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توظيف رســوم الاطفال كوحدات تصميمية تعليمية في اقمشة ستائر رياض الاطفال
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مشكلة البحث

ان التصميم هو توالد افكار عدت اساس له حيث انها اشياء لها معنى لامور اقتضت الايعاز باعداد هذه التصاميم، اما المصمم فهو الشخص الملم بمباديء واسس التصميم من اجل تنفيذ هذه الافكار بطرق علمية مدروسة، الا ان هناك سؤالا يطرح هل بالامكان لاي شخص ان يرسم فكرة تصميمية؟

الجواب هو نعم فالتصميم ليس مقتصرا على المصمم فحسب بل ان باستطاعة أي شخص ان يعبر عن ما بداخله من افكار سواء كانت من بيئته التي يتعايش معها او من مخيلته فهو حر يرسم أي فكرة... وهنا ياتي دور المصمم في كيفية بلورة هذه الافكار واخراجها بالصورة النهائية، وذلك بمعالجتها حسب مباديء واسس التصميم مع المحافظة على الفكرة الاساسية دون المساس او التاثير عليها.

وحسبما ذكر فان للطفل الحق بالتعبير عما يدور في مخيلته من صور واحداث وانطباعات من معايشته لبيئته العامة والخاصة ومن وسط دوافعه واحاسيسه بكل حرية...

ومثلما ياخذ المصمم الفكرة التصميمية من الواقع او الخيال فبالامكان ان ياخذ الفكرة الاساسية لموضوعه من رسوم الاطفال انفسهم حيث ان للطفل عالمه الخاص الذي يخضع لقواعد عامة وخاصة فعندما يرسم الطفل خطوطا واشكالا مختلفة فانه يبحر في عالمه ويلون شخوصه واشياءه ويحاكي المتلقي بمفرداته البسيطة وهو بذلك يكون قد ارسل رسالة للمتلقي عله يفهمها.

ومن هنا يتأتى السؤال عن مشكلة البحث ..

هل بالامكان توظيف رسوم الاطفال كوحدات تصميمية تعليمية في اقمشة ستائر رياض الاطفال؟؟

 

 

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 ملخص البحث

      يعد البيت المكان الاجتماعي الأول الذي تبنى فيه الصحة النفسية لدى الفرد منذ بداية حياته كطفل  في ظل أسرته ، إلا أن الروضة تمتلك على الرغم من ذلك أثراً تكوينياً مهماٌ في حياة الطفل وعلى شخصيته ، والتي لا يمكن ان يقلُّ عن أثر الايجابي للبيت ؛ ذلك أن المفهوم الجديد لدور الروضة لا يقتصر بمجرد كونها مكانًا تقوم فيها المعلمة بتزويد الاطفال بالمعر

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Publication Date
Tue Jun 15 2021
Journal Name
Al-academy
Employing semantic coding to build meaning in action films: ابراهيم خلف جاسم
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Action films employ many artistic and literary elements that contribute greatly to building the general meaning of the film and push the wheel of the film forward. The element of mystery and suspense is used as two basic elements in action films. The cinematic language in action films depends on global coding, which is not models as it might be. It is based on logic, rather as units that aspire to morphology and not their homogeneity as the physical sense, but as the logical harmony of interpretive authority and enlightenment and in action films as a field of communication and a field in its origin in which the signifier contrasts with the perceptions of the meaning and in it takes a certain number of units preventing each other and thro

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Using typographic patterns in commercial advertising design: عصام إبراهيم محمد الكبيسي
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Typographic patterns are one of the design elements in commercial advertising for their ability to deliver the message and information to the recipient smoothly and quickly, and it is indicated that there are many different techniques that can use typographic patterns in commercial advertisements, including spacing, spaces between letters, letter height, length, weight, and contrast and this Usage must be studied according to the type of font and how it can be used in advertising campaigns.
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The Use of Light Text in Arab TV Shows (The Voice TV Program) -A Model
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The research tackles an important subject, namely, the light text and how it works well in the Arab television programs. The methodological framework of the research     presents the research problem stated in the following question: How can the text be used and what is its impact in the Arab TV programs? The importance of this research is that it deals with the subject of light text and its impact on Arab television programs.

This study is useful to the workers and scholars in the field of lighting as well as the goal of the research in (studying of the employment of light text in Arab television programs).

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