Preferred Language
Articles
/
jcolang-59
Realismo y tradicionessocioculturales en “Bodas de sangre”
...Show More Authors

Resumen

El trabajo se investiga en el realismo y la tradición social que incluye la tragedia Bodas de sangre, del autor español Federico García Lorca. A lo largo de estas páginas se da la luz sobre los temas, acciones, oraciones y palabras que pertenecen a la realidad de la vida española en general y sobre todo en territorio andaluz, en el que ocurren los sucesos de la obra.  Así como las tradiciones sociales que el dramaturgo español contemporáneo abundando a lo largo de su texto, y que han sido tomadas de la herencia popular.

    Literariamente, esta obra se clasifica como Tragedia Moderna, por la razón de que incorpora los elementos necesarios de dicha tragedia: historia, amor, venganza, muerte, etc…

    Aunque, la tragedia cuyo ambiente nacional, que es el campo andaluz, ha logrado un rango clímax dentro de la literatura universal, por exponer sentimientos y consecuencias comunes y por destacar cuestiones muy conmovedores de la humanidad. 

Abstract

This article investigates realism and social tradition that include the tragedy “Blood Wedding” of the Spanish writer Federico Garcia Lorca. Throughout these pages topics, actions, prayers and words that belong to the reality of Spain in general and throughout Andalusia where the events of the play occur are highlighted. In addition, social traditions that were contemporary to the Spanish playwright abounds throughout its text, are taken from the popular heritage.

   Literally, this play, which was written by Lorca in 1931, is classified as Modern Tragedy, for the reason that incorporates the necessary elements of that tragedy: history, love, revenge, death, etc...

Although the tragedy whose national environment is Andalusia, it has reached a climax rank in the world literature, for exposing feelings and highlighting common consequences and very poignant questions of humanity.

Keywords: Spanish theater. Twentieth century. Federico García Lorca. Blood Wedding. Realism and traditions.

View Publication Preview PDF
Quick Preview PDF
Publication Date
Wed Jan 01 2014
Journal Name
Journal Of The College Of Languages (jcl)
La voix de la mère dans À la Recherche du Temps perdu
...Show More Authors

 

Abstract

The twentieth century French novel had undergo a significant change that took the form of a radical move from the traditional son who follows his father to one who no way prevalent in the classical French novel. The new son in the 2Oth century novel finds himself emotionally attached which both became a new trend and approach in novel writing.

Marcel Proust's novel which can be considered a source of inspiration for most of 2Oth century novelists is a good example of the mother supremacy which is crystal clear from the first page through its parts and chapters till the last page. In fact, Proust had written a completely different novel from the Balzacian conventions. Unlike the latter's novels, Pro

... Show More
View Publication Preview PDF
Publication Date
Thu Oct 01 2009
Journal Name
Journal Of The College Of Languages (jcl)
L’Unité descriptive dans le roman Une Vie de Maupassant
...Show More Authors

La description, est une mode discursive et une forme d’écriture, consiste à rendre un objet en quelque sorte visible par l’exposition vive et animé des propriétés et des circonstances les plus intéressantes.

Elle occupe au XIXe ([1]) siècle une place centrale dans les œuvres littéraires. Cette technique a une place privilégiée chez les écrivains qui veulent représenter la vie telle quelle est.

Ce type de la représentation littéraire apparaît avec l’avènement du roman réaliste où se trouve de longs passages descriptifs dans les œuvres littéraires « Tout récit comporte…, quoique intimement mêlées et en proportions très vari

... Show More
View Publication Preview PDF
Publication Date
Mon Nov 10 2025
Journal Name
Al–bahith Al–a'alami
Cultural and educational values for children
...Show More Authors

Programs directed to children through the media in general and in television in particular are among the main factors that help in forming the cultural and educational values of this important segment of society, and in light of this the study problem was identified in answering a major question: What are the cultural and educational values that Ajyal channel seeks Space planted in children through my program, Iftah Ya Simsim (in its new season) and Friends of Ajyal? , While the objectives of the study were evident in identifying the most prominent cultural and educational values that the Ajyal satellite channel worked to instill in children, and identifying the nature of the techniques used by Ajyal channel in providing the value conten

... Show More
View Publication Preview PDF
Crossref
Publication Date
Thu Jul 02 2009
Journal Name
Journal Of Educational And Psychological Researches
التنشئة الاجتماعية للطفل
...Show More Authors

