Abstract:
Thanks for people's God who brought the great book, prays and peace for
his prophet "Mohammad" the master of missioners to all people.
Allah created human being in it's best way and give him a soul thus ,
he will be a human with faith that has movement and life and the centre of his
soul is the sense which differentiate human from other animals. This
sensation generated from different senses that made the soul.
God had given him a protected heart, talkative tounge and clear seeing
to understand with consideration, so he will prevent himself of falling in wrong
by thinking and situation that he will pass by.
The significance and probability of sensation had talken our attention in
Qur'an . Hence , it's considered to be our subject in this research, and to find
different meaning for each utterance or sensation in the great Qur'an
according to the sources of usage whether it is a true or probable meaning
and each of them might have more than twenty or less meaning.
They stated that this phenomena of significant pronunaction, which
reveals differentiation and richness of the great Qur'an characteristics and
miracle in it appearance of miracle in it.
The leader of this section of understanding for the words and
understanding for the words and their meaning in AL-Qur'an was the Imam
"Ali bin Abu Talib" (greet on him) through him people recognize, in more than
one way, that AL-Qur'an has many sides or different meaning for each
expression.
Paul Auster's City of Glass is here singled out as representative of the writer's The New
York Trilogy. All throughout his novelistic career, Auster has been working on a pseudothesis
that adheres to a certain aesthetic of disappearance. The study engages this Austerian
aesthetic apropos of certain theoretical stretches such as the Emersonian "Not Me", the
Thoreauvian "interval" or "nowhere", the Deleuzian "nomadic trajectory", the Derridian
"grammè" or "specter", and the Baudrillardian "disappearance". The city of the novel's titling
is here seen as the trope of all that which has already disappeared, and hence it is seen as the
space (mise en scène) where the perfect crime of the murder of the real is to be thoro
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