Artistic formation is an interconnected system of a group of elements and units interconnected with each other in an interwoven fabric, which in turn will be forms with ideas and contents that the artist is keen to convey to the recipient, the formative building includes various types of visual arts, and architecture is in turn a visual art, built from a group Elements and units that show their aesthetic value during the intersection of their building lines and the systems and models of building their external walls, which may be built with a system of incomes and projections or protrusions and pits in their walls, which creates different areas of shade and light during the fall of the sun's rays on them, so their aesthetic value increases, especially what we see in ancient civil buildings, and not We forget the other complementary elements of construction, such as windows, doors, and their construction patterns, and due to the aesthetics of these architectural forms, they became the inspiration for the artists who added the idea of these shapes to plastic works, especially in contemporary Iraqi ceramics, and the artist Tariq Ibrahim is an Iraqi potter who attracted him and aroused his interest in architectural structures, especially houses in clay. And the old heritage houses have always been attracted by their construction material, which is clay, and based on that, the research problem is possible, and the question arises: Next: What are the architectural formations and how did the potter Tariq Ibrahim employ them in his ceramics? The methodological framework included: the importance of research and the need for it, the goal of research, and spatially defined: Iraq. Chronological formations are defined: 1980-2000, and thematically: Architectural formations in the works of potter Tariq Ibrahim.
The theoretical framework contains three topics: The first topic: the concept of training in the plastic arts, the second topic: architecture and art, and the third topic: contemporary Iraqi ceramics and the indicators of the theoretical framework.
The research procedures were: the research community, the research method, the research sample, the research tool, and the sample analysis. He concluded with the results and conclusion), including:
1. Show the shapes and configurations of cities and homes on the surfaces of hard ceramic works with geometric shapes, as in sample (1) and (2).
2. The potter, Tariq Ibrahim, the architectural formations were evident in his ceramic works.
The chapter concluded with recommendations and suggestions, and sources and references.
Abstract
The study aims to identify the levels of core competencies dimensions and types of organizational flexibility in the investigated organization, as well as to determine the nature of the relationship and the impact of core competencies dimensions with the process of organizational flexibility. Thus, a number of research questions were presented to express the research problem as follows:
- What is the level of the investigated individuals' awareness to core competencies and organizational flexibility across their dimensions and types in the investigated organization?
- To what extent are core competencies and organizational flexibility available in the Organiz
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One of the important things provided by fuzzy model is to identify the membership functions. In the fuzzy reliability applications with failure functions of the kind who cares that deals with positive variables .There are many types of membership functions studied by many researchers, including triangular membership function, trapezoidal membership function and bell-shaped membership function. In I research we used beta function. Based on this paper study classical method to obtain estimation fuzzy reliability function for both series and parallel systems.
Education varies in terms of form and content between verbal and abstract education through the delivery of knowledge and enriching experiences through verbal communication and ephemeral learning and based on sensory experiences that provide visual and audio visualizations that make it imperative to install and retain knowledge and experience. It is obvious that meanings And the concepts grow the more tangible sensory experiences that make the process of communication highly efficient, and the more the learner's acquisition of direct sensory experiences, ie the first source is the life situations and normal circumstances of the process of communication, but if these can not be available It is necessary to a
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In spite of the great efforts held by international organizations and foundations to find organizational frames that adopt independence, que
... Show MoreThe aim of this research is to uncover the science processes included in the teacher’s guide to scientific experiments for science books for grades (first-second) for the intermediate stage, The research sample included all the scientific experiments contained in the teacher’s guide for scientific experiments for the intermediate stage, The researcher used the descriptive and analytical method, and designed an analysis tool, The content of science operations, and verified its validity and consistency, and after using percentages and ranks for statistical treatment, the research reached the following results: The number of practical experiments varies from one class to another in the intermediate stage, where the highest percentage ap
... Show MoreThe concept of meaning is one of the most important topics that have occupied the mind of the recipient and critic in all the arts, especially the plastic arts, where we find that the art of contemporary plastic art, in particular sculpture has multiple readings and many critics differed in terms of different reading and views of the same artistic achievement.
This research will identify the different works of contemporary Iraqi sculptors while presenting and studying their works, as well as (studying the problem of meaning) of the artistic achievements of the sculptors in particular. The various parties interested in Iraqi sculpture did not seize the problem of the objective and subjective meaning of contemporary Iraqi sculpture
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