The present research studies numbers and its uses in the Islamic ornament. The study consists of four chapters; the first is dedicated to the problem of the research, the value of the study, and the aim of the study, and its limit. The problem of the study deals with the uses of numbers in Islamic ornament and how these numbers were used for aesthetic purposes. What are the analytical bases that enable us to read the geometrical compositions ornament numerically? The value of the research is the study forms an analytical and visual study of the numbers in the Islamic ornamentation. Additionally, this study is an aesthetic assessment to the philosophy of the number and its uses in Islamic architecture. The study is limited to the ornamentations of Al-Abbass Holy Shrine during the priod (1980- 2015). The second chapter combines the theoretical part, which studies the numbers in the Holy Quran, the geometrical compositions and their uses in the ornamentations. The third chapter is dedicated to the practical part, which discusses the population of the study, which consists of 25 ornamentation compositions, and the sample of the study consists of 5 samples. It also mentions the the reliability and the validity of the study. The fourth chapter comprises the results, conclusions, and the recommendations and suggestions. the conclusions are:1.The value of number 1 is the origin of all the numbers because number 1 is associated with God. 2.The geometry of the of the ornaments are related to nonrepresentation the shape of the star for example is related to the circle. The origin of the circle is square and the origin of the square is the right angle triangle, which is the origin of all shapes. Search and adopted a set of recommendations and proposals, the list of sources and supplements.Key words: (Islamic ornamentation, number and Achtgalath, Al-Abbass Holy Shrine)
This study takes its importance in the area of systemic and historical
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... Show MoreThis research deals with one scene from the movie Romeo and Juliet, which is the balcony scene, due to the importance of this scene in the formation of the construction of the subsequent events of the movie.
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... Show MorePraise be to God, Lord of the Worlds, and prayers and peace be upon the most honorable of creation, Muhammad, whom God sent as a mercy to the worlds, and his pure God and his faithful companions. The Islamic heritage was replete with texts issued from among the pure infallibility, which constituted a prominent teacher that takes the student to stop there in search of its goals, purposes and beauty. The choice was made from those texts that were issued by the imams of Muslims in the Abbasid era, namely Imam Muhammad al-Jawad, his son Imam Ali al-Hadi and his grandson Imam Hassan Zaki al-Askari. (Peace be upon them), and scholars have called them (sons of satisfaction), and researchers have shed light on these texts from rhetorical, artistic
... Show Moreوظَّفَ الشاعرُ مجد الدين النُّشَّابي الصورة الاستعارية التي شكلت سمةً جمالية بارزة من سماتِ التشكيل الشعري عنده, وأحد المكونات الأساسية في بنية قصائده الشعرية وهي جوهر الإبداع ومحط التذوق عند المتلقي, إذ يشكل الشاعر صوره الاستعارية المتنوعة متولدة من خياله وعواطفه ومتوافقة مع الموضوع لتصبح الصورة الاستعارية ركنًّا من أركان التشكيل الفني الشعري عند الشاعر .
والتصوير الاستعاري له القدرة بالتشكيل ا
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