This study analyzes the stylistic features of euphemisms in feminist discourse, based on material from the contemporary Russian press of the period (2015–2025). The central issue lies in how the linguistic devices used to soften the harshness and confrontation in discourse contribute to shaping a distinct feminine communicative style within media discourse, where the context necessitates combining the expression of the author\\'s position with maintaining a harmonious interaction with the wider audience. This study aims to uncover and classify the stylistic mechanisms of euphemism at the lexical-grammatical, syntactic, and pragmatic levels, as well as to determine its role in constructing gendered linguistic behavior. The research findings revealed that women\\'s journalistic discourse is characterized by the prevalence of strategies oriented towards linguistic refinement, empathy, and dialogism. This is evident in the frequent use of input indicators that suggest ambiguity and uncertainty, particles of emotional affinity, euphemisms, interrogative and conditional structures, balanced agreement formulas, and expressions of solidarity and collective identity. These devices not only reduce the potential threat to the recipient\\'s \\"image\\" but also contribute to building a communicative tone based on trust, emotional engagement, and the formation of a positive image of the writer. The study\\'s results indicate the growing socio-organizational function of euphemisms in media discourse as an indicator of women\\'s communicative style, reflecting cultural expectations associated with tact and harmony in interpersonal relationships. The importance of this research lies in providing a comprehensive description of the pragmatic and figurative effects of euphemisms in contemporary women\\'s journalistic discourse in recent years, thus enabling a deeper understanding of the dynamics of gender-related stylistics in modern public communication.
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قدمت الدراسات النقدية الحديثة للشعرية مفهومين،ينص الاول على ان الشعرية هي علم الادب او نظرية الادب التي تهدف الى((معرفة القوانين العامة التي تنظم ولادة كل عمل.. وهي تبحث عن هذه القوانين داخل الأدب ذاته))( ).وفي هذا المفهوم بعث لشعرية ارسطو كما يرى تودورف.اما الثاني فيرى ان البحث فيها،اي في الشعرية،داخل النص الادبي هو(( استنطاق الخصائص المجردة التي تصنع فرادة الحدث الادبي اي الأدبية))( ).ولا يعني تحديد هذين المفه
... Show MoreThis study is dedicated to one of the most difficult topics in Russian - this is the science of idioms. A feature of the Russian speech application in recent decades has been the effective change in the lexical composition of the Russian language. This article illustrates the semantic, grammatical and stylistic structural characteristics of the linguistic units that appeared in Russian at the end of the 20th century - the beginning of the twenty-first century. This work defines these terms : terminology, linguistic unity, and terms that are used as synonyms. In this research , we will adhere to the conciliatory view of the problem and include not only the terminology in the language units, but also the terminological compositions, saying
... Show MoreThe article is devoted to the Russian-Arabic translation, a particular theory of which has not been developed in domestic translation studies to the extent that the mechanisms of translation from and into European languages are described. In this regard, as well as with the growing volumes of Russian-Arabic translation, the issues of this private theory of translation require significant additions and new approaches. The authors set the task of determining the means of translation (cognitive and mental operations and language transformations) that contribute to the achievement of the most equivalent correspondences of such typologically different languages as Russian and Arabic. The work summarizes and analyzes the accumulated exper
... Show Moreالتحولات الاسلوبية في أعمال الخزاف فالنتينوس كارا لامبوس
This article discusses a discussion of trends and patterns of understanding and application of the concept of metaphor to various subjects that may interfere with the perspective of metaphors in translation theory, an attempt was made to use the principles and characteristics of metaphors and their fundamental tradition in translation theory, and to uncover the perspective of considering metaphor as a conceptual process. presenting its merits, since it is still considered an eccentric expression of linguistics.
Our search is composed from a general introduction dealing with the legal translator definition and then the most important features of the legal text, followed by seven Glossaries concerned with the diagnosis of some of the most important errors of translation from Arabic to Russian and vice versa and the development of treatments and tools needed by the interpreter to give the exact equivalent of the text or term who face him, then the conclusion and list of sources . The legal translation foremost translation between two languages and two legal juridical we can speak about two different legal systems. This means that the legal term predetermined legal system that belongs to him that legal term, and it cannot be understood and therefore t
... Show MorePhraseological or phraseological turn - unchanged in structure and composition, integral in meaning and lexically indivisible phrase or sentence, performing the function of a separate dictionary unit - lexemes. Idioms are found in any language of the world. But such a number of winged phrases, as in Russian, is nowhere else. Idioms play a role in displaying the national-cultural characteristics of any language. They very clearly and accurately reflect the characteristics of the perception of the world, the characteristic features of the material and spiritual life of native speakers, his mentality.
This article is devoted to the cognitive study of ironic metonymy in Russian and Arabic. Metonymy and irony have traditionally been seen as parallel linguistic phenomena. But their formation and interpretation are based on different cognitive mechanisms. At the formal and functional level, metonymy and irony have a number of significant differences. Metonymy is an artistic technique, the mechanism of which is based on obvious, easily traced connections between objects and phenomena of the surrounding world. Irony is a satirical technique or a rhetorical figure that is used to create a certain artistic image, aimed at forming the hidden meaning of the statement. A native speaker intuitively feels the difference between metonymy and i
... Show Moreاستخدام الضمائر انت وانتم في الآدب الروسي الكلاسيكي