Abstract:
Thanks for people's God who brought the great book, prays and peace for
his prophet "Mohammad" the master of missioners to all people.
Allah created human being in it's best way and give him a soul thus ,
he will be a human with faith that has movement and life and the centre of his
soul is the sense which differentiate human from other animals. This
sensation generated from different senses that made the soul.
God had given him a protected heart, talkative tounge and clear seeing
to understand with consideration, so he will prevent himself of falling in wrong
by thinking and situation that he will pass by.
The significance and probability of sensation had talken our attention in
Qur'an . Hence , it's considered to be our subject in this research, and to find
different meaning for each utterance or sensation in the great Qur'an
according to the sources of usage whether it is a true or probable meaning
and each of them might have more than twenty or less meaning.
They stated that this phenomena of significant pronunaction, which
reveals differentiation and richness of the great Qur'an characteristics and
miracle in it appearance of miracle in it.
The leader of this section of understanding for the words and
understanding for the words and their meaning in AL-Qur'an was the Imam
"Ali bin Abu Talib" (greet on him) through him people recognize, in more than
one way, that AL-Qur'an has many sides or different meaning for each
expression.
The expressive discourse, in the form of the rural singing, is considered one of the interactive framework and the metaphorical dialogues in creating the aesthetic climate that connects the circles of its basic elements, singing, playing music, expression, costumes, sham movements and so forth.
The rhetorical language in this field includes all those parts and turns them into an integrated idea within the culture of the musical science, specifically the heart of the rural singing. This research dealt with a number of topics of relevance in the expressive discourse for the form of the rural singing. The first chapter consists of the methodological framework of the research, represented by the r
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