This paper deals with aesthetic and a sitting position in contemporary Iraqi sculpture and studied this situation, an analytical study to reveal how to employ them in aesthetically pleasing work of art has been research in a sitting position to a lack of technical library for such research, this study includes four chaptersChapter I contains the research problem and its importance in terms of the released address and its objectives in the detection of this situation, how to employ the HDL research is to detect how the aesthetic of the Employment sit position and limits Find business is bronze and stone-dimensional exclusively carried out from 2000 to 2009 AD.Chapter II included the Framework theory and previous studies and with three Inv

Despite the importance of this term in linguistics and rhetoric ancient and modern literary forms in general, is that it is possible to use in clarifying the foundations of the relationship hidden and manifest between shapes in models art adjacent or successive spatially, as the artwork plastic in general and sculpture in particular consists of formal structure somewhat similar to the structure in any language text and we can decode these blades structure and analyze the implications and come to their meanings and re-read and interpreted under the guidance of the concepts and techniques of neighboring developed primarily for linguistic analysis of texts or launched from their references. This split search to four chapters included the fi

The present research is concerned with the way in which different dialects interact with each other in contemporary sculpture through the use of the metaphor for various shapes, meanings and materials and placing them in contexts that conflict with the familiar. These attempts come in harmony with the spirit of the times in seeking exoticism, surprise and splendor as a means of renewal. modern Art . Therefore, the research was divided into four axes, the first of which included the research problem, its importance and its aim, which is to attempt to uncover the metaphorical metaphorical relational mechanism in modern sculpture. The second axis included the theoretical framework. The third axis included the research procedures of determin

الاحداث السياسية في العراق بعد 2003 وأثر الانتماء والوعي في التشكيل العراقي المعاصر

the  civil relation between Iraqis and Egyptian was close , it is clear that is the opening relation between two countries esoecally in trade and demand education , but after mongle occupation  , For the capital of the Abbasid Caliphate, the situation in  Baghdad, had changed in 656 AH/1258 AD,  the Iraqi migration  started security and safety, including scholars and writers, in addition to the presence of entire Iraqi families who immigrated to Egypt and resided there, including the family of Al-Hafiz Al-Iraqi The Ibn al-Kwaik family, the subject of the study, had an important impact on the scientific movement in Egypt.

ملخـــص البحــــث

     كان الشيخ محمد عبده مصلحاً دينياً ومصلحاً اجتماعياً وكان له الاثر كبير في الاصلاح لانه لم يكن يدعو الى الاصلاح نظرياً عن طريق  التأليف او الخطب والمقالات فقط كما يفعل بعض المصلحين، بل كان يحاول دائماً ان يحول اصلاحه الى عمل ، ينغمس في الحياة الواقعية ليتمكن من تنفيذ برامجه الاصلاحية .

    كما انه لم يترك شيئاً من جوانب

Personalism emerged in a historical era in which the world, Europe and France were witnessing the end of a civilizational era that extended from the end of the Middle Ages until the beginning of the twentieth century, characterized by being capitalist in structure, liberal in method and bourgeois in values. Personalism came not only as an attempt to respond to a new era witnessing the birth of a new civilization whose features are still vague, but also as a response to the materialistic and existentialist Marxist school, which defined its ultimate goal as remaking the (Renaissance). Personalism originated with the French thinker (Charles Renouvier) in the late nineteenth century, but it did not witness its true revolution until the French

The research tagged (Digital Collage in Contemporary Art) consisted of four chapters. The first chapter was devoted to the methodological framework of the research. The problem ended with the following questions: How does digital collage represent contemporary art? What is the variable at the level of meaning shifts in composing works according to the digital collage? Was the digital collage a qualitative leap in the path of the aesthetic pattern in art? How does digital collage interfere with contemporary life and societies? It included the aim of the research and its importance, while the second chapter dealt with two topics, the first (reading in the concept of collage), and the second (digital collage). The third chapter was devoted

لاتخفى أهمية المادة في العمل النحتي كأحدى عناصر التكوين الفني ولم يكن غائباً في هذا المجال ما تؤديه من دور فعال في التأثير على العمل الفني, ولعلنا نعرف جيداً ان استخدامات مادة معينة تفرض علينا ان نضع في عين الاعتبار صفاتها وخواصها التركيبية, الا أنه لابد أن نعرف ما تمتلكه كل مادة من عطاءات هائلة للفن عامة والنحت خاصة وروافدها التي باتت تتكشف للفنان كل يوم بجديد عن سابقه, ولا سيما تلك المواد الطبيعية التي تملأ