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L’imaginaire de l’épidémie dans La Peste d’Albert Camus et Le Choléra de Nazik al-Malaika The Imagination of Epidemic in Alber Kamo's Novel " Plague" and Nazik Al-Malaekah's poem "Cholera"
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The present study deals with the story of Epidemic in two literary works issued in the same year (1947). One of them is a novel titled "Plague" written by the French writer Alber Kamo, the second is a poem of the Iraqi poetess Nazik Al-Malaekah. The research reflects a contrastive study of the war vision in the two works as both writers used science to serve literature by using Epidemic as a metaphor to refer to the dangers that the societies faced.

The problem of the present research lies in answering the question about the reason that makes the two writers use metaphor while narrating the issues of the society instead of mentioning them directly and illuminate what implications do the narrative style of Epidemic story have and the story of war does not have?

The research consists of three main chapters. The first chapter studies the narrative aspects of the two works clarifying the characteristic of narration in the story of Epidemic. The second chapter deals with the image of war and its meanings in the two works while chapter number three deals with the two writers' premonition about the danger that threatened humanity which was considered more than being a mere Epidemic.

The results of the research show that using metaphor to refer to the war and the bad conditions in the society comes from the view that the epidemic (whether Plague or Cholera) is a kind of disease that we can not put an end to completely as it goes through sabbatical periods and then reactivates upon the availability of the factors that help to spread it. At that time, the condition of society is threatened by instability. The plague which was spread in Wahran –a city in Algeria and which Kamo narrates its details is a metaphor about the second world war and the Germanic's occupation to France as there are clear hints about this in the text, While, Nazik               Al-Malaekah mentions death that came as a result of the widespread of Cholera in Egypt. She mentiones in her memories that she heard that the number of the dead people increased from six hundreds to one thousand, a matter which makes her write this poem. In fact, this news was a stimulus for her to express the Iraqi condition particularly and the Arab Homeland generally as well as to express the persecutions, oppressions and murders that they suffer from "death is what humanity complains from" as the poet explains.

Choosing epidemic as a frame and a narrative material to talk about an era in which the political and social conditions suffered from instability is a means to express. Thus , disease and here epidemic has numbers of historical, scientific and paranormal implications which can really reflect the status of the society. Epidemic is not only a disease that infects an individual or group of people but it is an uncontrolled, fast-spreading danger whose treatment tends to be impossible a matter which makes AL-Malaekah consider death a remedy from this epidemic. Thus, it is an extreme case of disability and horror which the epidemic causes. The two writers call for choosing such images to talk about the miseries that affect the humanity. Historically, epidemic registered numbers of stories that reflects the disasters that affects the humanity. Kamo mentions and numerates the plagues and its victims through different periods. Thus, epidemic is an inclusive case of expression.

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Publication Date
Thu Aug 17 2023
Journal Name
Migration Letters
Employing the Teleological-Causal Presumption between Al-Khwarizmi and Ibn Yaish’s Explanations of Al-Mufasal (even) as a Model
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It is a moral presumption that includes the object for its sake, and it is called the object for it or the object for its sake, which is the present tense after (lam, ki, fa, willn, and then), and it is not an excuse for the occurrence of the matter (1), and it requires a connection between the two sides of (a cause with a cause) united by a reason for a specific purpose (2). The object has a reason or an excuse, because it is an explanation of what came before it, of the cause. The reason for the occurrence of the action, being the motive for causing the action and the bearer of it (3), indicates that the infinitive is restricted to a special reason. So if I said: (I came to you with the hope of honoring you), then I attributed the coming

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Publication Date
Tue Feb 05 2019
Journal Name
Journal Of The College Of Education For Women
(Novels) Idiom , evolution and properties in the light of critic Shugaa Muslim Al-Aani
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A critics ,Shugaa Muslim Al-Aany, has specific critical principles in his branch
classifications for the type of the novel that is linked with its sources and what is adopted
of critical approaches and curriculums. The novel by its type as a literary one has
occupied Al-Any's critical importance very much ,he has divided it historically according
to its historical development ,the impact of dr.Abd Al-Muhassen Tha Badr's divisions on
Al-Any cannot hidden.
In his speech about the origin of novel and story art generally , Al-Any becomes
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Publication Date
Sat Feb 02 2019
Journal Name
Journal Of The College Of Education For Women
Imagination as a Path to Reality
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Imagination as a Path to Reality

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Publication Date
Sun Jan 27 2019
Journal Name
Journal Of The College Of Education For Women
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Publication Date
Sun Aug 01 2021
Journal Name
Journal Of Environmental Chemical Engineering
Green synthesis for novel sorbent of sand coated with (Ca/Al)-layered double hydroxide for the removal of toxic dye from aqueous environment
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Wed Jan 30 2019
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Fri Dec 01 2023
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