The study tagged ( the intellectual implications of the realistic Fine works of art) is a scientific effort to detect modest intellectual and artistic dimensions of the artwork realistic plastic , through some selected artistic productions of the painted work of art of the Iranian artist Ayman al - Maliki , with the result that the researcher collects materials to serve the scientific research topic which comes in three chapters.
First chapter included the general framework of the research (the promise of the research problem and its significance, objectives and limits and some of the terms contained therein).
Second chapter of this research was specified to the theoretical framework which included some of the topics that are directly related to the subject of the search, Has dealt a researcher at the first axis thereof subject (content in the artwork) as a component intellectually and psychologically important is established from which the general meaning of the product of technical plastic, Second axis has included the subject (reference the intellectual work of art), in terms of the mental images printed our the advantage of being able to be reflected on each other to ride new and different ideas through the process of thinking, including the operations are of intellectual perception within the human imagination, on the grounds that the imagination is expressed passes through it who wants to explain the creative process, through the third axis the researcher explained the concept of realism in art , which constitutes the basic building block for the main title search , with all the intake of the concepts and uses realistic because from the very beginning was the driving force in the evolution of art, through the fourth axis researcher (stylistic Artist Ayman al-Maliki ) with a brief autobiography .
Chapter three contained the research procedures, including the contents of the (community of search and selection of samples and search tool, tool building and sincerity, and then analyze the samples). Finally, specifically in the (fourth quarter) of this research has been reached to search results through the analysis of the samples and in the light of what has been determined goals. The most important of which was:
- Were not in the use of classical realism in fine art paintings aesthetic purposes, but there are ideological purposes (graphical) were sentimental or self- belonging to the terms of reference of the artist himself.
- The realistic approach in the implementation of works of art is the closest (Aware) for the recipient because it contributes effectively to build bridges of communication between him and the intellectual artist.
- it is often realized aesthetic goals of the work of art through the ease of understanding of intellectual contents receiver expressive away from the complexities of the amounts by some modern and contemporary artists.
- If the use of artistic touches technically to Fine art painting (realism) Added aesthetic values that will elevate it to the level of creativity.
- The method of photography in painting (realistic) is a concept that addresses optical image to molecules provided by the expressive value of art and aesthetic. Which is not quoting a reproduction of an abstract image for mere beauty, but beauty is meaningless.
Although cinema is moving towards art, it has dealt with the character since the beginning of the discovery of cinematic art in films such as (Doctor Caligari's cabin) and most German expressive films in the third decade of the twentieth century, but the interest of cinema is growing in the estranged human personality, meaning that this character It lives by its alienation from the environment and society that surrounds it, because our present days have witnessed on the material and moral level more social breakdowns such as wars and disasters, and the sharp contradiction in the social and economic level of people themselves or between different societies, or between the individual and his community, and new social relations have increas
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Because of the diverse circumstances in Andalusia, the Jews lost much of the atmosphere of freedom and coexistence, which they enjoyed under Islamic rule there, to leave more Jews in the sixth century AH, under Spanish rule abolishing the existence of the other. And to impose his negativity with unjust domination. What motivated the people of Judaism; to turn their faces on the Islamic East; according to the coexistence climates that glorified various religions. It has emerged in this regard Benjamin Title (d. 685 e), who made a long journey to the east, recorded in the texts of the traveler, what will be shown research, God willing.
Those human societies, which based on pluralism and cultural diversity, can be handled with completely consciously، when converting the contradiction to integration and the collision to coexistence and the transition from intolerance to tolerance. This diversity in communities make individuals differ acconding to the following:
1- The requirements of human nature.
The intellectual and revolutionary movements that have emerged since the beginning of the second half of the first century of the Islamic era did not appear suddenly, but must have preceded by a social consciousness, multi-forms, in the forefront of class awareness and religious awareness, and awareness was more painful, Of the society of the Arabian Peninsula - before Islam - feel it and suffer from it, a sense of injustice and tyranny, oppression and humiliation, and the destruction of dignity as well as poverty and hunger, and the injustice of tribal laws, and tyranny of each other and the tyranny of their heads on the tribes members and families belonging to this tribe or hill