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Osmanlı Edebiyatında Karagöz Qara Quz (Shadow Puppetry) in the Ottoman Literature
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ÖNSÖZ

 

Karagöz , tarihin derinliklerinden düşünülmüş bir hayal oyunu’dur . Beyazperde üzerine , birtakım tasvirlerin gölgelerini yansıtmak suretiyle gösterilentemaşa çeşididir. Meddahlık ile orta oyunu’na yakınlığı ve aşağı yukarı aynıteatral unsurları , komik temaları kullanması dolayısı ile karagöz’de sözlü tiyatrogeleneklerisayabiliriz . Nitekim bu hayal oyunu’nun perde arkasına yerleşerekhüner gösteren bir tek aktörüvardır . Bu aktörün oyun için kullandığı malzemeperde , şema (mum) ve tasvirler’dir. Altı yüzyıldır canlı kalan karagöz , dünyanın eneski en zengin ve en güzel halktiyatrolarındandır. Türk toplumunun yüzyıllarönceki durumuyla bugün arasında bağ kuran birköprü gibidir. Yüzyıllarca canlıkalmayı başarabilen ve Batı’nın da ilgisini çeken Türk gölge oyunu ,Türktoplumunun özelliklerini yansıtan en önemli sanat dallarındandır . Çünkü buoyunlar ,Osmanlı İmparatorluğu’nun geniş sınırları içinde birbiriyle hoşgörüiçinde yaşamış çeşitli din ve milliyetteki insanların ilişkilerini yansıtır. Küçüktenbüyüğe herkesehitap edebilen karagöz oyunlarında söylenen şarkılar,gösterilen danslar ve şiirler çocuklara vebüyüklere güzel ve eğitici anlar yaşatır .Hem memleket kültürüne , hem de ma’şeri ruhiyata  birhizmette bulunmakgayesiyle , Türk folklorunun en şayanı dikkat mahsullerinden biri olankaragöz’dür. Folklor usulleriyle karagöz adını verilen bu halk an’anesinin tarihitekamülünün ,toplumsal hadiselerle olan munasebetini belirtmek mecburiyetiile bu araştırmayı ele aldım . İlkönce gölge oyununa göz atıktan sonra karagözü belritmekiçin genel bilgilerle açıkladım ondansonra İstanbul'da süleymaniyye kütüphanesinde bulduğumhayalı memduhun hikayelerindenkaragözün aşçılığı örnek olarak ele aldım ve bunu Osmanlıcadan yeni Türkçeye çevirdim.Sonun’dabu araştırmanın faydasını tümokuyuculara dilerim .

Abstract

Qara Joz Art is considered as one of the most distinguished popular, folkloric, traditional Turkish arts. The Egyptians and some Arabs pronounce Qara Joz as (Aragoz), the Iraqi people call it Qara Qoz, which is one of the oldest popular drama arts for children in the history of the Turkish culture. Irrespective of the continued disagreement as regards the origin and springhead of this classic popular art, the question is: has this art come from Egypt at the hands of Sultan Saleem 1 in a campaign in the East as this art did exist in the Mamluke era in Egypt. Saleem saw this art and then took one of the actors with him to Istanbul for the purpose of amusing his son who later on became a Sultan after him and was known as Sultan Saleem, the Great, or has this art originated from the Turkish Anadol or did it come from Middle Asia to Turkey. Researchers agree unanimously on the fact that the Shadow Puppetry originated from the Far East and then came to many countries in the world.  

   It seems difficult to determine the country where this art originated. Some studies indicate that this art originated in China, but there is another citation that the term "Shadow Puppetry" was mentioned in an old Indian text and a third citation states that the "Shadow Puppetry" probably came to us from Al-Magool country and then passed on to the neighboring countries, especially Japan and Java islands. It is likely that the "Shadow Puppetry" passed on to the Arab countries from Java and was transferred by Islamic merchants. 

    Some studies indicate that the "Shadow Puppetry" passed on from the Chinese to the Magool and from them to the Turk. Turks of the middle Asia used to name this kind of art as (Qaroojak) as it largely depends on puppets that move by using the hand and strings that are tied to the puppets behind a white curtain lightened from behind. Turkmens in Iraq still name the puppet as Qaroojak and historians confirm that the Shadow Puppetry was in every region    where the Turks came to through their successive immigrations. The thing that is confirmed is that the popular art in Turkey goes back to the Middle Ages and is believed that it started in the 16th century (AD) at the time of Sultan Sulaiman 11 who was entitled as Alqanoy. This art that spread in the Ottoman State in the middle ages began first at the palaces of rulers and aristocratic class the purpose of which was to amuse and please the rich. This art was called in olden times as the Shadow Puppetry because it is an art that depends on the shadow arising from the movement of the figures and allegories of the tale and emerge as a result of a light shed on a white curtain background.  This humorous art is widely and equally accepted today by young and old people. It represents one of the branches of the child theatre. It is also regarded as one of the folkloric and beautiful traditions that is shown to the people on religious and social occasions, especially during the blessed month of Ramadhan.   

   Qara Joz is the absolute naming of a historical, humorous, sarcastic black-eyed Turkish personality who expresses the person who had been exposed to punishment by one of the Sultans, namely Sultan Orkhan as a result of his failure to accomplish the building of a mosque in the Turkish city of Bursa in time in the 14th century (AD). He was an illiterate man who used to use the popular dialect and did not understand any of the foreign words and expressions. He also used to pretend that he did not understand any of the common expressions and this made him give synonymous expressions that signal other meanings to arouse laughter.

