The research tagged with the controversy of aesthetic interpretation between the sculptures and their titles in contemporary Iraqi sculpture, “Exhibition of Experiments in Contemporary Iraqi Sculpture as a Model”, and it is one of the new research that contributes to strengthening the critical path in the Iraqi fine movement, as the first chapter dealt with the research problem stemming from the question: What is the impact of the aesthetic hermeneutic controversy between the title and the title in contemporary Iraqi sculpture?, and do the titles of the sculptural works help to understand or enhance their contents?, The research objective included: To identify the controversy of the aesthetic interpretation of sculptures and their titles in contemporary Iraqi sculpture, and the importance of the research was born from the importance of The topic is considered one of the new researches that were not previously researched, as well as being a qualitative addition to the scientific curricula in the field of aesthetic interpretation. The research was determined by objective limits restricted by the concept of(title) and(the title) , and the aesthetic hermeneutic dialectic between them. And with spatial limits: the sculptures displayed in the exhibition 3 X 6, entitled(Experiments in Contemporary Iraqi Sculpture) , at the Akad Art Gallery. Sculptors Reda Farhan, Haitham Hassan, and Najm al-Qaisi. And the time limits in 2022. Then came the definition of the terminology of the concept of the title
As for the second chapter, it included: the theoretical framework of the research and it has three sections. The first was devoted to studying the topic of the concept of address and its importance, and the second dealt with the topic of types of addresses, while the third included the topic of address functions. As for the third chapter: the procedural framework for the research, it included the research community: the artworks that were presented in the exhibition, and the research sample that was intentionally chosen in proportion to the research objectives, and amounted to three artworks for each sculptor. The researchers relied on observation and indicators in analyzing the sample models using the descriptive analytical approach.
1. All artworks in the research community have titles, except for six artworks without titles by artist Reda Alwan, due to the clarity of their visual contents.
2. Most of the artworks were made in bronze, except for the works of the sculptor Haitham Hassan, which are made of multiple materials such as wood, glass and bronze, so that this diversity is compatible with the parallel text(the title).
3. All samples of the sample employed clear and uncomplicated contents visually, to make it easier for the recipient to interpret these aesthetic contents, except for the works of the artist Najm al-Qaisi, which included a contrast between the title and the title.
Abstract:
There is a close relationship between rigidity and distort structure of production and productivity and inflation rates. The effects of this relationship are distorted the contribution rate of the productive sectors and the disproportionate of exchange rate in foreign trade.
raising the general level of prices is one of the way that have been used by previous governments (inflationary financing or deficit financing) in order to speed up the process of capital formation, depending on the availability of economic resources idle.
The fabricating inflation for development does not represent a true understanding of the nature of the
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The motive for the study of the subject of the Iraqi Museum upbringing and development until 1963 , we did not find a study documented by the independent research except for studies that are specialized to study the ancient history of Iraq and its effects was the outcome of efforts exploration missions archaeological that stretched across decades o
The Fountain of poetry Canot be suddenly flow or flood from emptiness. but it is streams and motives drive it to move . Forward tat Calmness and latent in depth of poet ,and try to Chang it in to high wives , go in to details inside the seas of poetry ,to sail threw it on the ships of poetry in creative styel to reach to the point from imaginary meaning , so every poet has direction to competein poetry poetsin Lament of Imam Hussain, There versification of poetry didn’t come from emptiness , but there was clashes motive them threw Calling the personality of Imam Hussain to learn lesson in avery beautiful and greative styel ,to be the expression poem from many sides in the personality of Imam Hussain from that events and facts that happ
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