The current research addressed (the manifestations of selfhood and otherness in Indian schools of photography) through studying the concept of selfhood and otherness and their manifestations in Indian miniatures scenes for the period (1625-1790). The researcher, in the first chapter, sought to clarify the research problem, importance, and the need for it, in addition to the objective of the study represented by the following: "how did selfhood and otherness manifest in the Indian schools of photography?". The researcher, then, concluded the aforementioned chapter by defining the terms that have direct relation to the title and the objectives of the research. As for the second chapter, it consists of an overview for the theoretical framework and the indicators. Thus it consists of two sections, the first section addresses the concepts of the selfhood and otherness. The second section addresses the technical characteristics of the Indian schools of photography. The third chapter is dedicated to observing the research community and the tool which included gathering the information. An intentionally chosen sample has been used consisting of (4) photographic works that covered the research limitations by adopting the analytic descriptive approach in order to analyze it according to the axes of the analysis tool adopted by the researcher. As for the fourth chapter, it included the results of the research including:
The Indian photographs addressed the concept of selfhood and achieving it with the presence of the other in another way not limited to the real objective reality, but rather in the subconscious and dreams, that what a person feels and thinks about in his subconscious of buried wishes might be manifested through the dreams to reinforce the achievement of the selfhood with the presence of the otherness, as in the model (2) of the sample. Then the conclusions, through which the possibility of achieving the research objectives by the tool designed by the researcher, including: Selfhood and otherness have manifested in the photographic works of the Indian school of photography, through the expression of what realizes the self through the other in varying proportions, that selfhood was not absolutely represented and neither was the otherness.
Then come the recommendations, suggestions and a list of references and appendices
Non-additive measures and corresponding integrals originally have been introduced by Choquet in 1953 (1) and independently defined by Sugeno in 1974 (2) in order to extend the classical measure by replacing the additivity property to non-additive property. An important feature of non –additive measures and fuzzy integrals is that they can represent the importance of individual information sources and interactions among them. There are many applications of non-additive measures and fuzzy integrals such as image processing, multi-criteria decision making, information fusion, classification, and pattern recognition. This paper presents a mathematical model for discussing an application of non-additive measures and corresp
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Language plays a major role in all aspects of life. Communication is regarded as the most important of these aspects, as language is used on a daily basis by humanity either in written or spoken forms. Language is also regarded as the main factor of exchanging peoples’ cultures and traditions and in handing down these attributes from generation to generation. Thus, language is a fundamental element in identifying peoples’ ideologies and traditions in the past and the present. Despite these facts, the feminist linguists have objections to some of the language structures, demonstrating that language is gender biased to men. That is, language promotes patriarchal values. This pushed towards developing extensive studies to substantiate s
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Through the da
Most of the cinema and television production relies on the use of modern digital technologies, which today become the as ideal as the artistic expressive style that sends aesthetic values through the use of electronic elements of the language of cinema and television to achieve aesthetic dazzling, and design the digital production for the purpose of persuasion, as well as the use of digital effects and graphics to activate the aesthetic pleasure. The research tries to subject all these aspetcs to study and apply them to a modern sample in order to get the results that confirm this technical and artistic aesthetic synergy that leads to the emergence of a cinema and television achievement the leas
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