The current study deals with one of the ancient and modern techniques of ceramic art, which has evolved dramatically. This technique is interested in the muddy Body and its coloring, rather than interesting in the coloring of the layer on the surface of the glass port on the ceramic object. It is classified as ceramic techniques of the single heartburn, where use many coloring oxides. As well as, the use of (Pigment), which is often made of metal compounds, or metal oxides such as iron and manganese, copper and cobalt and more others.
The first chapter includes the problem, the importance, the goal, and the boundaries of the study. In addition, focuses on determining the terms such as (Sgrafitto). The second chapter consists of two topics, history of the Sgrafitto, and the Sgrafitto’s technique. Additionally, the chapter indicates the theoretical framework. The third chapter, includes the study Procedures, research methodology, the samples and the analysis of the study samples, which consisted of three models of three well-known potters in America; Martin O. Quintana –Sylvian Meschia-Tim Christensen. Finally, in the fourth chapter, the results of the study are listed. The most significant are:
The Sgrafitto is a technique that based on the own visions of the potter himself, as it relates to the activities of thinking, feeling and perception. Artist is gaining a tremendous amount of information and experiences through the design and implementation of experimentation, if we take into consideration that this technique depends mainly on the talent and the ability to create and innovate.
The dominant element in the structure of the artwork is the (color), as it is one of the means of expression of the feelings and emotions of the artist. He holds the visions and prospects between reality, art, and the environment, which associated color and Material harmonically in the first place. This is what the artist is looking for and looking to achieve. In addition, this increases the importance of the role of color in the main executing various works by the technology of Sgrafitto
The aesthetic and technical expertise help in producing the artistic work and achieving results in aesthetic formulations that reflect the aesthetic and expressive dimensions and the reflective dimensions of the pottery, surpassing its traditions, asserting its active presence in life, cherishing it even when it breaks or get damaged by employing techniques that are originated from the Japanese environment.
The research problem is to study how ( Kintsugi) technique and similar techniques are used to create new rebirths of pottery piec
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. The concepts of structural flexibility became one of the important goals in the design phases to reach high performance in architecture. The pioneering projects and ideas that linked architecture with technologies and scientific innovations appeared, with the aim of reaching projects that mix the concepts of flexibility with the development of machine thought and modern technology to meet the functional, environmental, and aesthetic requirements for human wellbeing. The aim of this paper is to identify the mechanisms used in order to reach flexible structural systems capable of accommodating technological changes and developments. The research hypothesizes that the structural design according to the concepts of flexibility achieves high s
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Although the rapid development in reverse engineering techniques, 3D laser scanners can be considered the modern technology used to digitize the 3D objects, but some troubles may be associate this process due to the environmental noises and limitation of the used scanners. So, in the present paper a data pre-processing algorithm has been proposed to obtain the necessary geometric features and mathematical representation of scanned object from its point cloud which obtained using 3D laser scanner (Matter and Form) through isolating the noised points. The proposed algorithm based on continuous calculations of chord angle between each adjacent pair of points in point cloud. A MATLAB program has been built t
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Is constitute an objective treatment of the Academy of artistic representations of a phenomenon in the for
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