The twentieth century witnessed developments, transformations and artistic revolutions, including what was witnessed in Arab art, especially contemporary Iraqi plastic art, and as a result, research and studies have increased that dealt with its topics in different ways, which has become a presence that gave it its own language and unique discourse, especially the body, thus opening the way for its employment in composition, to become a form. It denotes interpretable meanings through its various formal representations, which are artistic, cultural and cognitive products. The modernity of the Iraqi formation in the body has passed through different roles, so it started to deal with the body as a representation that reflects the real environment as it is without change. Many artists drew people's faces (portraiture) and in different social scenes and nature.
The importance of the research lies in explaining the mechanisms of the representations of the body with its artistic, intellectual and aesthetic manifestations by monitoring its transformations, as it is an important material from the natural, realistic, mythological and symbolic themes that contained it and because it was associated with the interesting human existence. The aim of the research: To identify the representations of the body in the works of the artist Ali Al-Najjar. The limitation of the research: thematically: representations of the body in the drawings of the artist Ali Al-Najjar executed in inks and oil colors. Spatially: Iraq, Sweden, and my time: 1975-2003
As for the theoretical framework, in which the study dealt with three topics: The first topic included the first topic: the conceptual and epistemological root of the body, and the second topic: the body in modern art: The third topic: artist Ali Al-Najjar, experience and style, and the most important indicators of the theoretical framework.
In addition to the research procedures, it included the research community, the research sample, the research tool, the research method, and then analyzing the samples, results and conclusions reached by the researchers, including:
1. The artist used to strip his human bodies in most of his artwork. All of this is done on the desire of the artist to perform it ... based on his own psychological and emotional desires. As in the example (1,2,3).
2. His works carried a psychological content, due to the disease that had coexisted with the artist for a long time. This struggle is in declaring and trying to prove his innocence completely, and as a means of expressing a human concern that always occupies his imagination.
The chemical composition of wastes of pressed grapes and found that the main components of wastes of pressed grapes, represented by the percentage of moisture was 6.47%, and the proportions are 3.71%. Either carbohydrates amounted to 85.77 %, either in fat models using petroleum ether Petroleum ether) was the increase of 0.27%. estimated the percentage of ash in the sampls was 3.78%, either fiber reached 69.47 %,, in addition to the test extracts towards the growth of seven types of bacteria, which included Bacillus subtilis, Bacillus cereus, Bacillus stearothermophilus, Escherishia coli, Staphylococcus aureus, Salmonella typhimurium and Pseudomonas fluorescens and yeast Candida albicans and Kluyveromyces marxianus, ( diffusion method ).
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Is the subject of the financial structure of the most important topics for which she received the interests of scientific research in the field of financial management , as it emerged several theories about choosing a financial structure appropriate for the facility and behavior change funding them , and in spite of that there is no agreement on a specific theory answer various questions in this regard , and a special issue of the financial structure optimization.
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