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Creeds in Assyrian Sculpture: جبــــــــــار محمـــــــــــــود حسين العــــــبيدي-حسام عبد الخالق عثمان الطائي
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The research covered Creeds in Assyrian Sculpture

 (Assyrian Sculptures) The ability of the Assyrian sculptor to

 contrast these creeds and tendon in Assyrian sculpture, in various variations, including prominent and stereotypical plaques and winged bulls, in addition to the obelisks and hunting scenes of the Lionسion hunting scenes of the black                                                                                      s .

The second chapter under the title of the beliefs and their reflection in the Assyrian sculpture, in which eight models were called according to the inductive method of analysis, to reveal the basic tenets of Assyrian thought And reflected in those selected models

While the third chapter came with a set of results, the most important of which are:

 1 / The sculptor inherited and employed the old Iraqi style in the formation of sculptural images.

 2 // The Assyrian sculptor emphasized the conceptual structure of the Assyrian thought in Assyria.

 3 // The Assyrian sculptor emphasized the symbolic and futuristic thought of winged bulls.

 4 // The sculptures dealt with the question of confirming the power and strength of the king and the power of his empire and the translation of his victories.

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The orient culture and heritage has directly influenced ,in a way or another , the literary works which recently have been noted by the oriental  Jews inside and outside of Israel. Several Jewish writers, who came from the orient  (especially from Iran ), have written their works while influenced by traditions and customs of the Iranian society, in which they were born , lived , and raised, and by the writers who were born in that society and then moved to Israel and lived there as a result of the Zionism and its notorious promises to gather Jewish people from all over the world to establish their national home at the expense of the Palestinian   land and people.

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