includes the research problem identified by the researcher with the following question (the functional diversity of the directorial vision in the political theater)
Importance, purpose, limits and seal by defining terminology.
In the second chapter, the researcher dealt with the theoretical framework on two topics, the first (transformations of directorial vision in theatrical performance) and the second topic (aesthetic experiences i
The research deals with the problem of visual pollution, as it is one of the most important urban problems that cities suffer from. The concept of visual pollution has recently emerged to describe the deformation and degradation of the urban environment. Visual pollution is defined as any component of the surrounding environment that is inconsistent and not homogeneous with its natural and human components. The volume of visual pollution has doubled due to the non-compliance with the laws, regulations and controls set by the Municipality of Baghdad by the citizens, and to the weak municipal role that the municipality plays in implementing these laws. Therefore, it has become necessary to know the manifestations of visual pollution and th
... Show MoreThis research is an initial attempt to explore the reality of reform and its concept in Islam, and to describe the presence of educational practices in the Arab-Islamic heritage. The importance of this research lies in addressing a number of important issues related to the contemporary Islamic reform system. The research showed the need for authentic educational reform values that draw their reference from the origins of Islam. The research also emphasized the analysis of the reality of education in the Muslim world and the identification of its problems and the search for solutions through a quick and comprehensive look at the diverse contributions of Muslim thinkers to Islamic educational reform thought, and their active role in addressin
... Show MoreThere is no doubt that development is a human necessity and an urgent technical imperative that science imposes on all aspects of societal life. Especially in the field of graphic design, as logos are among the most prominent graphic achievements of an interactive nature with the requirements of the technical and functional era to serve the recipient and the continuity of interaction with him through a visual message sent to him constantly to remind him of what he interacted with in advance, which is known as visual identity, and during the process of developing logos especially And by providing designs that suit the contemporary technical and functional development, we often see the logo lose its visual identity. Therefore, the research
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