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The contributions of Arab scientists In (algebra)
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Research summary

Praise be to God, and prayers and peace be upon our master Muhammad, his family and companions until the Day of Judgment.

As for after:

It is the right of every nation to take care of its scientific heritage, and to reveal its human civilizational impact, and the Arabs are the richest nations in heritage, as they had in every period of time a sign and pride, the Arabs fulfilled their duty towards humanity, and they carried out a large part of their scientific activity towards humanity.

Therefore, highlighting some of the scientific aspects of the civilized activity of the Arabs, and removing some of the illusions spread by some malicious people, is a human duty before it is a national duty.

In order to achieve the truth, and to highlight the human scientific activity of the Arabs, I wanted to shed light on the contributions of the Arabs in one of the pure sciences, which is the science of algebra, in this research tagged:

(Contributions of Arab scholars in the science of algebra).

In it, I focused on the historical role of the Arabs without elaborating on the details of the theories of algebra. This research included three topics:

The first topic: the definition of algebra and its historical roots.

The second topic: Al-Khwarizmi's efforts in the science of algebra.

The third topic: the most famous Arab scientists and their efforts in the science of algebra.

Then the conclusion of the research, which included the most important results and recommendations.

 

God grants success.

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Publication Date
Mon May 27 2019
Journal Name
Al-academy
Pluralism in Tuning the Contemporary Arab Oud Strings - Egyptian and Iraqi Schools Model: فراس ياسين جاسم
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The Egyptian and Iraqi schools are one of the most important musical schools in the style of playing the oud. The influence of the style of these schools extended in the contemporary Arab world, and there were important names that emerged characterized with their style of playing. Thus, the ways of tuning the strings of oud varied between the two schools because of the difference in the ways of playing and the difference in the style of expression. The aim of the research was to identify the pluralism of the variable tunings of the strings of the contemporary Arab oud of the Egyptian and Iraqi schools, along the historical period extending from the late nineteenth and twentieth centuries to the present time. The oud has been classified i

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