The popular Kurdish songs and games for children are among the simplest types that can be close to the child’s interest, because we estimate that this segment is limited by its meanings and goals charged with competition and the fall of its innate biological energies, in the early years of the stages of development and growth of human mental, psychological, and muscular skills, Passionate about knowing and discovering the general decree of life, and getting acquainted with the logical rulings that surround his new law, but instinctively it approaches everything that is simple in terms of understanding and palatability, as these games and songs are simple and easy in their melodic elements and elegance Conscious and kinetic are acceptable and proportionate to their tastes and moods in expressing inclinations and varying abilities among them, that this compatibility between the song, the game and the child is of great importance that changes the child's skill capabilities, and helps to bring happiness, joy, participation and love of differentiation Cooperation, uniqueness, and collective response to the importance of this topic. The researcher discussed the scientific methodology in formulating her study, as it included four chapters, which included the first chapter, the methodological framework of the research, represented by the problem, importance and purpose of the research. In the second chapter, the theoretical framework represented by the following topics: (The concept of songs and popular games, and the Kurdish heritage within the reality of songs and popular games for the child). The third chapter included research methodology and model analysis.
After completion of the artistic production, the artist plays the echo of this production upon the recipient. Whether this recipient is from the public, art connoisseurs, or private artists, critics and academics. In the past, the boundaries of Time and place had a great effect in limiting this echo or its quality, as the views of the recipients were largely influenced by the prevailing thought or the artistic trends that dominate the artistic scene in the surrounding environment in which the artist created. In order for the artist to show works for the widest segment of the recipient, he bears the burden of the costs of transporting the work, a keeper of damage on the move, and the material amounts that may hinder the publication of the
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