Most of the propositions and researches that dealt with fashions in the Middle East, specifically this region from the world, from a historical perspective have not been sufficient, and were characterized by many aspects of immature thinking, in addition, they have been varied in quality. This can be attributed to many factors including: the focus in the field of researches and Middle East studies is on languages, arts, history, and political thinking of the region. Other factors are the information asymmetry, the differences in sources and references, in addition to differences in the scientific value of these sources added to the difficulty of gathering them at the same time especially that these sources are scattered in many places whether in the literary and non-literary texts written with many Middle Eastern languages.
Starting from this standpoint, this study seeks to address the topic of hijab and burqa from the Islamic perspective from a historical analytical viewpoint and their influence in the Islamic fashion system and their development over successive historical periods within certain geographical frameworks, as they are part of the Islamic dress code, let alone being influenced by social, religious, aesthetic, economic and political levels according to the reflection standards on the spirit of the society over the years, based on a group of Islamic documents, manuscripts drawings and paintings, in addition to some important documents about Arab clothes and fashions in the manuscripts, paintings and ornamental pictures, as well as the illustrations in the Arab books that date back to the period between 5thc. and 20th c.
From this standpoint, this study seeks to address the topic of the “AL- Burqaa” and the veil in the Islamic perspective, from a historical and analytical point of view, and its impact on the Islamic system and its development through successive historical periods in certain geographical frameworks, as part of the Islamic clothing system, as well as its influence on social, or religious levels , Or aesthetic, economic and political, according to the criteria of reflection on the spirit of society over the years. Depending on a set of documents, manuscripts, drawings, and Islamic paintings, as well as some important data on Arab clothing and fashion in manuscripts, paintings, and decorative pictures, and illustrations found in Arabic books dating back to the period between the fifth century and the twentieth century AD. Among urban and rural residents, or in different societies and social groups, whether Arabs or Muslims.
Vatan ve hürriyet aşkının ilk ve en Kuvvetli örneklerinden Türkmen topraklarında yetişen yüzlerce Şairlerden biri Hıdır Lütfü’dür. Düşmana yar, öz evladına ağyar, yumuşak tabiatlı, yardımı ve milletini seven bir insandır. Şairin duygusu her dem yükseklere yücelirdi. O bilgili bir şair olduğu için şiirinde türlü türlü bilgi ile ögütleri arkasında bırakmamış onun duygusu bir bulak gibi her dem durmadan coşardı.
Onun en çok sevdiği varlıklar yurdu ile ulusuydı, ve tek acısı onların ilerleme ile yükselemesi içın bir haykırıydı.
Şair her zaman yurdunun ufukunda dolaşıp ulusunun bugünkü ve geleck torunları için yanıklı duyguları ile bir yol gosterıci gibi olmuştur.
بعض الملاحظات على القانون رقم 35 لسنة 2007 قانون العمل الصحفي في كوردستان
الانسحاب الاجتماعي بغض النظر عن العوامل المسببة له قابل للعلاج حيث وضحت البحوث العلمية إمكانية الحد منه باستخدام أساليب تعديل السلوك .
وهو نمط سلوكي شائع لدى معظم الفئات ان لم يكن كل فئات الاعاقة ،وينتج هذا النمط السلوكي الانسحاب الاجتماعي عن عوامل عدة فاذا الطفل يعاني من تلف في الجهاز العصبي المركزي فان هذا التلف قد يحول دون قيام الطفل بالنشاطات المطلوبة للعلاج. توضح البحوث العلمية ام
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In the subject area (participation and tandem), the study showed the views of Mr. Sadr in this field when researching first: the issue of the necessity of these two phenomena in the language that some imams of the language and principles called for to discuss and respond to, and