المبحث الاول \  مفهوم التنشئة الاجتماعية

    التنشئة الاجتماعية هي الاسلوب الذي يتبناه مجتمع ما في بناء الإنسان على صورة الثقافة القائمة وتبرز التنشئة الاجتماعية كحاضن الثقافي يتشكل فيه الإنسان وينموعلى صورة المعايير الثقافية التربوية تحددها الثقافة عينها وفي أسلوب التنشئة الاجتماعية وأنماطها المختلفة تبرز واحدة من أهم القضايا الأساسية للوجود الإنساني والتي تتعلق ببناء جوهر

... Show More
View Publication Preview PDF
Publication Date
Tue Mar 15 2022
Journal Name
Al-academy
The culturalization of gender action in the Iraqi theatrical address the play " Revelations as an example"
...Show More Authors

The culturalization of gender action occupies a wide range in culture, thoughts and modern studies as well as in fine arts and the ways of expressing them.

       Theater, as one of these arts, plays roles in establishing the fundamental concepts that aims at stating the uncontrollable deed of the social community. It remains one of the most effective and suitable means to confine the uncivilized practices to overcome a certain crisis after gender and cyborg in societies.

        The research concentrates on studying the culturalization of gender action in the Iraqi theatrical address because of the effect it has on the modernizing thought in arts and theater literature. It consists of chapter one which deals w

... Show More
View Publication Preview PDF
Crossref
Publication Date
Sun Jun 11 2017
Journal Name
Al-academy
The approach of deliberation in the ontemporary Iraqi theater text - theatricality Afwah-as a odel
...Show More Authors

The deliberative system of communicative studies is exposed to cultural openness, according to modern cultural studies, to establish a verbal language system that achieves reciprocal and cross-cultural relations. This research has examined the concept of deliberative approach in the contemporary Iraqi theater text by studying the deliberative system of text and its interrelationship with The stage of the verbal embodiment of the dramatic event, because the dramatic text achieves in its construction of racism, a deliberative approach between the verbal event and the language, and what later leads to the completion of the dramatic action. The research included four chapters. The first chapter was the systematic framework of the research, T

... Show More
View Publication Preview PDF
Crossref
Publication Date
Tue Sep 19 2017
Journal Name
Al-academy
Place Sexuality in the Arabic Text Theatre
...Show More Authors

     It is doubtless that the sexual place has some common indicators due to the masculine and feminine bodies which may be natural or deviated (homosexual). The female has an act of voice in the imaginary masculine place whereas the male has an act of image recognized in the parental mind in both the secular and sacred place. Those places create different limits and perceptions according to the auditory and visual readings in search of identity, text and body in the feminine dramatic text.

    The research includes four chapters; the first, the methodological framework, involves the problem which is centralized in the following enquiry: What is the relationship between the place and the term of

... Show More
View Publication Preview PDF
Crossref
Publication Date
Mon Jan 02 2017
Journal Name
Al-academy
The signification levels of scenery in the Iraqi theatrical show (the play of alubah for example)
...Show More Authors

Signification with its different aspects constitutes various aesthetic pictures for human and nature creations over different periods of time. It was a focal around which logical thinking loops on the interpretation level of the signification movement according to its structural context expresses its hidden entities with which a human being deals according to two symmetrical levels while interpreting to attain meaning. Sense was the first passing window for the picture of signification which thought deals with. While trying to decode it and because art in general and theatre in particular are considered as the basis of creating signification through its visual and aural elements, so it was necessary to consider one of the elements of cre

... Show More
View Publication Preview PDF
Crossref
Publication Date
Sun Mar 12 2017
Journal Name
Al-academy
Presence and Absence in the Iraqi Theatre Performance: Summer's Rain Play as an Example
...Show More Authors

The presence and absence binary is an essential part of and a motivation for the direction vision which depends on the principle that the components of the theatre performance move in contrast with each other; one is directly informative which is the presence relations and the other is structural that is identical to the absence relations. The first is material band visual that evokes the incorporeal mental absent. Hence, the present study(Presence and Absence in the Iraqi Theatre Performance :Summer's Rain Play as an Example) aims at explaining those relations and their transformations between presence and absence in the performance

View Publication Preview PDF
Crossref
Publication Date
Wed May 03 2006
Journal Name
كلية اللغات \ جامعة بغداد
التطابق بين أجزاء الجملة في مسرحية الوصيفات لأنطونيو بويرو باييخو.
...Show More Authors

التطابق بين أجزاء الجملة في مسرحية الوصيفات لأنطونيو بويرو باييخو.