The name of Haji Wat which is usually connected with Qara Joz in the child theatre art and popular humorous culture is a person who was quite different from his companion Qara Joz. He was an educated person who had simple knowledge in mathematics, economics and grammar in addition to literature.   

He was an opportunist who used to safeguard his personal interest first and behaved according to situations and circumstances. He was the companion of Qara Joz in the above-mentioned historical event concerning their failure to comply with the date of finishing the building of a mosque as there had been a sarcastic dialogue between workers who had been building a mosque in Bursa city which was the capital of the Ottoman state at that time. Sultan Orkhan cut off the heads of Qara Joz and Haji Wat because of the delay in the execution of building the mosque and because they spent their time pelting one another with jokes.

    As to how this event has taken its way to become a sarcastic dramatic art, historians say that a man by the name of Sheikh Koshteri is the one who reported the workers' tale to the people. He also photographed the event in the presence of the Ottoman Sultan. We can see that the two form bilateral companions that can never be separated in the different situations between joking and crying (melodrama). This is the reason that has made it up-to-date a precious and abundant matter from which popular tales can be prepared and displayed to the children on occasions, in schools, in charity endowment houses and cultural centers for the purpose of guiding the children towards discipline and obedience in school and at home as well as respecting older people. It is also regarded as one of the branches of the popular Turkish literature.   

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Publication Date
Wed Mar 30 2022
Journal Name
College Of Islamic Sciences
The Neglected Narrators in " Weak and Abandoned narrators" Book of Al-Darqutni and Their Relationship to the Abandonment
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The research handles the prominent books of The Weak and Unknown Narrators , which is written by Imam Abu Al-Hasan Al-Daraqutni. It contains a brief introduction about the book and about Abu Bakr Al-Barqani, as well as Abi Mansour Ibn Hamkan.

The research handles the issue of unknown narrators and their relationship to the abandonment stipulated in the preamble to the book.

The research dealt with the identification and comparison between the sayings of Al-Daraqutni and his students - especially Al-Burqani, the publisher of his knowledge, as he is the one who narrated the sayings of Al-Daraqutni. The study concluded that the principle is to abandon the me

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Tue Jun 30 2015
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Al-Yusifia river was assessed at three sampling stations with study period from Autumn 2010 to the end of Summer 2011. The present investigation was carried out on diversity of fungi and bacteria from Al-Yusifia river, Baghdad city. During the study, a total of 12 fungal genus and 6 bacterial genus were isolated during the year seasons. The dominant fungus at the three stations were Penicillium sp., then Rhizopus and Trichophyton   megninii while the dominant bacteria was Escherichia coli and Klebsiella sp.

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Publication Date
Tue Feb 05 2019
Journal Name
Journal Of The College Of Education For Women
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Publication Date
Sun Feb 28 2021
Journal Name
Journal Of Economics And Administrative Sciences
The Effect of Adapting IFRS 15 on Auditing Procedures for Auditors in Iraqi Environment
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The purpose of the International Financial Reporting Standard (IFRS 15) is to determine the basis for reporting useful information to the users of financial reports on the nature, amount, timing and uncertainty about revenues and cash flows arising from a contract with a customer. It is based on specific conditions for recognizing revenue from the contract. When the two parties to the contract or one of them fulfil the performance obligations, specifically after the customer has the ability to exercise control over the product or service that is the subject of the contract. As a result of the failure of the revenue reporting requirements in the Iraqi environment to provide adequate and honestly representative information on the o

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Publication Date
Sat Dec 02 2017
Journal Name
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Mathematical Modeling for the Clarifier Units and Turbidity Parameters in AL-KARAMA Treatment Plant
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The high cost of chemical analysis of water has necessitated various researches into finding alternative method of determining portable water quality. This paper is aimed at modelling the turbidity value as a water quality parameter. Mathematical models for turbidity removal were developed based on the relationships between water turbidity and other water criteria. Results showed that the turbidity of water is the cumulative effect of the individual parameters/factors affecting the system. A model equation for the evaluation and prediction of a clarifier’s performance was developed:

Model: T = T0(-1.36729 + 0.037101∙10λpH + 0.048928t + 0.00741387∙alk)

The developed model will aid the predictiv

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Publication Date
Sun Jan 27 2019
Journal Name
Journal Of The College Of Education For Women
The Imaginary in Abu AL- Alaa AlMaari (Resalat Al- Kuffran) Message of Forgivness
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The )Resalat Al-Gofran) which means to Abi Ala Al-Ma'arri is included in the studies of prose in Arabic literature. The study of the "Message of Forgiveness" was passed in two stages. The first is the traditional linguistic study, specifically the rhetorical one. The second study, which took place in the sixties of the last century, was conducted in the light of comparative literary studies, after Dr. Taha Hussein summarized this letter and rid it of its complex language and after Dr. Bent Shati achieved it. Dr. Lewis Awad relied on her study in the light of comparative studies, Which appeared in Europe in the modern era and was able to discover similarities between them and the old texts that dealt with the subject of "literature of the

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Publication Date
Thu Jun 28 2018
Journal Name
Journal Of The College Of Education For Women
Meta – Recitation in the story of Hussein Rahim La'nat Al Hakawaty (storyteller's curse)
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Publication Date
Tue Jan 29 2019
Journal Name
Journal Of The College Of Education For Women
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Fri Oct 30 2020
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