This study is concerned with revealing the semiotics of thresholds, and its role in building textual coherence at the form and semantic level in Sunset Garden Diwan of the Saudi poet Ghazi Al-Qasaibi. This research aims to spotlight on the semiotic theme of the title threshold and its relation to other thresholds. As the death phenomenon and absence dominated the poetic achievement space through intertwined semiotic relationships that lead to each other through the parallel text semiotics.This study is based on the semiotic method which concerns with searching for the interpretive connotations and revealing the profound symbols in the threshold structure and its role in the whole formation of the Diwan. Among the most prominent conclusions for this study is that; AlQasaibi was concerned with the thresholds poetics in his book Sunset Garden and he was able to transfer the meaning of thresholds from the margin to the centre when he revealed the significance of the symbols and connotations of the thresholds in the Diwan, which contributed to the space and coherence of the text.It also balanced between the centrality of receiving. Moreover, the poetic thresholds and their semiotic symbols contributed to the manifestation of the Diwan purposes and its contents, forming a unified texture starting with the front cover and ending with the back cover of the Diwan. The semiotic analysis of the poetic threshold in Sunset Garden Diwan showedAlQasaibi special vision of death and absence merged with nostalgia, eulogy and reconciliation with the concept and reality of death. The title also represents the first thresholds of the text that cannot be crossed.That is because it has the codes and symbols that help the reader and recipient to introspect the entire work.
Due to the importance of the word and because it is the basic building block from which speech is formed, it has become the subject of the attention of many scholars, ancient and modern, especially the Qur’anic vocabulary, which scholars dealt with in various branches of the Arabic language
Arabic humanity heritage had considered as a treasure of artistic, literary aspects, which is full of energies to embody investment by suitable historical ideology.
Theatre, art can be used, corresponded to make special essay reflecting a desire to establish cultural notification.
It is axiomatical that the narrative prospective is profoundly significant to the writer who intends to commence his sketch of projected novel. It is the pillar of comprehensive absorbing as the writer should commit himself to circular his own concepts to the reader of his narrative characters.
The dilemma of plot-perception is a twofold aspect; partly offers the question: what is the authors stand in regard to his characters? And: what is the aim of this theme? These correlative questions are inseparable since the reader who wishes
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