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Abstraction between the Symbol and the Code in the Artistic Painting: سحر عبد الكاظم غانم
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Abstraction showed a case of distinction between art schools, in which reality was reduced using overlapping artistic elements and techniques to reach the artist's self-realization when abstracting the reality, and searching for implicit implications for the content of the artistic painting.

Building a system of relations and formulations between abstracting the reality of the physical forms and employing the symbols and codes to convey a message to the recipient who interacts with what he watches through the processes of explanation, interpretation, and linking the particles and reveal the pure aesthetics for the artwork.

Thus the current research deals with the following chapters and sections: the methodological framework consists of the research problem formulated in the following question: what are the ways of revealing the abstract art between the symbol and the code in the artistic painting?  It also included the importance of the research and the need for it in addition to the research objective.  It included the disclosure of the abstraction between the symbol and the code in the artistic painting in addition to the research limits and specification of terms.

The theoretical framework dealt with the following sections: the first section: abstraction of the artistic painting. The second section: the symbol- the code in artistic terms. The research, at the end of the chapter, came up with the indicators of the theoretical framework.

The research procedures included: research method: the researcher used the descriptive analytical approach. The research tool. Analysis unit. Research sample which was The Algerian artist (Muhammed Khuda), the Russian Artist Kandinsky and the Iraqi artist Sattar Luqman. Then the samples of the research have been analyzed. 

The results and the conclusions include:

  • Abstraction revealed a connection and interaction in the construction of the existing relationship between abstraction and symbols and codes when manifesting the abstract reality and presenting it in a new vision and style. That has been clearly manifested in the samples (1, 2).

Recommendations and suggestions have been set and at the end the most important Arabic sources and the translation used by the researcher have also been written down.

Keywords: abstraction, symbol, painting

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Publication Date
Mon Aug 30 2021
Journal Name
مجلة الجامعة العراقية
Contracts in light of the Corona pandemic between the emergency circumstance and force majeure
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Tue Nov 11 2025
Journal Name
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Publication Date
Wed Sep 28 2022
Journal Name
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Wed Dec 06 2023
Journal Name
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Artistic Signature's Aesthetic Consistency and Differentiation in Arabic Calligraphy
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Publication Date
Fri Feb 08 2019
Journal Name
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Online Sumarians Cuneiform Detection Based on Symbol Structural Vector Algorithm
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The cuneiform images need many processes in order to know their contents
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image. The Vector used for classifying the symbol called symbol structural vector
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The experimental tests show insome numbersand various relevancy including
various drawings in online method. The results are high accuracy in this research,
and methods and algorithms programmed using a visual basic 6.0. In this research
more than one method was applied to extract information from the digital images
of cuneiform tablets, in order to identify most of signs of Sumerian cuneiform.

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Publication Date
Fri Sep 30 2022
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Wed Dec 14 2022
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Publication Date
Thu Jun 01 2017
Journal Name
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The rights of orphans in the Old Testament and Islam, a Comparative Study
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Allah Almighty has aggrandized the position of orphans and elevated their status in the society and has given the graces for those who sponsor the orphan and care for and protecting them, even those who rub their heads. The divine care is manifested in the verses of the Holy Bible and the Holy Quran. Therefore, the whole world cared for the orphan, and called for the rights of the orphans in the conferences and the channels. But all that was little effort that does not meet what the orphan need and some were only ink on paper that were not applied. All that mentioned above is necessary in dealing with the study (the rights of orphans in the Old Testament and Islam, a Comparative Study). The study was divided into a Preface and four inquirie

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