The research tagged with the controversy of aesthetic interpretation between the sculptures and their titles in contemporary Iraqi sculpture, “Exhibition of Experiments in Contemporary Iraqi Sculpture as a Model”, and it is one of the new research that contributes to strengthening the critical path in the Iraqi fine movement, as the first chapter dealt with the research problem stemming from the question: What is the impact of the aesthetic hermeneutic controversy between the title and the title in contemporary Iraqi sculpture?, and do the titles of the sculptural works help to understand or enhance their contents?, The research objective included: To identify the controversy of the aesthetic interpretation of sculptures and their titles in contemporary Iraqi sculpture, and the importance of the research was born from the importance of The topic is considered one of the new researches that were not previously researched, as well as being a qualitative addition to the scientific curricula in the field of aesthetic interpretation. The research was determined by objective limits restricted by the concept of(title) and(the title) , and the aesthetic hermeneutic dialectic between them. And with spatial limits: the sculptures displayed in the exhibition 3 X 6, entitled(Experiments in Contemporary Iraqi Sculpture) , at the Akad Art Gallery. Sculptors Reda Farhan, Haitham Hassan, and Najm al-Qaisi. And the time limits in 2022. Then came the definition of the terminology of the concept of the title
As for the second chapter, it included: the theoretical framework of the research and it has three sections. The first was devoted to studying the topic of the concept of address and its importance, and the second dealt with the topic of types of addresses, while the third included the topic of address functions. As for the third chapter: the procedural framework for the research, it included the research community: the artworks that were presented in the exhibition, and the research sample that was intentionally chosen in proportion to the research objectives, and amounted to three artworks for each sculptor. The researchers relied on observation and indicators in analyzing the sample models using the descriptive analytical approach.
1. All artworks in the research community have titles, except for six artworks without titles by artist Reda Alwan, due to the clarity of their visual contents.
2. Most of the artworks were made in bronze, except for the works of the sculptor Haitham Hassan, which are made of multiple materials such as wood, glass and bronze, so that this diversity is compatible with the parallel text(the title).
3. All samples of the sample employed clear and uncomplicated contents visually, to make it easier for the recipient to interpret these aesthetic contents, except for the works of the artist Najm al-Qaisi, which included a contrast between the title and the title.
The simulation is the oldest theory in art, since it appeared in the Greek aesthetic thought of the philosopher Plato, as we find in many of the thinkers and philosophers over a wide period of time to reach our world today. Our fascination with art in general and design art in particular is due to the creativity and innovations of the artist through the simulation, as well as the peculiarities in this simulation, which give objects signs and signals that may have an echo that sometimes does not exist in their physical reality.
The real representation of life and design construction, descriptions of the expression of each of them in the form of intellectual construction and the ideas of producti
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The first chapter includes the problem, the importance, the goal, and the boundaries of the study. In addition, focuses on determining the terms such as (Sgrafitto). The second chapter consists of two to
The Iraqi outfit is characterized by special features and identity that are closely related to the traditions, customs, religious and social beliefs and other references of the Iraqi environment and its factors affecting the individual and society. Every place in Iraq has its own uniform, which differs in terms of its artistic, aesthetic and functional components from place to place.
The abaya, especially worn by women, is especially distinct in terms of the design of the uniform, the nature of the cloth made of it, as well as the color of the abaya, which is dominated by black in most designs. The Dar Al-Taros Center and Textile Research initiated the construction of theoretical and practical bases in the design of contemporary
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1- Postmodernism produced intellectual appr
This study aimed to knowledge of the effects of the Traditional ore upon the structure of sculpture form, as well as to knowledge of new materials that was used for the contemporary sculpture. This study included four chapter: first chapter was specialized for methodical frame. such as problem of research. that it was abstracted by question about the reason that lead the sculptor to search from new raw to carry out his sculpture works? As well as the important of research and its limits was that define between year 1950 up to 2000. The second chapter included the theoretical field and previous studies, that formed from three researches, such as the fist about the materials, as it was considered master element at the sculpture formal. the
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Browse Iraqi academic journals and research papers
The theatrical view reflects various connotations and intellectual and aesthetic implications, as the view includes a symbolic geometric, architectural and archetypal connotation suggestive of reality and nature, as theatrical art is the woman that reflects reality, specifically the significance of the theatrical view that reveals to us the philosophical, aesthetic and cognitive dimensions of theatrical trends, so the research came with the methodological framework, which It included the research problem (what is the significance of the scene as a symbolic system in the Iraqi theatrical performance), the importance of the research and the need for it, the research objective, the limits of the research and the most important terms.
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